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Into the Woods –Bomarzo’s Monster Park

We made our way to Bomarzo’s Monster Park on a beautiful autumn day, early enough that the morning fog still hung over the woods adding a decidedly forbidding atmosphere to the place.

With its strange and beautiful sculptures, eerie wooded pathways and vertigo-inducing tipsy house, I wondered for a moment if Lewis Carroll had taken inspiration from Bomarzo for his Alice’s Adventures in Wonderland.

*The dragon symbolizes time and wisdom, rather than destruction. At Bomarzo, the dragon fights a dog, lion and wolf representing spring, summer and winter.*

While appearing completely contemporary, this unconventional garden near Viterbo, Italy was commissioned by Prince Pier Francesco “Vicino” Orsini in 1552. Known for their balance, order and harmony, classical 16^th century Italian gardens with their careful geometric designs and extravagant water features seemed to celebrate man’s control over nature. Not so, the wild and woodsy Bomarzo.

*Bomarzo’s winding, woodsy paths are full of surprises.*

*The giant jaws of the whale warn visitors away from the water.*

Created by architect Pirro Ligorio in the Mannerist style, this garden is almost a rebellion against order and a tribute to life’s unpredictability. That’s what makes it so much fun to visit.

*Proteus, Neptune’s son, comes from the legend of Glauco, a fisherman who became a sea god.*

Instead of being adjacent to or surrounding the owner’s villa like most gardens of the period, this one flourishes in a nearby wood, nearly hidden from view from the palace above.

*Il Sacro Bosco, the Sacred Wood, is the opposite of the well-ordered classical 16th century Italian garden.*

There is no rhyme or reason to this garden. There doesn’t seem to be a relationship between the sculptures and their placement in the park, though that could have everything to do with the fact that they were all carved from gigantic rocks where the stone stood.

*Statues were carved on-site from stones where they stood.*

Il Sacro Bosco or the Sacred Wood, as the Monster Park is also known, is home to mermaids, sphinx, dragons, nymphs, fountains, a giant tortoise, and a heroic Hercules, among other fantastical sculptures.

*The tortoise symbolizes the feminine powers of water and ancient knowledge.*

Originally the sculptures would have been painted in bright colors. None of that remains today though some pieces are covered in downy green moss. I was slightly disappointed to see the tortoise had recently had her nice coat of soft green moss removed, though she was still a striking figure.

*An elephant carrying a castle was a popular medieval symbol and reference to Hannibal’s use of elephants to invade the Italian peninsula.*

*This elephant, holding a wounded or dead soldier, represents Rome’s victories and defeats.*

Many of the Bomarzo’s sculptures have historical, religious and cultural significance. Some are meant to be puns or puzzles. Others may have had meanings which have long been lost over the nearly 500 years since the garden was created. The brochure we received with our tickets gave explanations for all of the 35 key sculptures, as well as serving as a guide through the park.

*The sleeping nymph, which represents purity in Greek mythology, is both human and divine.*

The Ogre, or L’Orco, king of the underworld, is at the center of the garden and one of the most popular sculptures at Bomarzo. I found a photo of surrealist artist Salvador Dali sitting in the “Mouth of Hell” in 1938! He was so inspired by the Monster Park that he made a short film about the gardens.

*A school group posed in front of the giant sculpture amid much jostling and laughter, clearly enjoying the monsters and whimsical creatures throughout the park.*

The inscription above the entrance says, “Abandon all thought,” a reference, and maybe a tribute, to Dante Alighiere’s Divine Comedy- Inferno, where a warning above the Gates of Hell reads, “Abandon all hope, ye who enter here.” Don’t be put off. Inside the mouth, visitors will find cool respite and a small built- in table and seats. It’s a perfect place for contemplation and perhaps a picnic.

*Just try to walk around inside the Leaning House without losing your balance!*

Another popular stop, the Leaning House doesn’t seem so disorienting until you get inside and try to explore the rooms. There’s not much to see other than the family crest and motto. It is a vertiginous experience at best and not a place to linger—purposefully, scholars think. Some believe that the house represents the falling fortunes of the Orsini family, but nearly 500 years on, the house still stands!

*Proserpina welcomes visitors to the hippodrome area.*

Hiding around every corner or peeking through the trees are heroic and monumental figures. Proserpina, wife of Pluto, stands in for Diana and Juno greeting visitors with open arms. An enormous Hercules—a protector of good, is shown subduing the evil Caucus. Ceres appears with her circle of babies.

*Hercules, protecting the poor, vanquishes Caucus, who stole food from them.*

Neptune towers over the basin, while the open jaws of a whale warn visitors away from the water. Nearby, a giant nymph is both human and divine– a reference to the sleeping Ariadne. There are Furies, a pegasus, dolphins, lions and other mythical and magical creatures throughout the garden.

*The Winged Fury is of Greek origin and also played an important role in Roman religion. The Furies were considered guardians of national glory and the fertility of the soil.*

There are large vases with inscriptions no longer decipherable, benches with messages in Latin, and much more that will surprise and delight around every turn.

*Some of the benches have Latin inscriptions.*

*Scholars think this sculpture represents Bacchus’s descent into hell, goblet in hand. Medusa’s head is carved into the bottom of the giant vase.*

Il Sacro Bosco was created as a memorial to Prince Orsini’s late wife, Guilia Farnese, of the wealthy Farnese family. Their money helped fund the garden, which her broken- hearted husband intended as a manifestation of his grief and a place of shock and surprise.

*Il Sacro Bosco was created as a tribute to Orsini’s late wife, Guilia Farnese.*

A Pegasus in the garden represents Orsini’s in-laws– the Farnese family. The Temple of Eternity was built 20 years after the original garden as a memorial to Guilia and was designed with roses associated with the Orsini family.

*Wander as you like, but if you follow the suggested trail in the park’s brochure you’ll see all of the key sculptures and sights in this fascinating garden.*

Visitors are welcome to wander freely through the paths, but following the trail outlined on the brochure’s itinerary will ensure that you won’t miss a single one of the extraordinary sculptures and sights waiting in the Sacred Wood at Bomarzo. While the traditional gardens of the period we visited– including Villa Farnese, Villa Lante and Villa D’Este–are stunning, Bomarzo is absolutely fascinating. We’ve never experienced anyplace like it!

Written and photographed by Jeanne Neylon Decker

Protected by US Copyright Laws.

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An Afternoon with Otzi the Iceman

He’s an international man of mystery, media darling, and a murder victim. Otzi the Iceman was brutally killed about 5,300 years ago and is the oldest known natural human mummy in Europe. A German couple hiking the Otzal Alps discovered his body on September 19, 1991 on a glacier in Italy about 100 meters across the Austrian border — thus his nickname. We spent an afternoon with Otzi, not far from his birthplace in the Dolomites.

*Otzi’s final resting place is the South Tyrol Museum of Archeology in Bolzano Bozen, not far from where he was born and where his body was discovered 5,300 years later.*

After a brief custody dispute— both Austria and Italy laid claim to Otzi–research on his mummified body began at Innsbruck University in Austria. He has found a final resting place at Italy’s South Tyrol Museum of Archeology in Bolzano Bozen. Today, the entire museum is dedicated to Otzi and life in the Copper Age. Visitors can peek through a small glass window to view Otzi’s body, which is kept in a climate controlled, sealed vault. Be patient, there is always a line to see him.

*Otzi’s body is preserved in a viewable, climate- controlled vault but signage asks visitors to be respectful and refrain from photographing his remains. This acrylic model is provided for photos.*

*Scientists have created a remarkably life-like reconstruction of Otzi, one of the world’s most fascinating murder victims and Europe’s oldest natural human mummy.*

A 3-D reconstruction gives a surprisingly lifelike depiction of what Otzi would have looked like. He was believed to be 45 years old when he met his untimely death. At 5’3’’ and 110 lbs., he was short and stocky, but muscular. He wasn’t in the pink of health when his life was cut short, though. He had tooth decay, parasites and H. pylori, which would have caused numerous gastric issues. Scientists were able to retrieve and identify the contents of his stomach which included his last meal—red deer meat, unleavened bread and fruit and an herb called hop hornbeam. He likely took that to ease his tummy troubles. His hair had high levels of arsenic and copper particles, possibly from smelting copper, which may also have contributed to his ill health. None of these things killed him though.

*Otzi’s goat hide leggings, bearskin hat, and other garments were remarkably well preserved after 5,300 years entombed in a glacier.*

*Otzi’s leggings would have extended into his shoes for warmth and protection from the snow and rain.*

The garments and accessories Otzi was wearing when he met his demise were remarkably well preserved by his years of glacial entombment. His lambskin loincloth, goat hide coat and leggings, and bearskin hat are all on exhibit, along with what remains of his shoes with their cow hide laces. His shoes are really something to see- made from bearskin soles, deer hide uppers and tree bark netting, they were lined with grasses that acted like socks and cushioned his feet for the long treks he made through the mountains.

*Bearskin, deerskin, tree bark netting and hay-like grasses went into the construction of his shoes. Here you can see the structural foundation as well as what remains of his well worn shoes.*

Even his deerskin quiver and arrows survive. Because of the variety of animal skins used in his clothing and accessories, researchers believe that Otzi kept and herded domesticated animals like sheep, goats and cows, earlier than was previously thought.

*Scientists discovered blood, not his own, on Otzi’s goat skin coat, adding to the mystery around his murder.*

He also had a grass cape with him, either to wear as a raincoat or to sleep upon—or maybe both. Displays show how all of his garments fit together to protect him from the elements—pretty complicated!

*Drawings indicate how Otzi would have dressed. Fitting each item together was a lot more complicated than you’d imagine.*

Otzi liked ink! He is in the Guinness Book of World Records for being the oldest person on earth to sport tattoos. His body is adorned with 61 of them made by rubbing charcoal dust into fresh wounds. These are certainly not the elaborate tattoos seen today—they’re mostly crosses and lines on his back, ribs, wrist and legs and may have been used for pain relief.

*The copper head on Otzi’s axe came from far-away Tuscany, which meant he traveled widely or traded or both.*

Researchers have been able to piece together a great deal about the life and times of Otzi the Iceman based on his clothing and the items found alongside him. He had a copper-bladed axe, which would have made him a high-status individual. The copper was from Tuscany, quite a distance away, so he traveled or traded or both. He also had a flint dagger from the Lake Garda area, arrows, incomplete shafts and longbow, plus a net. Otzi was a hunter.

*The articles found near his body give us great insights into Otzi’s lifestyle and activities. A backpack frame, shown here, was one of many personal belongings discovered with him in 1991.*

He had several wooden tools used to fashion clothes or utensils—he would have needed these to make repairs or construct needed items on his long treks. He also had a birch bark cylinder likely used to carry hot embers for quickly starting a cook fire and a complex fire-starting kit. These would have been handy on his journeys for cooking and for warmth. Otzi has shown us that people travelled more widely than previously believed during the Copper Age, trading goods, services and knowledge.

*Visitors can examine Otzi’s clothing, weapons, even the contents of his last meal, and learn what scientists have finally determined was his cause of death.*

Researchers know what the iceman wore and ate and likely what he did for a living, but mystery surrounded his murder until 2012. Was he struck in the head with a blunt object? Stabbed? Shot in the back with an arrow? Was there a fight? Or all of these things? Scrappy Otzi was definitely a hunter and a fighter. Blood from four different individuals was found on Otzi’s dagger, coat and on one of his arrows which could mean a battle. He had several broken ribs that had healed before death, and he had been struck in the head. His brain had evidence of clots which could have been from blunt force trauma that then caused stroke or embolism. He also had stab wounds on his hands. The likeliest cause of death was the arrow lodged in his left shoulder. Finally, in 2012, researchers agreed that Otzi had bled to death from the arrow wound.

*Otzi and the mysteries surrounding him have made him a popular media subject across the globe.*

Otzi’s discovery made quite a stir worldwide and was also marked by controversy. Once the significance of the find was reported, numerous people claimed to have found the body. The museum has an exhibit detailing much of the media coverage around him. Otzi is so scientifically important; the museum has a specific evacuation plan for him should a crisis arise that could damage him. He has opened a window into life in the Copper Age that would have remained closed, had those hikers not stumbled upon him back in 1991.

*Helmut and Erika Simon, a German couple, were credited with finding Otzi’s body on the Tisenjoss Pass, just over the Austrian border in Italy, while hiking in the Otzel Alps.*

In 2012 Otzi’s genome was sequenced using a bit of his hip bone, revealing he had brown eyes, type O blood, a predisposition to heart disease, was lactose intolerant, and may have had Lyme disease. His maternal line is extinct, but his paternal lineage is intact. In 2013, 19 Austrian men from a group of 3,700 tested, shared a unique genetic mutation with Otzi. Scientists believe that his descendants would have settled between the Dolomites and Sardinia— his genetic profile has much in common with Sardinians today —and that there are likely more of them alive today.

Our afternoon with Otzi was fascinating and we’d highly recommend a visit if you’re in the Bolzano Bozen area. For more information, click here.

Written and photographed by Jeanne Neylon Decker

Protected by US copyright laws.

Semana Santa: How to Celebrate Holy Week in Spain

Throughout Spain, the week leading up to Easter Sunday, known as Semana Santa or Holy Week, is observed in ways both joyous and solemn. Each afternoon and evening from Palm Sunday through Easter Sunday, thousands of Spaniards and visitors gather in city streets and town squares to celebrate a Catholic tradition that dates back at least to the 15^th century—to the reign of the Queen Isabella and King Ferdinand. The Catholic monarchs, as they are called, told the story of Christ’s resurrection to a largely illiterate population in a way that has endured for centuries, through processions. Here’s our experience:

Processions on each day of Semana Santa correspond to the story of Christ’s Passion, Death and Resurrection with different pasos depicting specific biblical scenes from the New Testament. In Ronda, one of Andalusia’s famous “white towns,” Jesus is shown arriving in Jerusalem on his donkey on Palm Sunday, *traditionally the beginning of Holy Week.*

We arrived in Madrid for the first time on a Maundy Thursday– the Thursday before Easter commemorates Christ’s Last Supper and is one of the Catholic Church’s holiest days. Though it was after 9 p.m., we were confident we’d find plenty of dinner options in a city known for dining late. Instead, we found one restaurant after another closed. Finally, at the Bar Santa Clara, the proprietor explained most places were closed not due to the hour, but to the day, pointing out it was Holy Week and that in Madrid people take Easter very seriously. He told us we could have “anything on toast” but that was all they were serving that evening. We ordered everything available–cheese, tomatoes, anchovies, and ham—all on toast.

Good Friday is one of the most important days in Holy Week and the pasos and processions are fittingly elaborate. It was well after midnight when this Good Friday procession returned to Toledo’s Cathedral.

We returned to our apartment behind the Prado Museum close to midnight and were getting ready for bed when our son excitedly announced, “I hear a parade!” We followed the pounding of drums and the heady scent of incense down the street towards San Jeronimo—the church favored by Spain’s Royal Family. Sure enough, a candlelit procession appeared out of the dark. First, we saw columns of marchers in various colored robes, faces covered, wearing tall, pointed hats. It was unsettling. Next, seemingly swaying to the music and moving ever so slowly, came an enormous float we learned was called a paso, featuring a life-sized Christ figure. Beneath it, we could see the strained faces of the men who somberly carried it on their shoulders. We watched until the entire procession passed into the church.

Be prepared for huge crowds during Semana Santa. The Plaza Mayor in Salamanca, one of the most beautiful in Spain, filled in minutes before the procession began. Streets and sometimes whole areas of a city may be closed to traffic during Holy Week.

We didn’t understand the scale of Holy Week celebrations in Spain, or their importance, until the next evening when we found ourselves caught up in enormous crowds between four different processions around Plaza Mayor, as we tried unsuccessfully to get to dinner on time. This, we began to understand, was how they celebrate Semana Santa. We joined in the celebrations.

*Sevilla is known for its elaborate Semana Santa celebrations. Chairs, banners and barricades went up at least a week before the festivities began.*

Fast forward a few years and we are in Sevilla. Preparations are well underway for Semana Santa though the festivities won’t begin for another week. Colorful banners are hung from balconies lining the procession routes that crisscross the city. Barricades are erected, and chairs and bleachers are set up in key locations for those privileged few with tickets. The rest of us will crowd the streets and sidewalks waiting and watching for the story of the Passion of the Christ to unfold as it has for 500 years or more.

*Every detail on the pasos must be perfect. At the Iglesia Colegial del Divino Salvador in Sevilla, members of the cofradia work together to ready their pasos for Holy Week.*

Meanwhile, cofradias (also called hermandades) or brotherhoods, are busy in parishes everywhere, painstakingly assembling the lavish pasos. These floats are beautiful works of art featuring biblical scenes that tell the story of Christ’s Passion, Death and Resurrection from the New Testament. They hold life-sized statues often handcrafted from wood and can include precious metals. They are laden with candles, fresh flowers, and icons. The most beautiful of these hold a single statue—the Madonna or Senora Dolarosa, the grieving mother of Christ. She is enrobed in an elaborate cape, often hand- embroidered with gold and silver thread, wearing gleaming jewels and surrounded by candles and flowers.

Jamie is a member of the confradia at the Church of the Magdalena and one of the 35 to 45 men, called costaleros, who will carry this exquisite paso through the streets of Sevilla during Holy Week. Once fully decorated with candles and flowers, pasos can weigh 5,000 pounds or more.

While the pasos are being readied, you can visit them in their parishes. We spent days wandering from church to church in several cities to see these magnificent pasos up close, admiring the detail and careful handiwork of the cofradias. We had the chance to chat with one gentleman, Jamie, who is not only a member of the brotherhood at the Iglesia de Santa Maria Magdalene in Sevilla, but also one of the bearers, called costaleros, who carry the massive pasos for up to six hours through Sevilla’s cobbled streets. He told us some pasos can weigh 5,000 pounds and take between 35 to 45 men to carry. Only women carry the paso of the Holy Mother in some parishes, as we saw in several processions in Salamanca last Easter.

Pasos, like this one at the Monastery of San Juan do los Reyes in Toledo, are on display in churches during Holy week. Visiting different parishes gives you the chance to admire the careful craftsmanship that goes into these spectacular floats up close.

Shortly before a procession begins, the sidewalks and streets swell with families who seem to appear from nowhere and a carnival-like atmosphere prevails. There are street vendors selling sweets and snacks, drinks, balloons, tiny penitent figures and other souvenirs. Soon, the incense smoke thickens, music starts, and the excitement in the air is palpable. Fathers hoist their young children onto their shoulders, and everyone crowds closer and often right into the street where the procession will pass. Some processions have only drummers; most have full marching bands, and sometimes there is singing. Depending on the size and importance of a brotherhood, parish, and the day in Holy Week, there can be numerous pasos in a single procession.

*People fill the streets and vendors with balloons, toys, sweets and drinks create a carnival-like atmosphere before and after Semana Santa processions.*

Embroidered banners announce the cofradias; a priest with a silver cross leads children carrying incense or lanterns. Nazarenos in their colored robes, faces covered by capuz or hoods, and hats called capirote pointing high to the heavens, follow. These are the penitents. There are also Mujeres de la Mantilla, ladies dressed all in black from their lacey veils to their shoes, silently processing, carrying candles and rosary beads. Everywhere in Spain, men, women and children march slowly through the streets during Semana Santa’s processions, each with a role to play in this ancient ritual.

*Young, old, believers or not, everyone crowds onto Spanish streets, like this one in Granada, to watch the traditional processions that mark Semana Santa.*

It is magical and emotional to be a part of this. Many people cry silently with tears streaming down their faces, some sob violently, others cheer and clap, or watch quietly as the exquisite pasos go by, but you will not see a blank expression. These processions touch people at the most visceral level. Finally, the pasos will re-enter the church they left from hours before and the streets empty almost as quickly as they filled.

The Senora Delarosa represents Christ’s grieving mother, the Virgin Mary. These beautiful sculptures are bedecked in jewels and exquisite garments, and surrounded with fresh flowers and candles. They usually follow the other pasos in Holy Week processions.

Every city we visited during this sacred time of year has procession routes and schedules available online and/or in print. Look for the booklets in cafes, shops and bars. This is valuable information for visitors to either find or avoid the processions. Be aware of street closures. Whole areas of a city may be closed to traffic and even passing on foot is extremely difficult, especially during the most important processions—like on Good Friday. Sevilla, Toledo, Malaga and other cities have Semana Santa apps, updated annually, you can download on your iPhone.

*The Risen Christ greets onlookers from this paso at an Easter Sunday procession approaching Salamanca’s Cathedral.*

We have been fortunate to celebrate Semana Santa and Easter Sunday in Madrid, Barcelona, Sevilla, Granada, Toledo, and Salamanca. Each city offered a unique and beautiful experience. No matter which region you visit, Semana Santa is an incredible time to be in Spain. It’s not too soon to begin planning for next year!

Written and photographed by Jeanne Neylon Decker

Protected by US copyright laws.

California’s High Desert Hidden Gems: Noah Purifoy’s Outdoor Desert Museum

I first learned about Noah Purifoy’s wondrous Outdoor Desert Museum while planning a trip to Joshua Tree National Park during the COVID pandemic. Museums, and most cultural outlets, were closed in Southern California where I live, and pretty much everywhere else, too. When I learned about an outdoor museum close to the town of Joshua Tree, I knew we had to go!

*Welcome to Noah Purifoy’s Outdoor Desert Museum of Assemblage Sculpture.*

After spending most of the day hiking in the strange but beautiful Joshua Tree National Park, we headed out for a look at another high desert gem—Noah Purifoy’s Outdoor Desert Museum of Assemblage Art. We drove through the small town of Joshua Tree, into the scrubby desert landscape, past large lots and small houses–more than a few surrounded by chain link fences. In this part of Southern California, pick-up trucks are far more popular than Porsches.

*The high desert landscape is the perfect setting for Mr. Purifoy’s assemblage art. Shipwrecked is in the foreground with White House to the left.*

Up and down the lonely roads we drove until our turn- off onto an unpaved road that ended in a dirt lot. A triumphal arch of tires spelling out W-E-L-C-O-M-E in a non- conformist way, let us know we had arrived.

*Please don’t jump on the Band Wagon, 1995. Tempting as it is, visitors are asked to refrain from touching or climbing on the sculptures.*

*Bowling balls play a starring role in a number of Mr. Purifoy’s sculptures.*

*Found materials of all kinds make up the monumental sculpture in the Outdoor Desert Museum, as in this work called Aurora Borealis.*

I have been fascinated by assemblage art for a long time. Created from found materials, assemblage art personifies the old saying, “One man’s trash is another’s treasure,” and shows how a creative mind can make something provocative, beautiful, and meaningful from goods that might otherwise have been tossed on the trash heap. Noah Purifoy’s Outdoor Desert Museum of Assemblage Sculpture is the embodiment of that.

*1996 Toilet Bowl Sculpture is just one of the 30 inventive and monumental assemblage sculptures on the 10-acre art site.*

Too often, we find ourselves exploring these out-of-the-way places alone. We were happy to see others here experiencing these amazing art installations.

*Purifoy’s work can be poignant and provocative. This piece is called White/Colored.*

*Homelessness and shelter are among the social themes Purifoy explores in his work.*

A renowned assemblage artist, Noah Purifoy first came to national attention with sculpture he created using burnt debris from the 1965 Watts Riots in Los Angeles. His work was part of 66 Signs of Neon, a landmark group exhibition that traveled across America and abroad from 1966- 1971.

*Prominently positioned, The White House includes plumbing ware and bowling balls. It took Purifoy three years to create.*

*Free brochures lead visitors on a self-guided tour of the 10-acre site. Docent-led visits for groups can be arranged through the Noah Purifoy Foundation.*

Purifoy was the founder and first director of the Watts Tower Art Center and was later appointed to the California Arts Council, a position he held for more than a decade. His work there included bringing art into California’s State Prison system under the Artists in Social Institutions program he initiated.

*This piece, called Kirby Express, was created from old Kirby vacuum cleaners and bicycle parts among other things.*

*Here’s Kirby Express from a different vantage point with Shipwrecked and Carousel to the left.*

*No Contest (Bicycles) is dwarfed by a Joshua Tree, the area’s namesake desert plant.*

Long a fixture on LA’s art scene, Purifoy, who was born in Alabama in 1917, moved to Joshua Tree in California’s high desert in 1989. He began populating his 10-acre sculpture park with works of all shapes and sizes using materials ranging from discarded toilets to tires and just about everything in between. Industrial materials, clothing, wood, metal, rubber, concrete and old appliances all found their way into Purifoy’s art.

*From the Point of View of the Little People, 1994.*

*Abstract, whimsical, inventive and thought provoking, Purifoy’s works are best experienced by a visit to his amazing desert museum.*

*Piles of old chairs became art in Purifoy’s wildly creative hands.*

From 1989 until his death in 2004, Purifoy worked to create a public art space that continues to attract visitors from across the country and around the world. Admission to the sculpture park is free but donations are welcome. The Outdoor Desert Museum is open daily.

*The Gas Station conveys a certain attitude. The White House is to the left.*

*Admission is free but donations are welcome.*

Purifoy’s work can be seen at the Whitney Museum of American Art in New York, Los Angeles County Museum of Art, National Gallery of Art in Washington, DC, as well as other prestigious art institutions here and abroad. These eminent museums have long since reopened their doors, but visitors to Southern California may well want to head to the high desert to experience Purifoy’s final and very impressive body of work. Visit the Noah Purifoy Foundation for more information.

Written and photographed by Jeanne Neylon Decker

Protected by US copyright laws.

Palm Springs—Marvelous Modernism Week

Palm Springs. Just the thought conjures up sunny skies, swimming pools, palm trees—a picture perfect place to relax and enjoy the desert climate, perhaps with a cocktail in hand.

Palm Springs is also a mecca for midcentury modern architecture, design and style. From February 13-23, 2025, the city will welcome Mid Mod fans for Modernism Week’s 20th anniversary! Naturally, I’ll be writing an update, but in the meantime, here’s a story I wrote a few years ago about this celebration of all things midcentury:

Palm Springs shifts into high gear each February, as Midcentury Modern fans from across the globe descend on this laid-back desert community for the 11-day festival called Modernism Week. In 2020, just weeks before the pandemic shutdown hit, 162,000 attendees came to enjoy midcentury fun in the sun. I was one of them.

*Bus tours, walking tours, bike tours, architectural tours, garden tours and my favorite– home tours– are all part of the fun at Modernism Week.*

Modernism Week offers more than 350 events including signature home tours, films, lectures, fashion shows, bus tours, bike tours, walking tours, garden tours, parties, a vintage trailer show, art exhibitions, vintage car show, design expo, cooking demonstrations, concerts—all focused on midcentury modern design, architecture, art, and culture. Here’s a look at some of the featured homes from past Modernism Week festivals:

The collection of framed artwork above represents popular midcentury swimming pool shapes. The owl-themed wall paper in the bar area is also very much on brand in this 2020 Modernism Week featured home.

*This room has midcentury style in spades, from the Hockney print to the light fixture to the room divider!*

*This midcentury office was so much fun, I’m using it as my Zoom background.*

*Wallpaper was an important design element in the classic midcentury home. This room shows how bold wallpaper keeps the look fresh.*

*This shagalicious sitting area screams 1960s… and that wall paper!*

*Part of the fun of home tours is meeting the architects, designers and the home owners who live in these wonderful spaces. Kevin and Howard are designers and the homeowners here.*

Lots of desert homes have courtyards featuring brise soleil– French for “sun breaker” –to let the air in but keep the sun out. You’ll see some elaborate examples from the double decker bus tours, as well as on home tours.

As if all those tours, presentations and special events weren’t enough, last year there were opportunities to meet with landscape architects (including my friend Amelia Lima, an award- winning landscape architect), authors, designers and other experts during the event–sometimes one-on-one to help you solve your design problems indoors and out. There was even a chance for some retail therapy at the annual vintage yard sale. There’s truly something for everyone who loves the mid-century aesthetic at Modernism Week!

*The always popular Modernism Show & Sale and Modern Design Expo is a highlight for many at Modernism Week.*

*Shopping for vintage decor as well as brand new pieces like this cork furniture by Eugene Stotzfus is all part of the fun at the Modernism Show and Sale.*

In addition to all those tours and talks, demonstrations and presentations, there are parties!

*They were just putting the festive finishing touches on this home, by Christopher Kennedy, when we arrived. It’s fun to experience featured show homes in a relaxed and convivial setting.*

I usually start my day at CAMP – Modernism Week’s ‘Community and Meeting Place’ and defacto headquarters for tours and events.

*I like to start my day with a cup of Koffi at CAMP! Koffi has been providing complimentary coffee and tea to attendees since I’ve been coming to Modernism Week.*

At CAMP, you’ll find information, complimentary coffee, a snack bar, pop-up bookstore and shop, cooking demonstrations, and swoon worthy sponsor displays from companies like Ferguson Kitchen, Bath & Lighting Gallery, Corian Design, JennAir, and Brizo. Many nights CAMP hosted live music by the Dreamboats and a happy hour. It was a great place to take a break, grab a bite and mingle.

*Meet my new friends. Dressed to impress for Modernism Week, they’re here from Calgary to enjoy live music by the Dreamboats and Happy Hour at CAMP.*

*CAMP serves as “headquarters” for Modernism Week. Step inside for information, tickets, book and gift shop, coffee, snack bar, demonstrations and more.*

Due to the ongoing pandemic and local and state requirements, Modernism Week will be different this year. The 2021 celebration will actually be two events. Organizers have announced that this year’s celebration will include an all-virtual program for the entire month of February and in person events scheduled for April 8-18.

The Modernism Week Online Experience from Feb. 1 – 28, 2021 will feature more than 20 video programs available for on demand streaming throughout the month. The April 8-18 festival in Palm Springs will include in-person events, including home and garden tours, as well as additional virtual experiences. Please visit modernismweek.com for program updates.

Charles Phoenix, the always popular midcentury modern expert and author, took us on a fabulous virtual trip to some of Palm Springs most iconic homes during October Preview Week. Photo courtesy Modernism Week.

I sampled Modernism Week’s first virtual offering during the October Preview Week event which was held all online due to Covid-19. I took a wildly entertaining virtual “ride” with Charles Phoenix, the cheeky midcentury expert and author who typically leads sold- out bus tours during Modernism Week.

Elvis Presley and his bride Priscilla spent their honeymoon at this Palm Springs Swiss Miss -style home. Modernism Week’s virtual tour takes you inside where you’ll get a peek at things like the circular electric range– high style for the times!

Mr. Phoenix is a hoot, to say the least, and led a fast- paced and informative trip around Palm Springs in his vintage ride. I “visited” numerous midcentury icons including Elvis and Priscilla Presley’s Swiss Miss honeymoon hideaway and Richard Neutra’s Kaufmann House with Mr. Phoenix and loved every minute of it.

*I’d seen the exterior of the Richard Neutra- designed Kaufmann House on other Modernism Week tours, but the virtual visit took viewers inside this home and many others.*

I also took virtual tours of the stunning SkyFall House—yes, you might expect Mr. Bond to arrive via parachute over the pool—the fabulous Pierre Cardin House with a 1972 special Cardin edition AMC Javelin in the garage, the Edris House with its Dixiecup lighting, and the home noted midcentury architect Donald Wexler designed for his own family, along with other historic area dwellings– all thanks to a series of videos created especially for Modernism Week. I’m looking forward to February’s slate of programs!

While the virtual programming was entertaining and informative, I’m excited about the April 2021 in person programming. Organizers have announced that all activities and events are designed to meet social distancing and safety protocols per California public health requirements.

Modernism Week’s 2020 featured homes were very special, particularly properties like the Miles Bates Wave House designed by Walter S. White.

The iconic Wave House, named for its curvilinear roof, was designed by Walter S. White for Miles Bates in 1955. The building, which had fallen into disrepair and was on the auction block when we saw it in 2018, was open for touring during Modernism Week 2020. The transformation was stunning!

Here’s what Miles Bate’s Wave House looked like when we first saw it in 2018. The inside was even sadder than the exterior. Happily it was purchased and restored to its former glory by LA’s Stayner Architects. Beginning summer 2021, it will be available for events and overnight stay rentals.

*Here’s a look at the cozy kitchen and living area of the Wave House, now beautifully restored.*

The upcoming April events will feature signature home tours, architectural walking tours, an outdoor garden tour, a number of talks and special events, plus the always popular Modernism Show & Sale and Modern Design Expo.

*I am very excited about the return of in person home tours in April. This stunning “Mesa Modern” was a featured home in 2020.*

*Indoor/outdoor living is a hallmark of midcentury modern architecture. This home showcases the concept brilliantly!*

Visits to Frank Sinatra’s Twin Palms and the William Holden Estate are part of the 2021 program, as are outdoor neighborhood tours in Palm Springs, Rancho Mirage and Indian Wells; tours of the Lautner Compound; fashion events; and a vintage automobile exhibition.

*Visits to historic homes like the O’Donnell House, are also a part of Modernism Week activities. I toured Ojo Del Desierto, or Eye of the Desert, as Thomas O’Donnell called his home, in 2020.*

One of the O’Donnell House bedrooms features head and footboards carved with the iconic bell that marked California’s Camino Real established by Junipero Serra during the Mission period. The home is available for rentals and events.

This year there will be two outdoor tours of Sunnylands, one of my favorite places to visit in the desert and a discovery I made during Modernism Week a few years ago. There will be a shuttle tour of the exceptional landscaping around the estate and a historic walking tour of the expansive grounds.

The former home of media mogul Walter and Lenore Annenberg, this midcentury masterpiece has hosted eight US presidents (two of whom were close friends of the Annenbergs), royalty and international leaders, and continues to play a role in promoting world peace under the auspices of the Sunnylands Trust.

When indoor tours resume, take one! You have to see the Reagan’s favorite bedroom where Mrs. Annenberg made sure to have plenty of the former President’s preferred snack—Jellybelly jelly beans that just happen to coordinate with the bed linens! You can read and see more about this desert treasure here.

Interior tours of Sunnylands are not available now due to the pandemic, but we highly recommend you take one when they return. Photography is not permitted inside the home. This image is courtesy of Sunnylands.

There are plenty of free and low-cost activities during Modernism Week. Some of the best values are the fascinating presentations given by experts in design, architecture, midcentury culture and style, and landscape design. Some of these cost as little as $10.

*Some of Modernism Week’s presentations take place at the nearby Palm Springs Art Museum, like this one about Eero Saarinen.*

*Textile designer and social “disrupter” Marguerita Mergentime was the subject of another fascinating presentation during Modernism Week 2020.*

Ticket sales support an ongoing scholarship program for Coachella Valley students embarking on an education in architecture and design. Attendees contribute to a worthwhile cause while enjoying all things midcentury modern. For more information and tickets visit Modernism Week 2021.

Listen to the World at Phoenix’s Musical Instrument Museum

If “Music is the language of the soul,” the Musical Instrument Museum speaks it fluently. The MIM, as it’s known, is home to more than 8,000 musical instruments from every country on the planet and calls itself the world’s only global music museum.

*Musical instruments from every country on earth are displayed at the MIM, sometimes along with ceremonial costumes, like this one from the Mongol people of Ulaanbaatar.*

Wonder what a theremin sounds like or even what it is? Put on your headset and watch and listen as virtuoso Clara Rockmore brings this custom-built instrument to life, moving her hands between two antennae to control pitch and volume. You’ll learn the history behind the instrument, the artist, and even see what she wore as she toured the USA with major symphonic orchestras in the 1930s.

*I’d never heard of a theremin before my visit to the MIM! Now I’ve had the chance to see, hear and even play one!*

The MIM’s interactive technology instantly syncs your headset to any video screen you stand before, allowing guests to see, hear and experience instruments we may never have even heard of, let alone seen and heard being played!

*Move your hands between two antennae to control pitch and volume on the theremin. There’s one in the Experience Gallery for visitors to try!*

Throughout the museum, thousands of instruments– historic, rare and sometimes common place– are displayed along with clothing, costumes, cultural artifacts, maps, and most importantly, information that gives perspective to the ceremonies, rituals and the role in everyday life the instruments play. The videos that accompany each exhibition take visitors on a musical journey to countries and cultures around the world and sometimes, back in time.

*Headphones sync automatically with videos as you walk through the museum.Watch and listen as Kukeri- costumed dancers chase away evil spirits with their jangling bells in Bulgaria*.

*Visit Ireland and hear the Chieftains, the country’s “Musical Ambassadors,” perform traditional Irish music.*

We started our visit at the MIM’s special exhibition, Treasures: Legendary Musical Instruments. Rare, historically significant and stunningly beautiful instruments from around the world, spanning thousands of years of musical history, are on display along with videos that allow you to hear these incredible instruments being played.

*Where else will you see and hear an ancient Greek trumpet that may be the only one of its kind still in existence*?

Nowhere else will you experience the sounds and sight of a Salpinx, an ancient Greek trumpet (300 BCE-200 CE) believed to be the only one of its kind still in existence! You’ll see and hear renowned musician Jake Shimabakuro play a Kumu tenor ukulele handcrafted of Koa wood, mahogany, mother-of pearl, ebony, turquoise, abalone and onyx, built specifically for him. View fragments of a 4,500-year-old lyre from Ur, Mesopotamia (modern day Iraq), along with the oldest intact guitar on earth, and Jimi Hendrix’s iconic Black Widow guitar.

*The oldest intact guitar in the world is at the MIM along with Jimi Hendrix’s famous Black Widow*, *shown below.*

*Anthropomorphic harps from the Ngandi people of the Central African Republic are among the rare instruments in the **Treasures** exhibition and are a part of the MIM’s permanent collection.*

The collection includes a 1584 harpsichord from Belgium made from wood, bird quill, iron, felt, paper and paint, and anthropomorphic harps from the Ngandi people of the Central African Republic (1850-1875). There are fiddles, mandolins, drums, bells, lutes, and flutes– some shown being played by world-class musicians. In the center of it all is a spectacular bronze-gilded grand piano built by the Erard Company in Paris for the 1889 Exposition Universelle, where the Eiffel Tower was introduced to the world.

*This splendid piano was unveiled at the 1889 Exposition Universelle in Paris at the same time as the Eiffel Tower.*

Next door to Treasures, the Artist Gallery features musicians from nearly every genre you can think of from hip hop to country. Missed Woodstock? The MIM has it covered with instruments, costumes, memorabilia and video of that epic event thanks to donations by people who performed there including Carlos Santana, Joan Baez and John Sebastian.

*Memorabilia, musical instruments and concert performances by numerous artists who played the iconic festival help capture the spirit of Woodstock.*

*I saw the legendary drummer performing at New York City’s Rainbow Room many years ago though I don’t know if Buddy was playing this particular set of drums*.

The white, marine pearl Swingerland drum set the legendary Buddy Rich played many times on The Tonight Show hosted by Johnny Carson (also a drummer by the way) is here. So is the Steinway piano John Lennon composed Imagine on and the guitar Eric Clapton used to record Layla. Country music fans will find the Chet Atkin’s Signature electric archtop guitar donated by Duane Eddy and hear Glen Campbell strumming, singing and playing the bagpipes, via video at the MIM.

Photos, video, drums, even Tito Puente’s dazzling jacket are here along with one of the “Queen of Salsa” Celia Cruz’s gorgeous stage dresses and maracas. Cruz, a five-time Grammy -award winner sometimes performed and recorded with Puente.

Elvis Presley, Dick Dale, Black Eyed Peas, Johnny Cash and Maroon 5 are just a few of the artists sharing the spotlight in this enormous gallery which rotates its 40 exhibitions to include music icons from around the world.

*The King is among the legendary performers in the Artists Gallery, of course*!

In the Mechanical Music Gallery, the MIM has treasures ranging from intricate music boxes to player pianos to my personal favorite, the orchestrion named Apollonia. Built in 1926 in Antwerp, she is 25 feet wide, seven feet tall and weighs two tons. After retiring from a career touring the dance halls of Europe, Apollonia was refurbished in 1950 and found her way to the USA. Now she entertains MIM’s visitors daily at noon and 3 p.m. How extraordinary to experience the same music played on identical instruments audiences enjoyed nearly one hundred years ago!

*Apollonian entertains visitors daily at noon and 3 p.m. Don’t miss a chance to hear this performance!*

*Intricate music boxes, dancing puppets, player pianos and more fill the Mechanical Music Gallery.*

Upstairs, in the Geographic Galleries, you’ll tour the world through music—the bridge that connects us all. Start in Africa, where human civilization began, and wind your way through the continent from Angola to Zimbabwe.

*Start your journey in Africa, where human civilization began and prepared to be amazed at the sheer variety of instruments played on that continent.*

Stunning stringed instruments, drums, Nigerian bronze bells from the eighth century, an enormous 18- key xylophone from Ghana, Ngoni lutes from Mali, and more held our attention as we traveled from country to country learning about cultures, languages and the music people make a world away from our home. Move on to the Middle East then continue your tour through Asia.

In 17th century Japan, displaced Samuri warriors often became Komuso monks, wandering the countryside playing the shakuhachi. Wearing a basket over their head signified detachment from the material world.

*Take a musical journey through every country in the world at the MIM. Just about every instrument imaginable– is here in one gallery or another!*

*No area of the globe is left unexplored -even instruments from the subarctic are here!*

Cross the seas to Oceania and Latin America. Experience Europe’s musical treasures–opera, ballet and orchestral instruments and performances– and finally, explore genres from country to classical to jazz and even marching band music in North America. Who knew Elkhart, Indiana played such a significant role in our musical history?

This 48K Grand Jumbo sousaphone (left) was manufactured in Elkhart, IN, the home of most American band instrument companies. Master engraver Julian Stenberg created this for a nationwide promotional tour for the C.G. Conn company’s 50th anniversary.

Personally, I was astounded to see how musical instruments traveled and evolved across borders and through time. We saw bagpipes in one form or another, made from materials ranging from fabric to animal skin, not only from Scotland, but also Tunisia, Croatia, Slovakia, France, Spain, Romania and Sweden.

*Above are bagpipes from Tulum, Turkey while the instrument below is from the Iranian* *province of Hormozgan.*

Though closely associated with the Scottish Highlands, bagpipes have been around for 2,000 years and may have originated in Turkey, according to the MIM.

*Bagpipes may have originated in Turkey more than 2,000 years ago.* *This display shows wind, string and percussion instruments from Turkey’s countryside and urban areas.*

Don’t leave the MIM before stopping in the Experience Gallery where visitors of all ages are not only invited but encouraged to make their own kind of music.

*The gamelan shown here is displayed in the Geographic Galleries but there is also a gamelan available for visitors to play in the Experience Gallery. Give it a try!*

Drums are found in every country. These Turkish kettle drums from the 1920’s are made from copper covered in camel skin and are part of the **Treasures** exhibit. There’s a huge communal drum for visitors to play in the Experience Gallery.

Bang a gong, play a zither, try your hand at the theremin or Javanese gamelan. Join your friends around the communal drum and make a joyful noise! Express your own ‘Language of the Soul”—after all, that’s what this magnificent museum is all about. Learn more at mim.org.

Note: Treasures: Legendary Musical Instruments was a special exhibition that has closed since I originally posted this article, but the majority of the rare instruments highlighted in the exhibit are part of MIM’s permanent collection and can still be seen and experienced at the museum.

Written and photographed by Jeanne Neylon Decker

Protected by US copyright laws.

Lisbon’s Beautiful Belem

The Belem district is a fascinating and historic area of Lisbon that ought to be on every traveler’s itinerary—and it appeared that it was on the Sunday we spent there! Packed with monuments, museums and many of Lisbon’s “must see” spots, it’s just about five miles from the downtown area. It’s easy to reach via bus, tram or cab. We took a 10 Euro taxi ride for the 20-minute trip from Lisbon’s city center. The tram costs less but takes nearly an hour and with so much to see, we opted to save time.

There’s plenty to see and do in Lisbon’s busy Belem area.

Belem was the launching point for many sea voyages during Portugal’s Age of Discovery. The Tower of Belem was the last thing sailors would see as they left port and the first site to welcome them home.

The Church of St. Jeronimos and its monastery are beautiful examples of the decorative Manueline architectural style.

Before setting off, many sailors would stop at the stunning Church of St. Jeronimos and its spectacular monastery to pray for a successful journey and a safe return. These gorgeous buildings are wonderful examples of the decorative Manueline architecture popular in Portugal in the late 1400s through 1500s.

St. Jeronimos and it’s spectacular monastery are among Lisbon’s most popular sites.

The entry fee for the monastery is 10 Euro and worth it. It’s stunning and surprisingly peaceful in spite of the crowds. Admission is free for the church. If you plan to attend mass, be punctual. We arrived late and no amount of pleading would make the guards open the church doors for us until services were over.

Visitors to the church can see the tomb of famed Portuguese explorer Vasco da Gama and the memorial to writer Luis de Camoes.

Entry to the Church of St. Jeronimos is free but there is a fee for the monastery.

We were directed to the end of a very, very long line. After standing around for quite some time, we realized there were no lines at the other end of the building and decided to go check it out. That’s when we found the National Archeology Museum.

Avoid the long lines at St. Jeronimos by buying a combo ticket for the Archeology Museum next door for an extra two Euro.

Here’s a tip we wished we’d known–walk right past those long lines in front of the monastery and church and make your first stop in Belem the National Archeology Museum.

The museum is full of ancient treasures and antiquities, some dating back to the Iron Age.

Buy a combo ticket for the museum and the monastery (the monastery is actually in the same building as the museum). For an extra two Euro, or 12 Euro total, you can enjoy the museum’s terrific exhibitions and avoid the crowds. The museum is a treasure trove of Egyptian, Roman, Greek, and Moorish artifacts. After touring the galleries, you’ll go directly into the monastery from the museum without waiting on the ever-present line.

This was the first megalith we saw and it inspired us to seek out the Almendres Cromeleque, home to 95 of these fascinating stones near Evora in the Alentejo area.

The museum has a rich collection of Egyptian, Greek, Roman and Moorish art and antiquities. Be sure to visit the Room of Treasures in the museum. No photography is allowed in that area but the display of coins and jewelry from 1800 to 500 BC is impressive.

After touring the galleries in the National Archeology Museum, you’ll enter the Monastery directly without waiting on any additional lines.

This fascinating time line inside the monastery captures 500 years of world history in words and images.

In spite of the crowds, there are numerous serene spaces within the monastery perfect for quiet contemplation.

You may notice long lines around the bakery just up the street from the monastery. If you’ve been to Portland, Oregon, this may remind you of the lines around Voodoo Doughnuts. I’m always amazed by the patience people seem to have in their quest for particular baked goods, but back to Belem…

Lines for Casa Pasteis de Belem snake around the corner. Worth the wait? You decide.

This is the place that claims to have the original and the best Pasteis de Belem. These are little custard pastries in a flaky filo- like crust. Locals say these are good, but you’ll have to decide if they’re worth waiting for. We didn’t, but we haven’t ever waited for doughnuts either. They sell Pasteis de Belem in the Starbuck’s next door without the wait, though buying them there doesn’t quite have the same cachet. You can find these delicious pastries all over the country though they’re called Pasteis de Nata (nata is cream) or Pastel de Nata, if you’re only having one, everywhere else except Belem. Try one or two and remember to add a healthy shake of cinnamon and powdered sugar on top!

Time for lunch or dinner? Turn down this little street to find Enoteca de Belem.

If you’re hungry for a meal, we highly recommend the Enoteca de Belem (+351) 213 631 511 Travessa do Marta Pinto, 12. Located on a little alley off the main street in Belem, this is a terrific choice for lunch or dinner. It’s very small so book a table or prepare to be disappointed.

We were delighted with our lunch at Enoteca de Belem. Here’s a peak at the menu.

Sitting at the bar gave us a chance to learn about and taste delicious Portuguese wines.

We sat at the bar since we had missed our reservation time—the museum and monastery were so fascinating we spent far longer than we had anticipated. The bar turned out to be perfect for us because in addition to a fabulous lunch, we had a great chat and learned quite a bit about Portuguese wines and history.

The perfectly prepared scallops with cauliflower puree and quail eggs were as delicious as they looked.

The freshly caught grouper was the fish of the day. Served with “clam rice,” it was an incredibly flavorful dish.

Portuguese cuisine often pairs fish and pork. The tender grilled octopus and spicy chorizo was perfection on a plate.

This classic dessert, Papo de Anjo, reminded us of an upgraded rice pudding. Comfort food at its best!

Our lunch was incredible and one of the best meals we had in Lisbon. Try the scallops to start and the grouper or cod if they have it.

When we asked for the wine list, we were handed these vintage binoculars and instructed to look around and choose whatever we were interested in from the shelves above the bar. There was a printed list, as well, but selections change regularly– thus the binoculars.

We opted for wines by the glass so we could sample several. The staff were well- versed in the wide selection available and happy to make suggestions and answer questions.

The knowledgeable staff will be glad to help you match the appropriate wines to your food selections.

Sailboats and other pleasure craft ply the waters off the embarcadero. The Hippotrip looked like Lisbon’s version of the Boston Duck Tours. Could be fun, but we didn’t try it.

Next, take a walk along the water down to the Monument to the Discoveries, which honors Prince Henry the Navigator, and was built in 1960 to commemorate the 500^th anniversary of his death. Henry’s mother, Queen Filipa of Lancaster, Vasco da Gama, Magellan, King Manuel I and the poet Camoes are all depicted on the monument.

The busy waterfront is the perfect place to stroll and people watch. It’s possible to go inside the Monument to the Discoveries, which commemorates the 500th anniversary of the death of Henry the Navigator.

The Tower of Belem was the last bit of home Portuguese sailors saw as they set off to sea. It offers beautiful views but be prepared for long lines if you’d like to climb the 120 steps to the top.

Further on, you’ll see the famous Tower of Belem. It’s possible to climb 120 steps to the top of the tower for the views. Lines can be quite long. Let’s face it—there are lines for nearly everything you’ll want to see in this area so just be prepared for that. There’s an Atlas Hotel along the way with a nice terrace, perfect for an apperitivo if you’re ready for a break from touring– and the lines.

There is a lovely park near the waterfront and we happened to catch a good- sized open air market there on our visit.

On our walk back, we came upon an open air market selling everything from hand crafted ceramics, art and jewelry, to tea towels and mass-produced souvenirs. There was also a lively folk dance competition taking place in the park and we simply had to stop and watch for a while. It was delightful!

Troupe after troupe of talented folk dancers took the stage in the park. We joined the crowd to cheer them on.

Near the stage where the dancers competed, we spotted this pavilion. It was a 2012 gift from the Royal Thai Government to Portugal, celebrating 500 years of bilateral relations between the two nations.

We wished we had more time in Belem. We would like to have seen the Maritime Museum, Coaches Museum and the Ajuda Palace. Next time for sure!

Written and photographed by Jeanne Neylon Decker

Protected by US Copyright laws.

Portugal’s Mysterious Megaliths and Where to Find Them

*Lisbon’s Museu Nacional de Arqueologia has numerous treasures including megaliths.*

We saw our first megalith in Lisbon’s Museum of Archeology and we were intrigued. What were these stones with their strange markings? Where could we see more of them? It turns out the largest collection of megaliths on the Iberian peninsula is located less than two hours from Lisbon in the Alentejo region not far from Evora, the area’s capital city.

*Drive in the direction of Nossa Senhora de Guadalup through the beautiful forests of cork oak trees to reach Almendres Cromlech.*

There are numerous places to see megaliths in Portugal, many in the Alentejo, but Cromeleque dos Almendres, or Almendres Cromlech, is the largest and most prominent site. Older than Stonehenge, Cromeleque dos Almendres is located about seven kilometers off the main road, the N114, driving towards Evora from Lisbon. We were heading to the Evora after Lisbon and decided to include a stop to see these archeological wonders.

*The megaliths are in a large clearing, surrounded by cork oak trees.*

Head in the direction of Nossa Senhora de Guadalup through the beautiful forests of cork oak trees. The dirt road is clearly marked with signs–Cromeleque dos Almendres and Menhir dos Almendres– directing you to the site. You will either need a car or a taxi to get here. There is no public transportation available.

*Visitors can wander freely around the 95 remaining megaliths, or menhirs, at Almendres Cromlech.*

About 95 of the granite megaliths, also called menhirs, still stand in the area and date back to the Neolithic Period (4^th and 5^th century BC). The stones at Almendres Cromlech are arranged to form two rings and visitors are free to wander all around the area, though touching the stones is discouraged.

It is believed that the earliest stones were placed here in 6000 BC and that ancient peoples used the area at Almendres Cromlech until 3000 BC for religious purposes. There is still a great deal of mystery surrounding the purpose of the stones, their placement and the markings on them, but there is speculation that the site had astrological significance due to its latitudinal location.

*The placement, purpose and meaning of the megaliths remains largely a mystery.*

There is a map of the enclosure on site, which identifies particular menhirs and describes various markings on the different stones.

*Helpful signs in English and Portuguese explain the history of Almendres Cromlech and a map of the area shows where the most important stones are located.*

*This is identified as megalith number 1 on the posted diagram. The markings are clearly visible.*

*A careful examination is required to see the ancient markings on many of the stones. Here’s a close up look at one.*

*Admission to the site is free. Guided tours can be arranged.*

We chose to take a self-guided exploration of the area but guided tours can be arranged. We met a Canadian couple who had hired a tour company to take them out to Almendres Cromlech and explain the mysteries of this ancient site and they thoroughly enjoyed their visit. Admission to the site is free and there is plenty of parking.

Written and photographed by Jeanne Neylon Decker

Protected by US Copyright laws.

Adventures in Fatima and a Day in the Douro Valley

There are two things travelers must bring along on every trip—a sense of humor and resilience, because sometimes, maybe even often, things do not go to plan. That’s where a sense of humor comes in handy. This was the case one Sunday in Portugal on what was to be our longest driving day– from Evora in the Alentejo, to the mountains above the Douro River in the north of Portugal, with a stop at the Shrine of Fatima. I had wanted to visit Fatima for a long time and since it was right off the freeway, we thought this was a perfect plan.

It was time to leave the beautiful Alentejo in Portugal’s southwest and head north to the Douro Valley.

We did not get an early start, which is no surprise to anyone who knows us, but instead enjoyed a delicious, and leisurely, last breakfast at Convento do Espinheiro before setting off for the Douro Valley.

Each year the Shrine of Our Lady of Fatima welcomes more than 4 million pilgrims.

Imagine our surprise when two and half hours hours later we turned off the freeway heading for Fatima and were greeted by plenty of police and even more motorcyclists– thousands of them. Many of the roads leading to the Shrine were closed and everywhere we looked there were motorcyclists—young, old, families, even dogs—all on two wheels.

Apparently everyone in Portugal, with the notable exception of these two visiting Americans, knew there was a special mass for motorcyclists that day at the Shrine of Fatima. After spending about an hour in the traffic jam, we realized there was no possible way we could visit that day. We very sensibly decided to come back on a weekday on our return to Lisbon. I wish I had taken photos of all those motorcyclists but didn’t want to risk offending anyone and there was no possibility of a speedy getaway. On our return visit, things were decidedly quieter.

On Oct. 13 each year nearly hundreds of thousands crowd this immense plaza to celebrate the anniversary of the apparition. On the day we visited, a week after our first attempt, there were very few visitors.

Turns out the plaza at Fatima between the basilica and the chapel can accommodate 1 million people– as it did when Pope John Paul II visited in 1987—and we imagined that nearly as many motorcyclists had made the pilgrimage that Sunday morning, too.

The open air Chapel of the Apparition was built on the site where the Virgin Mary appeared to the children.

Each year the Shrine of Our Lady of Fatima welcomes more than 4 million people. When we returned on a Tuesday afternoon a week later, there were no motorcyclists in sight and relatively few visitors. It could have been the 114 degree heat that kept people away.

Many visitors light candles at the shrine and pray for intentions and interventions.

We visited the beautiful basilica and the Chapel of the Apparition where nuns recited the rosary in numerous languages. We also took the time to light a few candles, which were available for sale at the shop and ranged in size from standard to enormous. Some were bigger than my arm!

There is a full schedule of masses, reciting the rosary and confessions offered every day.

It was so terribly hot, and since there was no shade on the plaza, we chose not to cross it to see the enormous rosaries and crucifix on the other side. That will have to wait for another visit. But now, back to our journey to the beautiful Douro Valley—

We enjoyed the drive from the Alentejo in the south to the Douro Valley in the north of Portugal. Be sure your rental car comes equipped with the Portuguese version of the Fast Pass.

Back to the freeway and on to our pousada we went, over winding mountain roads and bridges, through tunnels, and burned out forested areas. The main roads in Portugal are well- paved and well-marked. Smaller side roads are a little bit trickier, but we never had trouble finding our way even out in the countryside. We ate our picnic lunch in the car to save time and arrived in Alijo about three and a half hours later. It had been a long day.

Scenic mountain roads took us north to the vineyards of the Douro Valley.

When we finally arrived at the Palacete Alijo, the first thing we noticed was the laundry hanging out to dry on the balconies. Inside, the pousada didn’t come close to living up to the photos we’d seen online. Perhaps someone had carefully cropped out the propane tanks next door and the rust marks surrounding the pool.

Sadly, this pousada in Alijo didn’t live up to expectations and we left without staying.

The website’s images didn’t deliver an accurate portrayal of the property. This was the view from the room we were meant to have.

The website indicated the place was part of the well-respected Pestana Group. The friendly front desk clerk told us that it hadn’t been for nearly five years and offered us a “welcome” drink. He also mentioned that the air conditioner was broken, brought up a few other housekeeping issues and again offered a welcome drink. We had planned to stay for four nights but after seeing the accommodations, we turned down the drink and summoned up Trip Advisor on our phones.

This was the splendid view across the river to Pesa de Regua from our room at the Vila Gale Douro.

Vila Gale (a hotel group popular in Portugal and Spain) had a river view room available for two nights in the town of Peso de Regua, right on the Douro River. Back to the car we went, grateful we hadn’t brought our bags inside—we never do until after we’ve seen the room. After another hour of driving, this time in the dark through the winding mountain roads, and did I mention it was raining?—we arrived at the Vila Gale Douro.

The Vila Gale Douro, part of a popular group of hotels in Portugal and Spain, is well- located across the river from Peso de Regua.

While my husband parked the rental car in the garage, I went to the hotel’s restaurant to secure a table before they closed. It was 10:30 p.m. at this point and we were really hungry. I thought I was imagining things when I my heard my name called out and turned to find two dear friends from home finishing their dinners. Had we not changed our hotel, we would never have had the chance to spend time with them. We agreed to meet for breakfast the next morning.

Our Vila Gale room was large, comfortable and contemporary and had terrific views from the private balcony.

It was lovely to wake up to this beautiful view from our balcony.

Portuguese wine aficionados know that the steep terraced hillsides of the Douro Valley are home to numerous well-regarded producers of table wines and of course, port. Our friends were free in the morning but had to return to Porto in the afternoon. We agreed that a visit to a nearby winery would be the perfect outing.

We spent a fun and informative morning with our friends at Quinta do Vallado.

Grapes grow seemingly everywhere on the Douro Valley’s steep hillsides.

Like the wineries in the Alentejo, you must make reservations to tour and taste in the Douro Valley. My husband had his heart set on a visit to Quinta do Vallado but when he telephoned, was told that the morning’s English- speaking tour was already full. With the help of our front desk clerk, we secured four spots.

Quinta do Vallado is a highly regarded producer of Douro wines and port. They also have a small hotel on property.

The winery is located high up on the terraced hillside across the river from where we were staying, just about a 10- minute drive away. One of the oldest in the Douro Valley, the winery celebrated its 300^th anniversary in 2016. Once owned by Dona Antonia Adelaide Ferreira (of the Ferreira Port family), production was geared towards port for the company’s first 200 plus years. In 1993, they decided to restructure and expand into producing Quinta do Vallado label table wines and in 2009 construction on the new winery was completed.

Our tour began in the vineyards where some grapes had already been harvested.

We followed our guide from the vineyards, through the production facilities, and into the cellars, as she explained each stage of wine making to the group in English. Tours are also given in Portuguese several times daily. We always ask if English tours are available, though rather than miss out, we’ve taken some in Italian, French and Portuguese at numerous places.

Our knowledgeable tour guide explained the wine making process in detail– and in English.

We saw everything from the grapes growing, to high tech, temperature controlled stainless steel tanks, to the traditional granite legares in which grapes are crushed by foot, to the cellars where the barrels are stored and wines are aged before they’re bottled.

We saw state of the art temperature controlled stainless steel tanks…

…and traditional granite legares where grapes for port are crushed by foot.

Antique barriques are still in use.

New French oak barrels are also used, depending on the kind of wine they’re aging.

After the very informative tour, we all gathered around a communal table and tasted Quinta do Vallado’s wonderful wines, working our way from crisp whites to delicious ports. Many of us made purchases in the quinta’s well-stocked shop.

After our tour we gathered around for a wonderful wine tasting.

During the tasting, we sampled crisp whites, full-bodied reds and finally, ports.

The well-stocked shop beckoned many of the visitors, including our friends and ourselves.

Though we were not able to tour it, Quinta do Vallado has a small hotel on property with 13 rooms—five in the manor house built in 1733, and eight in the modern wing constructed in 2012.

The roads in the Douro are narrow and winding but exceptionally scenic.

There were two things we planned to do in the Douro—wine taste and take a boat ride. After saying goodbye to our friends at the winery, we headed to Pinhao to check out the river cruise options.

The Douro has been used to transport people, port and other products down river to Porto for centuries.

The Douro River meanders from Spain through the heart of northern Portugal down to Porto where it empties into the sea. For centuries, port wine has been transported by boat down river to the city that shares its name with the wine. Day trippers from Porto, cruise boats from lines like AmaWaterways and Viking, private pleasure craft, and charter boats large and small ply the waters of the Douro River. Getting out on the river sounded like a perfect plan on that hot day.

Tourism is big business in the small town of Pinhao.

Pinhao is a small town seemingly fully committed to the tourist trade. There are souvenir shops everywhere and numerous choices for boat rides on the river. A one-hour ride was 10 euro from any of the vendors. We chose our boat based on schedule. They all come and go from the same place and follow a similar route.

River boats all leave from the same place and follow similar routes. Schedules differ but pricing does not. 10 Euro is typical for a one-hour boat ride.

Once aboard, you’ll learn all about the port trade and see many well-known names as you pass by the quintas. We had a delightful time and enjoyed chatting with newlyweds from the Netherlands and a Spanish couple. It was a relaxing and informative hour that passed in a heartbeat. We wished we’d opted for a longer ride.

Our convivial group included newlyweds from the Netherlands and a couple from Spain.

Bridges large and small cross the Douro.

Hillsides, which reminded us of California, are dotted with wineries.

You’ll see quintas with familiar names like Croft along with others that have been producing wine for centuries here.

Our journey was so peaceful and enjoyable we wished we’d booked a longer trip. Next time!

After our boat ride, we walked over to the historic Pinhao train station, which has been in service since 1880. The station is notable for its lovely azulejos—the blue and white tiles for which Portugal is famous.

Trains have been transporting travelers to and from the Pinhao station since 1880.

The station is known for its azulejos– the stunning blue and white tiles famous throughout Portugal.

These particular azulejos tell the story of the port trade in 25 large panels that were installed in 1937. There is also a café and shop in the station perfect for a coffee, glass of wine or edible souvenirs.

Pinhao’s 25 panels tell the story of the port trade.

The azulejos were installed in 1937.

The shop inside the station is a pleasant place for a coffee, glass of wine or a snack.

After a leisurely stroll through town and a stop for ice cream and souvenir shopping, we headed back to Pesa de Regua and dinner.

This former industrial building has a new life as home to shops and restaurants.

Just across the bridge from our hotel is a renovated industrial building on R. Jose de Vasques that now houses several restaurants and shops.

Picnic provisions and edible souvenirs are available here.

The contemporary dining room at Castas e Pratos was full on the Monday night we ate here.

We browsed a bit and then headed to Castas e Pratos for our meal. Part wine bar, wine shop, and restaurant, the place was buzzing when we arrived. We were glad we had a reservation upstairs in the airy and modern dining room.

Our starter was a plate of succulent scallops in a rich pea puree.

The tender veal medallions in roquefort sauce was served with a delicious wild mushroom risotto.

Larger parties were sharing dishes like this “Duck Rice”– a local specialty. It looked and smelled divine.

The menu has something for most tastes and includes fish, meat and vegetarian options.

Wines from all over Portugal were featured on the extensive wine list.

We started with a refreshing sparkling rose and ended with a nice tawny port.

Castas e Pratos has an extensive wine list featuring wines from the Douro and as well as all of the other wine producing areas of Portugal. Service was attentive and friendly and we enjoyed every bite of our meal from the scallop starter through desert. Happy and full, we returned to the Vila Gale to plan our next day’s adventure.

What to Do in Porto– From Port Tasting to Amazing Art, Portugal’s Second City Has Plenty to Offer

Portugal’s second largest city, Porto, or Oporto as the British called it, has a vibrant cultural scene, beautiful churches and a fascinating history, but for many, it’s all about the port.

Port!

Port and port tastings draw visitors from all over the world —after all, the city is named for the fortified wine. All the big port houses are here, along with smaller cellars worth investigating. Just across the river in Vila Nova de Gaia, you’ll find Sandeman, Taylor Fladgate, Grahams, Ferreira, Calem, Croft, Cruz, Ramos Pintos, Kopke, Cockburn and many others. Individual port houses vary in their offerings– there are guided tours, self-guided visits, port tastings, retail shops and several have restaurants on site.

Since there is so much to do in Porto and we had already spent time in the Douro Valley where the grapes for port are grown and the production of the fortified wine occurs, we decided to visit just one port house. We chose Taylor Fladgate because we also wanted to have lunch at Barao de Fladgate. Food is an important part of the travel experience!

Taylor offers a self- guided tour (with audio available in English) and port tastings in the garden afterwards. No reservations are needed for tours but they are required for lunch.

*The self-guided tour, which includes a visit to the cellars, was fun and informative.*

*Visitors learn about the history of the wine, the area it comes from, and port production through photos, a short film and exhibits at Taylor Fladgate.*

We thoroughly enjoyed our tour, which covered the history and “how to” of port production, interesting information about the families behind the cellar, and included a short film, static exhibits, photographs, and a cellar visit.

Afterwards we were entertained by a group of peacocks and one very loud, very busy rooster who was clearly in charge, during our tasting in Taylor’s garden. There is also a well-stocked shop on the premises with relative bargains compared to the prices you’ll pay in the U.S. for ports of this quality.

*Visitors have numerous choices for their port tasting.*

*This fellow clearly ruled the roost and let those peacocks know it.*

Taylor Fladgate is the only port house we visited in both our visits to Porto, so we can’t give details on the others, though Grahams was also highly recommended. Check with all those you’re interested in for specifics.

*Many of the larger port houses have tours and tastings. Check individual websites for updated information and to make reservations where required.*

A water taxi goes back and forth from Porto to Vila Novo de Gaia for about 3 euro. It’s a short but pleasant ride and sometimes you can see the local boys jumping off the lower level of the Eiffel Bridge to the river below.

*Taking a water taxi is a nice way to cross the Douro after port tasting and exploring Vila Nova de Gaia.*

If you are a serious port person or just want to learn more and sample some of Portugal’s best known export, look into a visit at the Douro and Port Wine Institute’s Interpretive Center. A word of warning – port is a high alcohol, fortified wine so taste judiciously.

Museu Serralves– Contemporary Collections

*A peek inside the enormous Anish Kapoor installation.*

As we said, there’s much more to Porto than port. For contemporary art lovers, the Museu Serralves is a top draw. The museum, which showcases contemporary art from the 1960s through the present, recently celebrated its 30th anniversary. Its vast collection includes more than 4,400 works either owned by the foundation or on long- term loan. Located in a beautiful park-like setting, it’s easy to reach by public transport, cab or Uber.

*There are more than 4,400 works of contemporary art in the Museu Serralves’ collections.*

*Numerous models of famous works by Anish Kapoor, including Cloud Gate, informally known as the Chicago “Bean”, were on exhibit when we visited the museum.*

*The Incredible Hulk has international appeal.*

There was so much to see and experience, we wound up spending almost all day at the Museu Serralves.

*Some visitors practiced yoga and danced inside this Kapoor installation.*

Museu National Soares dos Reis–– Porto’s First Public Art Museum

The oldest museum and first public art museum in Porto, the Museu National Soares dos Reis has been located in the beautiful 18th century Carrancas Palace since 1940.

*“The Presence of History” by Pedro Valdez Cardoso, greets visitors at the Museu National Soares dos Reis. Duct tape and found objects were used to construct the sculpture.*

The museum was originally created as a repository for artifacts like these, seized when the government dissolved monasteries throughout Portugal. — *A 1934 terracotta sculpture by Canto da Maya is one thousands of pieces on display at Porto’s very first public art museum.*

The museum was created as a repository for confiscated property seized when monasteries in Porto and other Portuguese cities, like Coimbra, were dissolved by the government.

*The museum was created to house art and other treasures like these, seized when the government dissolved monasteries throughout Portugal.*

*Ceramics, glassware, textiles and furnishing are among the decorative arts on display here.*

The museum’s collections include sculpture, paintings, textiles, furniture, ceramics, jewels and works such as a Roman sarcophagus found in the Alentejo region dating from the 3rd century, an 18th century French tapestry that tells the life story of Portuguese explorer Vasco da Gama, and contemporary sculpture by Portuguese artists like Pedro Valdez Cardoso.

Portuguese Centre of Photography

Stories of spycraft, crime and photography converge at the Portuguese Centre of Photography near the Torre dos Clerigos. Yes, there are photo exhibits, but there’s much more in store for visitors here. The building itself, a former prison, is part of the story.

*Housed in a former prison, the Centre of Photography includes exhibits about the people once incarcerated here.*

Visitors can see cameras of every description including rare daguerreotypes, antique wooden cameras, spy cameras, and even disposable cameras. There are also exhibits about the prison and the people incarcerated within its walls, including political prisoners during the dark days of Salazar’s reign.

*The Centre of Photography has special exhibitions as well as a permanent collection for visitors to enjoy.*

The museum has revolving photo exhibitions as well as a permanent collection. We saw a fascinating exhibit of photos by and about the artist Frieda Kahlo.

*Spy cameras used during Salazar’s tenure are on display along with vintage cameras and much more at the Portuguese Centre of Photography.*

*Former prison cells now house exhibitions at the Portuguese Centre of Photography.*

Clerigos Tower– Torre dos Clerigos

While you’re in the area, consider a visit to the Clerigos Tower–– Torre dos Clerigos. A beautiful example of baroque architecture and a national monument since 1910, the tower offers expansive views of Porto.

*Take a tour of this beautiful baroque landmark, a national monument since 1910.*

Free or guided tours of this Porto landmark are available.

Se do Porto — The Cathedral of Porto and Churches Worth a Visit

*A view of Porto’s Cathedral, or Se, at the top of the Praca da Batalha.*

The Catholic Church has a major presence in Portugal and Porto has many marvelous churches filled with exquisite paintings, sculpture and azulejos. Visit the magnificent Porto Cathedral (Se do Porto) located in the Batalha area, the highest point in the city for the art and the views.

Though you’ll often read travel stories where you may be directed to “visit the Se Cathedral”, Se is the Portuguese word for cathedral, like duomo in Italian. Igreja means church. It is free to enter the Se but there is a small fee to visit the tower.

*Inside the opulent Se do Porto, resplendent in gold and silver.*

The Church of St.Francis or Igreja de Soa Francisco, Igreja do Carmo and the Carmelitas Church right next door, are also worth a visit.

*Stop into Porto’s beau*tiful churches for some quiet reflection and to enjoy the art treasures within.

Located in Porto’s historic center in the building it has occupied since the mid 16^th century, MMIPO, the Museum of the Church of the Misericordia is worth a visit for its paintings, sculpture, religious articles and exhibits that tell the history of Porto’s Holy House of Mercy and the city itself. A visit to the museum includes entry to the church and is the only way to see it.

*Porto’s Museum of the Church of Misericordia or Holy House of Mercy includes admission to the church, as well as the opportunity to view the fine art on exhibit.*

Shop

If retail therapy is what you’re after, head over to Rua Santa Catarina. Santa Catarina is Porto’s main shopping street and is in the highest part of town, beginning at Praca da Batalha.

You’ll find all the well-known international brands and plenty of smaller, local stores along the busy street, as well as cafes and coffee shops including the famous Majestic Cafe.

*The Majestic Cafe, open since 1921, is still a popular spot for cof*fee or a light meal.

Nearby, you’ll find Porto’s main market —Mercado do Bolhao. This is the place to pick up picnic provisions. If you’re lucky enough to have lodging that includes a kitchen, you can find fresh produce, charcuterie, cheeses, meats, and fish—everything you need to make a marvelous meal.

Sao Bento’s Azulejos

If you arrive in Porto by train and happen to come into the Sao Bento railway station, you’ll be treated to a remarkable display of azulejos – the fabulous blue and white tiles so famous in Portugal. Many people come to the station just to see the tiles, as we did.

*The beautiful azulejos at Sao Bento rail station tell the story of Portugal and Porto’s rich history.*

Rua da Ribeira Negra– Buskers, Bars and Boat Rides

The Rua da Ribeira Negra area is very busy and touristy but it is fun to walk along the river and enjoy the buskers and people watching. We saw people dancing, making music, and performing magic tricks.

*The Rua da Ribeira is a lively area on the riverfront with cafes, bars and buskers.*

*Buskers sang, danced, performed magic, and blew giant bubbles hoping to collect tips from tourists on the Rua da Ribeira.*

Most boat rides on the Douro River depart from Rua da Ribeira. We took an hour- long cruise–it was a nice ride and especially fun on a hot day! We did not book ahead—boats run regularly and there are a number of companies offering the same rides at the same prices. We picked the one leaving the closest to the time we wanted to go.

*A boat ride on the Douro was the perfect antidote to a hot summer day.*

*Pick the river cruise that suits your departure time and length of journey. Most companies offer the same itineraries and rates.*

Souvenir vendors line the riverfront. If you’re looking for cork products, tea towels and “typical” Portuguese goods, you’ll find them here.

*Souvenir shopping under the Eiffel Bridge in Porto.*

*Shopping for tea towels for their new life together?*

Sleep

Here, as in most cities, there are lodging options for all tastes and budgets. We stayed at the Eurostars Porto Douro just a 10- minute walk along the river to the Rua da Ribeira Negra area. The hotel is comfortable, clean and well- priced. Our large room had a little kitchenette perfect for making a cup of tea or a snack and the view from our balcony of the Eiffel Bridge, the boats and people passing up and down the river was unbeatable.

*Our spacious corner room had a fabulous river view from the balcony.*

*We only made tea, but the kitchenette was a nice addition to our room.*

Breakfast was included in our rate and offered everything we could want from hot dishes to yogurt, fruit and pastries, including the Portuguese specialty pasteis de nata. The clientele was international and Americans were definitely in the minority here. We met some terrific fellow travelers and the front desk staff couldn’t have been more helpful.

The hotel has a well-priced laundry service (shirts were about 7 Euro), important since we rarely check luggage. There is not a full-service restaurant at the Eurostars but there is a bar serving light fare. There’s also a rooftop terrace with spectacular views and bar service during the summer months.

*We enjoyed wonderful views up and down the riv*er *from the rooftop terrace at the Eurostars.*

We also enjoyed a too-brief stay at the historic Infante Sagres Hotel in the heart of Porto. After an absolutely awful experience with the Rosa Et Al Townhouse’s self-catering apartment on our first visit to Porto, we sought refuge at this magnificent grand dame of a hotel with its lux lobby and beautifully appointed rooms. The elevator has vintage alligator- covered seats so guests can sit and enjoy the ride!

*Old world luxury is a hallmark at the Infante Sagres in Porto.*

*Local Portuguese marble was used floor to ceiling in our spacious bathroom.*

*A comfortable bed in a blissfully qui*et *room was just what we needed after a very long day.*

We were lucky to get even one night here at the last minute on a sold-out weekend. Somehow the front desk staff managed to book the next four nights for us at the Eurostars. We will always be grateful for their kindness.

*The sumptuous breakfast buffet at the Infante Sagres can be enjoyed in the dining room or peaceful courtyard.*

Whether port is your preference or art floats your boat, lace up your walking shoes and discover the myriad charms Porto’s winding, cobbled streets have to offer.

Written and photographed by Jeanne Neylon Decker

Protected by US Copyright Laws.

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