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Sculpture

Everything You Need to Know About Florence’s Famous Duomo: Il Grande Museo del’Opera del Duomo

Florence’s Il Grande Museo del’Opera del Duomo has nothing at all to do with opera. Instead, it is all about the work, or opera, involved in building, preserving and maintaining one of the most recognizable Renaissance buildings in the world—Florence’s Duomo, also known as the Cathedral of Santa Maria del Fiore.

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A spectacular view of Brunelleschi’s dome from Caffe La Terrazza.

If you’ve ever wanted to see how Brunelleschi’s magnificent dome was constructed, learn what the other options were for the Duomo’s facade, or see the remarkable art treasures once housed in the cathedral, this is the place to come.

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Welcome to the recently reopened and reimagined Museo del’Opera del Duomo.

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Soaring galleries give visitors a new perspective on the superb sculpture on display at the museum.

Re-opened in October 2015 after years of restoration and reconstruction, the Museo dell’ Opera del Duomo has an exquisite collection of sculpture, paintings and other masterworks displayed on three floors in 6,000 square meters of exhibit space, all designed to showcase the art to its best visual and historical advantage.

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A visitor gets an up close look at a statue in the museum.

Most of the works were at one time in, or outside the Duomo.

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These sculptures once graced niches in Giotto’s bell tower.

Some of the treasures to be found include the original North Doors created by Lorenzo Ghiberti for the Baptistry of San Giovanni along with the Doors of Paradise by Lorenzo and Vittorio Ghiberti. Replicas now hang on the Baptistry.

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Ghiberti’s stunning Doors of Paradise and North Door once graced the Baptistry of San Giovanni but can now be found inside the museum.

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Detail of door.

In all, the museum boasts 750 works of art covering 720 years of history.

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Arnolfo di Cambio’s stunning Christ with the Soul of Mary

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This exquisite silver alter features scenes from the life of John the Baptist and was created by Lorenzo Ghiberti, Betto di Geri, Bernardo Cennini, Antonio di Salvi, Francesco and Leonardo di Giovanni, Antonio del Pollaiolo and Andrea del Verrocchio.

Michelangelo’s poignant pieta, sculpture by Donatello including his magnificent Mary Magdalene as Penitent, and works by Andrea Pisano, Antonio Pollaiolo, Arnolfo di Cambio and other highly regarded Medieval and Renaissance artists are on display.

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Michelangelo sculpted this pieta for his own tomb. He later destroyed it. It was reconstructed and acquired by Cosimo de Medici In 1671 and placed in the Duomo in 1722. It was the next to last sculpture Michelangelo ever created.

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Donatello’s Mary Magdalene as Penitent draws many visitors.

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Sacred items and iconography are part of the museum’s extensive collection.

img_2108In the Cappella Musicale, or music gallery, you will hear enchanting sacred music, and find works by Luca della Robbia and others, as well as rare illuminated music books.

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Beautiful music fills this gallery where rare illustrated books, sacred objects and art treasures are displayed.

img_2164Brunelleschi’s dome, still considered a marvel of engineering, remains one of Florence’s most iconic monuments.

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Models of Brunelleschi’s dome show how it was built and why it remains an engineering marvel.

In addition to the art treasures, the museum contains original building materials, equipment and tools, dating back to the Duomo’s 15th century construction.

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Wooden pulleys, ropes and other original construction equipment used to build the Duomo can be seen at the museum.

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Original 15th century tools and equipment used to build the Duomo are displayed near a continuously running film that explores the design and construction.

Also featured are drawings and models of the dome and Giotto’s bell tower, which was begun in 1334, after Giotto’s death. An outdoor terrace offers splendid views of the dome.

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Brunelleschi’s wooden model of the dome fascinates visitors.

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A detailed model of the bell tower designed by Giotto is on display near beautiful stained glass windows created by notables including Ghiberti, Donatello, Paolo Uccelli and Andrea del Castagno.

Visitors to the museum will learn about the history of this spectacular cathedral, designed by Arnolfo di Cambio and dedicated in 1412. The name Santa Maria del Fiore means St. Mary of the Flowers or Virgin of the Flowers. Once the largest church in all of Europe, today it is third in size, after St. Peter’s Basilica in Rome and London’s St. Paul’s Cathedral.

img_2134A film called Courage to Dare about Florence during the Renaissance and the creation and construction of the Duomo runs continuously in the museum.

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A number of possibilities considered for the Duomo’s facade are on display, including this one.

Combination tickets can be purchased for the Duomo Museum, the Baptistery, the bell tower and the Crypt of Santa Reparta, named for the 7th century church that once stood on the site of the Duomo. There is no charge to enter the Duomo, but paid tickets are required for visitors who wish to climb the more than 400 steps to the top of the bell tower.

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The Baptistry of San Giovanni always draws crowds. Tickets are required to enter.

Appropriate clothing is essential for entry. In other words, no shorts, short skirts or skimpy, shoulder baring tops on women or men. Bulky bags and backpacks must be checked. Visit www.ilgrandemuseodelduomo.it for information on ticket prices, hours and tours.

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Admission to the Duomo is free but take care to dress appropriately or you will be denied entry.

On our visit, we also had free access to a photographic exhibition called Opera di Viva by Michele Pecchioli, which paid tribute to the hundreds of men and women who have worked to preserve the artistic integrity and cultural heritage of the building and the art works within for more than 700 years.

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Michele Pecchioli’s photographs pay tribute to the men and women who restore and preserve the art and cultural heritage of Florence’s iconic Duomo.

img_2560The photos feature the restorers, artists, employees and security guards who play a role in safeguarding these treasurers and ensuring public access to the works for years to come. Note: This was a temporary exhibition and may now longer be available for viewing.

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A close up of a security guard charged with safeguarding the priceless treasures at the Duomo and its museum.

When the sun begins to set in Florence, head over to Piazzale Michelangelo for another perspective on the Duomo —and enjoy the gorgeous vista across the Arno over the city.

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Some of the most spectacular views of Florence can be had from the Piazzale Michelangelo. Don’t miss a visit to the beautiful San Miniato al Monte across the street. It’s the oldest church in Florence, after the Baptistry.

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Florence’s Duomo viewed from Piazzale Michelangelo.

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The department store La Rinescente has a terrace restaurant with fine views of the Duomo, as well as drinks and light fare.

If you crave an aperitivo with your sunset and Duomo views, go to La Rinascente, the department store on Piazza Repubblica. Go directly up to La Terrazza on the top floor and you’ll find a little rooftop café/bar with great views of the city and the iconic dome. It gets crowded so get there early or be prepared to wait.

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Sensational sunset view over the Piazza della Repubblica from Caffe La Terrazza.

Cin Cin!

Written and photographed by Jeanne Neylon Decker

Protected by US Copyright Laws.

A Visit to Florence’s Salvatore Ferragamo Museum: Scarpe Diem

IMG_2791Descend the staircase in the stunning Palazzo Spini Feroni, which houses the flagship Ferragamo store and serves as company headquarters, and you’ll be greeted by walls of Salvatore Ferragamo’s strikingly beautiful shoes, artfully displayed, of course. Though they play a major role in the Museo Salvatore Ferragamo, a marvelous small museum on Florence’s posh Via Tornabuono, there’s much more to see than fabulous footwear.

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Ferragamo’s shoes may themselves be considered works of art.

The Museum tells the story of the man, who grew up outside of Naples, the eleventh of 14 children and became “shoemaker to the stars”; the company, which became synonymous with beautiful and comfortable shoes that were widely imitated; and the city of Florence itself.

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Visitors can learn about Florence’s fascinating history at the museum.

Stunning masterworks of 17th and 18th century Florentine art, a look at the palazzo’s chapel with frescoes by Bernardino Poccetti, artful fashion, and company’s history are all part of the museum experience www.ferragamo.com/museo.

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There is much more to see than shoes at the Museo Salvatore Ferragamo.

IMG_2800In addition to the innovatively designed shoes for which the company is known, the signed lasts created for Marilyn Monroe, Rita Hayworth, Sophia Loren and so many other movie stars and well-known names, past and present, are on view along with Ferragamo’s leather working tools.

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Wooden lasts created for movie stars, royalty and other recognizable names hang on the museum’s walls.

The company’s history is cleverly presented in photographs displayed on racks like tourist post cards.

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These “picture postcards” give visitors a glimpse of the company’s past.

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Video and still photos tell the story of Salvatore Ferragamo and the company he created.

Beautiful sculpture, noteworthy paintings, historic books, documents, and more from the family’s extensive collection compete for visitors’ attention. Classical music such as Corelli’s Le Sonata per Violino, Violone e Cimbalo plays in various gallery spaces, adding to the ambiance.IMG_2824

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IMG_2807Along with the permanent collection, the museum hosts rotating exhibitions. 

The famous building, constructed in 1289, is itself part of the museum. Among other things, the Palazzo Spini Feroni was once home to the City Council when Florence was the capital of Italy. Salvatore Ferragamo purchased the Palazzo in 1938, after returning from America, and it has served as Ferragamo’s headquarters since that time.

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During it’s long and colorful history, the Palazzo Spini Feroni was home to Florence’s City Council, a hotel and art galleries before becoming Ferragamo’s headquarters.

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Salvatore Ferragamo’s widow, Wanda, was instrumental in creating the museum.

Through the efforts of Ferragamo’s widow and family members, Museo Salvatore Ferragamo was founded in 1995 after an exhibition at Florence’s Palazzo Strozzi went on tour, hosted by New York’s Guggenheim Museum, the County Museum of Los Angeles, London’s Victoria & Albert Museum, and Sogetsu Kai Foundation in Tokyo among others. The traveling exhibition became the basis of the permanent collection at the museum.

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Private guided tours can be arranged via email.

Private guided tours can be arranged by emailing [email protected].The museum also hosts special events. Check the website for ticket information and additional details.

Written and photographed by Jeanne Neylon Decker

This and all materials published by TravelTawk.com are protected by US Copyright Laws.

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Napa Valley Winery Visits and our First Stop- B Cellars

Gone are the days when it was possible to drive up and down Route 29 or the Silverado Trail and pop into wineries for complimentary tastings. Though there are plenty of wineries that are open to all during posted hours, many are open for tours and tastings by appointment only.  Most now require reservations due to the Covid-19 crisis. It is also rare to find a winery that offers complimentary tastings. Buses, and even limos, are discouraged at most wineries these days, too. We think these are all positive changes and if you’ve ever seen large, loud groups who’ve clearly been doing more drinking than “tasting” you’ll probably agree.

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B Cellar’s owners preserved many of the older oak trees on the property when they built the new winery facility.

The Napa Valley has nearly 500 wineries with tasting rooms so to make the most of your trip, it’s important to do some homework. Look at a map of the Napa Valley and find where your favorite wineries’ tasting rooms are located because sometimes they are not where the wine is actually made. You won’t want to waste time driving up and down the Valley backtracking, so plan your itinerary with location in mind. Our rule of thumb is no more than three winery visits a day and only two if the tours and tastings are very extensive. Do some research and contact your favorite wineries to see what they offer and reserve accordingly. Many offer a range of “experiences.”

When walk-in visits were allowed and most people just turned up, by booking a visit you’d frequently get to taste special bottles and have the chance to really learn about a particular winery and its wine maker. You’d also avoid the crowded tasting room experience, though the current public health crisis limits the number of people allowed at wineries.

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B Cellars open demonstration kitchen.

On our last visit to Napa Valley we began with a trip to B Cellars in Oakville. We had first visited them back in 2014, when the winery was being built and our tasting took place in a construction trailer. The wines were spectacular then too, but now the setting befits the wine! The  Hospitality House, with several tasting areas inside and out, is situated on gorgeous, expansive grounds and includes a demonstration kitchen, a culinary garden, chicken coop, wine production facilities, wine cave and event space.

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The grounds are populated by Seward Johnson’s lifelike sculptures of people involved in daily tasks like shopping, gardening and just relaxing.

The winery, which was founded in 2003 by Duffy Keys and Jim Borsack, with the highly respected Kirk Venge as winemaker, offers several tasting experiences. Most take about 90 minutes. Since we would be coming right after lunch, we chose the Sojourn, which included B Cellars Flagship wines and several delicious local cheeses.

We were greeted with a taste of the 2013 Juliana Vineyard Sauvignon Blanc, which we enjoyed on the expansive terrace. We moved over to an umbrella- shaded table and began our tasting in earnest with a 2012 Dutton Ranch Chardonnay.

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The Hospitality House has tasting areas inside and out.

Red wines we tasted included the 2013 Manzana Vineyard Pinot Noir, a 2009 Blend 24, and 2012 Ehrlich Cabernet Sauvignon. Our delightful and knowledgeable wine host Alex also poured us several wines not typically included on the Sojourn tasting including a 2012 Blend 26.

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Our knowledgeable wine host Alex.

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The wine cellar has plenty of private event space.

After our tasting we elected to tour the grounds and wine cave with Alex—a lovely and memorable afternoon at B Cellars and a great place to begin our Napa Valley wine adventure.

Note– I have updated this post to reflect the need for reservations during the current coronavirus crisis.  Please check with individual wineries for details and requirements.

Hats Off to Degas–Lucas Shakes Things Up at SF’s Legion of Honor

Note: This exhibition has closed!

San Francisco’s venerable Palace of Legion of Honor, part of the city’s Fine Arts Museums, is currently hosting the very popular Degas, Impressionism and the Paris Millinery Trade.

The extensive exhibition focuses on the impact of the millinery trade in Paris during the Belle Epoch era on the work of Degas and his contemporaries.  Paintings and pastels by Degas, Renoir, Edouard Manet, Mary Cassatt, Toulouse- Lautrec and others, some never before shown in the U.S., are featured. In addition to the splendid impressionist paintings, included in the exhibition are 40 marvelous examples of millinery from that time period—in other words—hats!

Hats featuring flowers were popular in the 19th and 20th centuries. Silk, cotton, velvet and paper were all used to construct artificial flowers like those shown here.

Some patrons were definitely in the spirit of things.

These hats range in size and complexity from the sublime to over the top. One chapeau is topped with an entire owl, which had been preserved specifically for that purpose. There are plumes, beads, metallic wire, ribbons and flowers adorning these mostly enchanting toppers.

Plumage from domestic and exotic birds, including ostrich and owls, often were used to embellish luxury ladies’ hats.

These hats all sport fashionable feathers. The hat on the left features a complete owl while the one on the right has an African starling above its brim.

A visitor admires Manet’s “At the Milliner’s”–one of about 40 paintings and pastels in the exhibition.

Men’s hats are included in the exhibit too. There are fine examples including boater and bowler hats, along with a sketch of Degas himself in a top hat.

Bowlers and top hats, along with carrying cases, are part of the exhibit.

The 42 year-old Edgar Degas is shown here wearing a top hat.

The exhibition was quite crowded, mostly with ladies of a certain age, oohing and ahhing over the millinery creations. There were a few patrons sporting hats and we spotted several of the museum’s docents in the spirit of things– wearing lovely fascinators.

Feathered finery got a lot of attention from visitors.

We didn’t take a docent-guided tour but shared our table at lunch with a group of ladies from the San Jose area who had and raved about it. It is necessary to reserve a spot for a guided tour in connection with this exhibit.

This docent wears a fine fascinator for her presentation. Reservations for the free tours are essential for this exhibition.

Some of the Impressionist paintings in this exhibition have not been shown in the U.S. before.

Special exhibition tickets are required for the Degas exhibit, in addition to the general admission fee for the museum. This doesn’t seem to be keeping the crowds away at all downstairs. There were numerous tour groups vying to get close to the works during our midweek trip to the Legion of Honor.

Special exhibition tickets are required, in addition to general admission. The galleries became quite crowded at times.

Upstairs in the galleries featuring Rodin’s classic sculpture, visitors can enjoy near solitude—at least during our visit. Displayed with the August Rodin: The Centenary Installation, which honors the 100th anniversary of the artist’s death, you’ll find the provocative work of Sarah Lucas. Sarah Lucas:Good Muse is the first major exhibition of the UK artist’s work in the U.S.

The museum is best known for its ancient and classical European collections which includes paintings, sculpture, furnishings and porcelain.

Sarah Lucas’ work brings contemporary art and controversy to the Legion of Honor.

Sarah Lucas:Good Muse would probably be much more comfortable at the SFMOMA (SF Museum of Modern Art) than at the classically- focused Legion of Honor. The docent who provided a tour of the exhibition shared that many patrons and members of the museum were more than a little unhappy with Lucas’ work.

Giant plaster cast boots, soft sculptures and a series of Lucas’ yellow urinal sculptures are on display among the 50 bronze, plaster and marble works by Rodin.

Lucas’ sculptures, made from plaster, panty hose, florescent lights, a bedspring and mattress, cigarettes and other materials, allude to sexual interactions, availability, empowerment, and domestic responsibilities, according to the docent. She also pointed out examples where Rodin’s work related to the themes of Lucas’ pieces.

“Washing Machine Fried Eggs” invites discussion of women’s sexual and domestic roles.

Apparently the artist wanted to “bring color” to the galleries and chose to include a series of yellow urinal sculptures displayed atop small refrigerators, placed among Rodin’s classic sculpture. We found the juxtaposition interesting but could easily understand the contretemps. At the entrance to the galleries where Lucas’ work is displayed, there are signs warning that the art may not be appropriate for all viewers. We have chosen not to include photos of the most controversial work for that reason.

Electricity in this piece “keeps the energy up” according to the artist.

Degas, Impressionism and the Paris Millinery Trade closes September 24 and Sarah Lucas: Good Muse closes September 17. Go see these very different exhibitions for yourself and let us know what you think. A day at the Palace of Legion of Honor is always a day well spent.

Art Oasis- Faye Sarkowsky Sculpture Garden

Art and nature lovers share a common destination– the Faye Sarkowsky Sculpture Garden in Palm Desert.  The stunning sculpture garden is located within the Eric Johnson Memorial Gardens and is part of the Palm Springs Art Museum in Palm Desert. Contemporary sculptures are installed among the four beautifully landscaped acres that surround The Galen, the museum’s LEED-certified building.

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Felipe Casteneda’s Seated Thinking Woman

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Walks Among Stars by Dave McGary

This welcoming garden, which is open to visitors all year long, includes soothing water features, winding walkways, beautiful native plants and plenty of quiet nooks for contemplation. As you stroll along the pathways it’s easy to forget that this lovely oasis of art and nature is located off a busy street between sprawling shopping malls.

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Blue glass in the pavement paths through the garden replicate a winding river. The pavilion is used for concerts and events.

The contemporary sculptures on display include works by international artists such as Felipe Casteneda, Gio Pomodoro, Betty Gold, Dan Namingha, Donald Judd, Yehiel Shemi and Dave McGary. Downloadable self-guided tour information is available on the museum’s website. Admission to the garden is free.

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Barry Flanagan’s Acrobats

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Peter Reginato’s Midnight and Morning Rain…Waiting for Miro

The Faye Sarkowsky Sculpture Garden is also used for concerts and events. For complete and updated event information contact the Palm Springs Art Museum.

 

 

MoMA’s Must See Picasso Sculpture Closes Soon

Note: This exhibition is now closed!

In just over a month’s time, one of the most extensive and engaging exhibitions of Pablo Picasso’s sculpture ever presented in the United States will close. If you haven’t already visited the Museum of Modern Art’s marvelous retrospective of the painter’s rarely seen works, get your tickets and go see it before it closes on Feb. 7, 2016. http://www.moma.org

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A visitor examines Picasso’s Man With A Lamb (1943).

For the first time since 1967, New York’s MoMA presents one of the largest exhibitions of the painter’s three-dimensional work. The exhibit includes more than 100 sculptures plus photographs and works on paper, many never before displayed in North America. I was fortunate to see the exhibition during the Member Preview before it opened to the public in September.

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Left foreground, Woman with Child (1961), center rear, Head of a Woman (1957), right, Chair (1961). All three of these sculptures are painted sheet metal.

While Picasso was a formally trained painter, he was a self-taught sculptor and his work reflects the exuberance and personal relationship he had with the art form. He kept most of his sculptures in his personal possession rarely allowing these works to be displayed. One of the first and only times some of these pieces were presented publicly was in 1966 at a major retrospective at the Petit Palais in Paris when the artist was 85 years old. The following year, the MoMA staged Sculpture of Picasso in New York featuring many of the same works. Picasso’s sculptures have not been on public view on such a grand scale since.

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Insect (1951) was created from fired white clay and painted.

Picasso was fond of unconventional techniques and materials and frequently used found objects and materials including scrap wood, wire, metal and cardboard in his sculpture. Wicker baskets, pie tins, palm fronds, toy cars and many other scavenged items found their way into Picasso’s work. He used a bicycle seat and handlebars to create Bull’s Head, which was on loan from a private collection, for example.

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Bull’s Head, (Spring 1942) is a repurposed bicycle seat and handlebars.

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Left, bronze Pregnant Woman (1949). Right, Flowery Watering Can (1951-52) incorporates a watering can, plaster, nails and wood.

Museumgoers will learn that Picasso’s forays into sculpture were influenced by many sources including ceramics and woodcarvings by Paul Gaugin and Edgar Degas as well as by Oceanic and African sculpture. His themes run the gamut from political expression to family life. Just as in his paintings, women are frequent subjects in Picasso’s sculpture.

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Left, Bather (1931) bronze. Right, Head of a Woman (1932) plaster.

 

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Left, Woman with Vase (1933) bronze. Center, Head of a Warrior (1933) plaster, metal and wood.

He enjoyed reinventing and reimagining many of the same themes as the exhibition demonstrates. His Glass of Absinthe – six different polychromed bronze pieces each including an actual absinthe spoon, is a good example of this.

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Seated Woman (1947), Standing Woman (1945), Seated Musician (1950), and Seated Faun (1950) are among the small earthenware, terracotta and clay pieces in this display case.

Visitors to Museum of Modern Art http://www.moma.org will need timed tickets to see the Picasso Sculpture exhibition. Only members, corporate members and guests accompanied by members are exempt from this. Each day a limited number of tickets will be available for same day viewing but we strongly suggest that you get your tickets in advance to ensure you don’t miss this wonderful exhibition.

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Woman with Outstretched Arms (1961) painted iron and sheet metal.

Published in conjunction with the exhibition and available in the MoMA’s book and gift shops, the Picasso Sculpture catalog makes a beautiful souvenir that will allow you to revisit your favorite works again and again.