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Pacific Northwest

Super Seattle Supper at Terra Plata

We chose Terra Plata www.terraplata.com for our Sunday supper and we’re glad we did. This Capitol Hill restaurant features a large bar and rough-hewn wooden tables mostly filled by groups of young people and families all obviously enjoying their meals and beverages. It was another warm summer Seattle night but the big open windows helped to keep it cool inside.

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Terra Plata has a fun, casual vibe.

There are cocktails and a nice selection of beers and ciders on tap or in bottles, including local brews from Washington and Oregon at Terra Plata. The reasonably priced wine list features plenty of good choices from the Northwest, Italy, France and Spain. We began with a glass of sparkling rose from Chatau Moncontour in the Loire Valley for $13, and a round of Bale Breaker IPAs at $6 each. We chose a refreshing rose from Chateau Teulon in Costieres de Nimes at $32 to accompany our meal.

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The large bar area filled up as the evening progressed.

Terra Plata’s menu is divided into snacks and starters, earth, sea, and land. Like at many Northwest restaurants, sharing is heartily encouraged. Starters ranged from Moroccan olives at $6, to $13 for blistered Shishito peppers or roasted grapes with olives, walnuts and crostini, and topped out at $22 for the generous charcuterie plate.

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Serrano ham and cherries punched up the flavor profile of this tasty salad.

The butter lettuces served with Cabrales dressing (a blue cheese), cherries and crisp Serrano ham from the “earth” category was $14 and perfect for sharing—which we did. Other choices included beets with sheep’s cheese, arugula and pistachio at $20; a radish plate with English pea butter, anchovy butter and “roof top” herbs for $11; or a risotto with peas, mint, mascarpone, parmigiano and pea leaves for $26.

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We would heartily endorse the halibut.

We opted for our own entrees, though shared tastes of course. The halibut with skordalia, charred garlic scapes (a member of the green onion family), crushed olives and lemon tahini vinaigrette was perfectly prepared and beautifully presented. It was well worth the $32. The others at the table enjoyed the succulent roast pig with chorizo, clams, hot smoked paprika, chicharron and “bay scented” potatoes. The $30 roast pig was so large that two people could easily have shared one portion.

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Crunchy chicharron were a perfect foil for the succulent roast pork.

Once again, we were too full for dessert, but several at our table chose to sample a few of the Madeiras ($7 and $9 per glass) on the wine list–a perfect ending to a delicious meal. Terra Plata’s wait staff was very friendly and knowledgeable and gave us excellent guidance throughout the evening. We will definitely return!

 

 

 

 

Emerald City Eats: Bar Sajor & Cupcake Royale

Bar Sajor is owned by the same people behind Sitka and Spruce, along with several other Seattle eateries www.sitkaandspruce.com. We enjoyed one of our first communal table meals there several years ago—a very popular concept in the friendly Northwest. Bar Sajor www.barsajor.com has an open kitchen with a large wood burning fireplace on which a number of dishes are prepared. The room is open, airy and has a very casual vibe but there is an undercurrent of hip pretentiousness, which didn’t bother us. It was a warm evening but the windows were open wide to allow in the welcome breeze.   The restaurant was busy but still fairly quiet for a Saturday night.

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Bar Sajor’s airy, casual dining room.

Bar Sajor, like Sitka and Spruce is dedicated to the farm–to- fork concept using local purveyors for nearly everything on offer. The menu, which changes regularly to reflect seasonally available ingredients, is meant for sharing. Diners are encouraged to choose a selection of dishes to share with the entire table. Many dishes are available in several sizes to accommodate larger groups and appetites. Food is served as soon as it is ready in the kitchen, typically in no particular order. If you have a desire to receive your dishes in a specific order, you can ask, or just order a few items at a time, pausing between orders, which is what we did.

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It’s fun to watch the chef preparing dishes in the fireplace.

We started our evening with beers (local drafts and foreign and domestic bottles are served) and a nice glass of rose—perfect for a sultry summer evening. Bar Sajor is another of those restaurants that charges $5 for bread but theirs is “naturally leavened” and served with the very “of the moment” cultured butter and flake salt. It was really tasty and the cultured butter, which had a nice tang, was served in an oyster shell.

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Cultured butter in an oyster shell adds a touch of whimsy.

The “simple” salad was anything but. It featured crisp snap peas, Shunkyo radishes, fava beans, and fiddlehead ferns– which added a nice texture and an earthy element. All of the vegetables were perfect. The green goddess dressing was light and balanced, unlike the gloopy goo that was poured from bottles many decades ago. The salad is available in two sizes at $13 or $17. It made a delicious first course.

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There’s no excuse not to eat your vegetables when they’re this good.

Next, we enjoyed a beautifully presented “Grand Aoili” with dipping vegetables including seaweed, hard cooked egg, and a nice assortment of local fin fish and shell fish including Dungeness crab, shrimp, and house-smoked mussels. My only complaint—the dish could have been heavier on the seafood and perhaps the largest sized platter is. This dish is available in three sizes at $30, $55 or $95. We had a nice flinty Sancerre with the Aoili.

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The Grand Aioli brought back memories of France.

Our meat course was a juicy, perfectly prepared ribeye. The meat was cooked over coals and served with baby squash and Meyer lemon. It was a pricey $56 but certainly satisfied the carnivores at the table and their voracious appetites.

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The ribeye was a meat eater’s delight.

The Sequim strawberries and warm coppa arrived at the same time as our ribeye. The berries were perfectly ripe and the ham was an excellent compliment to the fruit. These were served with lavender and black sesame seeds. Delicious! The price was $16.

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The coppa complimented the berries beautifully.

With the meat and berry courses, we enjoyed a bottle of Domaine Philemon, a red varietal made with Braucol grapes from Gaillac, in the Southwest of France. The wine has a nice spiciness and a woodsy, floral aroma, perfect with those dishes.

We were much too full for dessert. Besides, we had our dessert much earlier in the day when we stopped at Cupcake Royale www.cupcakeroyale.com. Highly recommended to us by a Seattle friend, Cupcake Royale has multiple locations. We stopped in at the one near the Pike Place Market www.pikeplacemarket.org.

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No need to choose between cake and ice cream at Cupcake Royale. Try both.

The small storefront has delicious cupcakes in seasonal flavors like Raspberry Pavlova, Blackberry Brown Butter and Blueberry Lavender Honeycomb, and at least a dozen rotating ice cream flavors. You don’t have to choose between cake and ice cream here—have both. They also have coffee drinks– this is, after all, Seattle. There is limited seating available inside.

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Cupcakes and ice cream worth the wait!

If you haven’t satisfied your sweet tooth after Cupcake Royale, pop into the wine and chocolate shop next door. While we were enjoying our ice cream cones, one of our traveling companions took advantage of the complimentary wine tasting going on there. Next, another day, another delicious dinner.

 

 

Art, Yoga and More at Seattle’s Frye Museum

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Welcome to the Charles and Emma Frye Art Museum.

Charles and Emma Frye began collecting art in 1893 focusing primarily on French and German artists from the 19th and early 20th centuries. The couple built an impressive Founding Collection of 230 paintings, now on permanent display at their namesake museum in Seattle’s Capitol Hill area. The museum is open to the public at no charge, as the Fryes intended when they established the Charles and Emma Frye Free Public Art Museum in 1952.

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The museum has expanded and been updated since it opened at its current location in 1952.

The Fryes had a particular interest in German painters of the mid-19th Century Munich School including Wilhelm Leibl, Franz von Lenbach and Max Slevogt whose works, along with other prominent painters of the period, are part of the Founding Collection.

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Henry Raschen’s 1913 portraits of Emma and Charles Frye hang in the Frye Salon.

The Frye’s Permanent Collection includes not only those works collected by Charles and Emma, but also later acquisitions made by the Frye Foundation. These later aquisitions expanded the collection to include American artists as well as European painters other than the French and German artists the couple built their original collection upon.

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Acquisitions by the Frye Foundation expanded the collection to include American artists.

Gilbert Stuart and John Singleton Copley’s Colonial Period paintings hang alongside the American Realism works of Winslow Homer and Thomas Eakins. Mary Cassatt, James McNeil Whistler, and John Singer Sargent are among the ex-pat painters whose Impressionist works are displayed.

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Paintings are hung as they once were in the Frye home gallery.

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Portrait of Chief Seattle by Henry Raschen, 1916.

The vast collection of paintings covers every wall in the Frye Salon with the works hung as they once were in the Frye’s home gallery. The Frye Salon is reminiscent of Boston’s Isabella Gardener Stewart Museum. In other words, there is not much space between the works and they are not hung in any apparent order— historical, religious and allegorical paintings hang beside portraits, landscapes and seascapes. There are several copies of a hardcover guide available to visitors in the gallery that identifies and describes each work and artist.

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Visitors reference gallery guide to identify paintings and artists.

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The helpful guide is available only in the gallery. There are several other books about the museum and its collection for sale in the shop, but not the gallery guide.

In addition to the Permanent Collection, there are several changing contemporary exhibitions.

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The Frye features contemporary art as well as European and American paintings from the 19th and 20th centuries.

We enjoyed the two Andy Warhol exhibitions currently on view. During the 1970s, Warhol recorded a reported 40,000 Polaroids documenting his personal and professional endeavors. Warhol’s Little Red Book #178 is a collection of 19 Polaroid pictures of his friends and other celebrities taken in 1970 while he made his film L’Amour.

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Little Red Book #178 has 19 of the reported 40,000 Polaroid photos Warhol took in the 1970s.

From 1964-1966, Warhol recorded hundreds of visitors to his studio, called The Factory, using a Bolex camera. Warhol’s 12 Screen Tests features artists and celebrities who were instructed to sit still for the length of a 16 mm film—about three minutes. Subjects featured in 12 Screen Tests include Dennis Hopper, Edie Sedgwick, Susan Sontag, Lou Reed, Bob Dylan, Marcel Duchamp and Brooke Hayward. Not everyone was capable of the task assigned. Bob Dylan’s Screen Test shows him smoking a cigarette and fidgeting throughout.

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Hundreds of Warhol’s Factory visitors were filmed for his series of “Screen Tests.”

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Subjects were meant to be still for the three minute films, but Bob Dylan fidgeted and smoked throughout his “Screen Test.”

Also on view is Structure and Ornament, a multi media exhibition of Leo Saul Berk’s work based on the iconic Chicago-area Ford House, his childhood home.

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Berk’s dream about sleeping on the floor at Ford House was the inspiration for “Heat Signature.”

The artist refers to his work as “a riff on the house,” which has historical significance and was designed by architect Bruce Goff. The exhibition includes the history of the home, photographs and films, along with Berk’s sculptures and other works, based upon the unique structure and the artist’s memories of living there.

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Leo Saul Berk’s childhood residence, the iconic Ford House, was the basis for the “Structure and Ornament” exhibition now on view.

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“Cone Twelve,” Berk’s aluminum composite and stainless steel sculpture.

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“Mortar and Marbles” is a to-scale representation of a section of the Ford House’s curved coal walls.

Also currently on view is: American Portraits: 1880-1915– a selection of portraiture by artists whose works are included in the Founding Collection.

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Museum visitors relax and enjoy the “American Portraits: 1880-1915” exhibition.

The Museum has a nice little café with an outdoor garden. Sandwiches, soups, sweets and other simple but satisfying offerings are available at very reasonable prices.

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The Frye’s cafe has a lovely garden area and is a nice option for lunch or coffee.

When we arrived at the Frye Museum, we were told that one of the galleries was closed for yoga, but would soon reopen. Every Sunday morning, a yoga class takes place there, accompanied by local experimental musicians—just one of the creative classes the Museum hosts along with art classes for everyone from pre-schoolers to life-long learners, meditation, film presentations, lectures, performances and creative aging programs for adults suffering dementia. A complete program listing is available at www.fryemuseum.org.

Charles and Emma Frye would no doubt be pleased to see their wish– that the public enjoy free access to art, that ‘perfection of good-nature,’ continues to be a reality today, thanks to their free art museum.

 

Outdoor Art at Seattle’s Olympic Sculpture Park

After a beautiful morning at Chihuly Garden and Glass and lunch at Seattle Central Armory’s Skillet Counter, we headed down to the Olympic Sculpture Park, part of the Seattle Art Museum.  On the way we passed a Duckload of friendly tourists.

Seattle's Duck Tour.

Seattle’s Duck Tour is one way to see the sights in the Emerald City.

We enjoyed the view of snowcapped Mt. Ranier in the distance and the cruise ships docked nearby.

Seattle is a popular jumping off point for Alaskan cruises.

Seattle is a popular jumping off point for Alaskan cruises.

And finally reached our destination– the Olympic Sculpture Park.

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All are welcome at Seattle’s Olympic Sculpture Park. Admission is free.

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Jaume Plensa’s 46- foot Echo, towers over visitors with her eyes closed to the sea beyond.

This beautiful urban art park was once an industrial site. Now, less than 10 years later, the nine acres on Elliott Bay is Seattle’s largest downtown green space and home to spectacular sculpture by some of the most influential and respected artists in the world including Richard Serra, Ellsworth Kelly, Alexander Calder, and Louise Nevelson.

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A view of Richard Serra’s Wake.

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It’s an entirely different visual experience to wander among the panels of Wake.

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Alexander Calder’s The Eagle provides a brilliant pop of color and a shady place to rest.

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Typewriter Eraser by Claes Oldenburg and Coosje van Bruggen must add a touch of whimsy to the daily commute.

With views toward the Olympic Mountains and Puget Sound, thought provoking and attention getting art, and its beautiful waterfront location, the award-winning Olympic Sculpture Park ought to be on your list of “must sees” in Seattle.

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Cargo ships glide by Bunyon’s Chess by Mark di Suvero.

Puget Sound makes a beautiful backdrop for these sculptures.

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di Suvero’s Schubert Sonata has a prime location.

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The nine-acre sculpture park has lovely wooded paths to explore.

The Olympic Sculpture Park is pedestrian and bicycle friendly, handicapped accessible, and admission is free.

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Roy McMakin’s Love and Loss was commissioned for the Olympic Sculpture Park.

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Beverly Pepper’s Perre’s Ventaglio III is right at home among the vegetation.

What a fantastic place to spend a beautiful day in Seattle! Next, dinner decisions, The Frye and we take flight to Boeing Field–a visit to the Museum of Flight.

Note: Banner image is Louise Bourgeois’s Father and Son. Each figure is in turn concealed and revealed by the water in which they stand, separated, arms outstretched.

Seattle: Whirlwind Weekend in the Emerald City

Art, food and fun highlighted our three-day weekend in the Emerald City. We started off our Saturday morning with a monorail ride from the central shopping area to the Center City area, home of the iconic Space Needle. The monorail, which was built for the 1962 World’s Fair, costs just $3.00 and is only $1.50 for seniors, children under 12, disabled, and active duty military.

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It’s a quick but fun ride on Seattle’s monorail.

The trip takes only minutes between Westlake Center Station at 5th and Pine Streets and The Seattle Center Station. Purchase your ticket at the kiosk or from the cashier as you enter the train. The monorail runs every seven minutes or so from 8:30 a.m. on weekends (7:30 a.m. during the week) until 11 p.m.

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Sonic Bloom greets visitors walking to EMP or Chihuly Garden and Glass. The “sunflowers” move and emit sound.

The monorail drops you off steps from at the Space Needle, Chihuly Garden and Glass and MoPOP Museum (formerly called Experience Music Project).

Seattle's iconic Space Needle was built for the 1962 World's Fair.

Seattle’s iconic Space Needle was built for the 1962 World’s Fair.

We’d been to the Space Needle on previous visits so headed right to the Chihuly Garden and Glass.

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There’s a reason Chihuly Garden and Glass is on everyone’s Top 10 list. Don’t miss it!

We should have bought our tickets online—the lines were long for the cashiers inside and at the outdoor kiosks, and cost more than the online price. Plan ahead! Once you have your ticket and have reached the admission area, ask to have your arm stamped so that you can return in the evening (6 p.m. to 10 p.m.) to view these magnificent glass works illuminated. The sun sets quite late in Seattle during the summer months so keep that in mind when planning your return visit.

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Prepare to be amazed.  Detail of Chihuly’s Sealife Tower.

The Chihuly Garden and Glass is included in Seattle’s City Pass so if you plan to visit more than one of the included attractions—yes, the Space Needle is one of them—you may want to opt for the City Pass. You’ll save money and time since you won’t wait on line.

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Tabac Basket in the Northwest Room.

Once inside, be prepared to be awed. There is a reason Chihuly Garden and Glass is on everyone’s “must see” list. We heard more than a few “wows” as soon as we stepped into the first gallery. Dale Chihuly’s glass art works are artistic, whimsical and beyond stunning.

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Mille Fiori-– A thousand flowers- delight the senses.

These photos cannot capture the splendid forms, movement, intricacy and vibrant colors in Chihuly’s work but they do give an hint of what you’ll experience at Chihuly Garden and Glass.  It is a magical place.

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Persian Ceiling floods the room with color from above.

It seems as you move from gallery to gallery the works get progressively more beautiful and intricate.   The lighting, staging and even the music in the galleries combine to create a magnificent experience.

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Ikebana and Float Boats capture the viewer’s imagination.

A stroll through the gorgeous gardens is another delight. The art is so beautifully integrated in the various plantings that you’ll want to linger.

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A view in the garden.

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Northwest timber is integrated in the glass garden.

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We had the added benefit of a spectacular day—clear, blue skies and temperatures in the mid-70s.  The soothing background music being performed by a gentleman playing the Eyhu on the street just outside the garden added to our enjoyment.

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Soothing music further enhanced our enjoyment of the gardens.

The works on display are included in a fairly comprehensive catalog titled, Chihuly Garden and Glass, available in the gift shop in the lobby.  It is one of many available volumes featuring Mr. Chihuly’s art. In addition to the usual museum gift shop items like books and calendars featuring the artist’s work, original pieces of Chihuly’s glass art are also on offer and priced from $5,000.

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This is no ordinary gift shop.

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A spectacular souvenir.

If you’ve worked up an appetite after your stroll through the garden, head over to the Seattle Center Armory a few steps away. Originally built in 1939 to house the 146th artillery and its half-ton tanks, it was repurposed for the 1962 World’s Fair and became the city’s first vertical shopping mall, called the Food Circus.

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Once home to an artillery unit and half-ton tanks, the Armory now features food and family fun.

Today, in addition to a public space that hosts more than 3,000 free family entertainment and cultural events each year, you’ll find a food court that’s got something for everyone. Though Starbuck’s and Subway do have a presence here, they share the main floor with more interesting offerings from the likes of Eltana’s Wood- Fired Bagel Café, Seattle Fudge, MOD Pizza, Kabab, Cool Guys Fry Bar, Ceres Roasting Company, Bigfood BBQ, Quincy’s (burgers and seafood) , Blue Water Taco, Plum Pantry (vegan and organic selections), The Confectional and Skillet Counter.

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The Seattle Center Armory is a busy place at lunchtime.

Mediterranean street food, beef baracoa, fish tacos, Belgian style fries, individual cheesecakes, pizza, vegan fare, and a terrific fried chicken sandwich are among the tantalizing possibilities we deliberated for lunch.

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So many choices…

We chose Skillet Counter where the Fried Chicken Sammy with a fennel seed crust, kale, and jalapeno aioli on a potato roll called out to my traveling companions. I had a delicious curried carrot soup and a salad. We met Chef Mike “Mookie” who kindly shared his recipe for the soup and the aioli. Looking forward to whipping up some of that at home!

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Skillet Counter’s Chef Mike aka “Mookie”

If you’ve got little ones in tow—you’re in luck—Seattle’s Children’s Museum is just downstairs. Here you’ll find interactive exhibitions, hands on, and age appropriate activities for children ages 10 months to 10 years.

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Seattle Children’s Museum is lots of fun for the little ones.

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After our satisfying lunch at Skillet Counter, we headed down towards Elliott Bay to the Olympic Sculpture Park, part of the Seattle Art Museum.  So much to see and do in the Emerald City!