California’s High Desert Hidden Gems: Noah Purifoy’s Outdoor Desert Museum

It’s been months since museums have been closed in Southern California where I live, so when I learned about an outdoor museum while planning a trip to Joshua Tree National Park, I knew we had to go!

Welcome to Noah Purifoy’s Outdoor Desert Museum of Assemblage Sculpture.

After spending most of the day hiking in the strange but beautiful Joshua Tree National Park, we headed out for a look at another high desert gem—Noah Purifoy’s Outdoor Desert Art Museum of Assemblage Art. We drove through the small town of Joshua Tree, into the scrubby desert landscape, past large lots and small houses–more than a few surrounded by chain link fences. In this part of Southern California, pick-up trucks are far more popular than Porsches.

The high desert landscape is the perfect setting for Mr. Purifoy’s assemblage art. Shipwrecked is in the foreground with White House to the left.

Up and down the lonely roads we drove until our turn- off onto an unpaved road that ended in a dirt lot. A triumphal arch of tires spelling out W-E-L-C-O-M-E in a non- conformist way, let us know we had arrived. 

Please don’t jump on the Band Wagon, 1995. Tempting as it is, visitors are asked to refrain from touching or climbing on the sculptures.
Bowling balls play a starring role in a number of Mr. Purifoy’s sculptures.
Found materials of all kinds make up the monumental sculpture in the Outdoor Desert Museum, as in this work called Aurora Borealis.

I have been fascinated by assemblage art for a long time. Created from found materials, assemblage art personifies the old saying, “One man’s trash is another’s treasure,” and shows how a creative mind can make something provocative, beautiful, and meaningful from goods that might otherwise have been tossed on the trash heap.  Noah Purifoy’s Outdoor Desert Museum of Assemblage Sculpture is the embodiment of that. 

1996 Toilet Bowl Sculpture is just one of the 30 inventive and monumental assemblage sculptures on the 10-acre art site.

Too often, we find ourselves exploring these out-of-the-way places alone. We were happy to see others here experiencing these amazing art installations.

Purifoy’s work can be poignant and provocative. This piece is called White/Colored.
Homelessness and shelter are among the social themes Purifoy explores in his work.

A renowned assemblage artist, Noah Purifoy first came to national attention with sculpture he created using burnt debris from the 1965 Watts Riots in Los Angeles.  His work was part of 66 Signs of Neon, a landmark group exhibition that traveled across America and abroad from 1966- 1971. 

Prominently positioned, The White House includes plumbing ware and bowling balls. It took Purifoy three years to create.

Free brochures lead visitors on a self-guided tour of the 10-acre site. Docent-led visits for groups can be arranged through the Noah Purifoy Foundation.

Purifoy was the founder and first director of the Watts Tower Art Center and was later appointed to the California Arts Council, a position he held for more than a decade. His work there included bringing art into California’s State Prison system under the Artists in Social Institutions program he initiated.

This piece, called Kirby Express, was created from old Kirby vacuum cleaners and bicycle parts among other things.
Here’s Kirby Express from a different vantage point with Shipwrecked and Carousel to the left.
No Contest (Bicycles) is dwarfed by a Joshua Tree, the area’s namesake desert plant.

Long a fixture on LA’s art scene, Purifoy, who was born in Alabama in 1917, moved to Joshua Tree in California’s high desert in 1989.  He began populating his 10-acre sculpture park with works of all shapes and sizes using materials ranging from discarded toilets to tires and just about everything in between. Industrial materials, clothing, wood, metal, rubber, concrete and old appliances all found their way into Purifoy’s art.

From the Point of View of the Little People, 1994.
Abstract, whimsical, inventive and thought provoking, Purifoy’s works are best experienced by a visit to his amazing desert museum.
Piles of old chairs became art in Purifoy’s wildly creative hands.

From 1989 until his death in 2004, Purifoy worked to create a public art space that continues to attract visitors from across the country and around the world.  Admission to the sculpture park is free but donations are welcome. The Outdoor Desert Museum is open daily.

The Gas Station conveys a certain attitude. The White House is to the left.
Admission is free but donations are welcome.

Purifoy’s work can be seen at the Whitney Museum of American Art in New York, Los Angeles County Museum of Art, National Gallery of Art in Washington, DC, as well as other prestigious art institutions here and abroad. Until those eminent museums open their doors again, and even after, visitors to Southern California may well want to head to the high desert to experience Purifoy’s final and very impressive body of work. Visit www.noahpurifoy.com for more.

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  • Cherie January 28, 2021 at 3:37 am

    Interesting!