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Explore Rome’s Ancient Wonders and Avoid the Crowds

Rome is the destination of choice for tens of millions of visitors annually and it seems like everyone is heading to the Eternal City this summer. Where do all those tourists go? Only the Vatican gets more visitors than the Colosseum and both boast more than 4 million each year. Rome has more monuments than any other city in the world, so why fight the crowds when there are so many other archeological marvels to see in Bella Roma?

The Vatican Museums are astounding and should be on everyone’s itinerary but even with timed entry tickets, be prepared for enormous crowds.

The savvy traveler to Rome will purchase an Archeological Museum Pass. The last time we checked, 25 Euro will buy you an expedited entrance to several of Rome’s most important archeological sites and museums. The Colosseum, Forum, Palatine Hill, Baths of Diocletian, Crypta Balbi, Palazzo Massimo, Palazzo Altemps, and Baths of Caracalla are all included. The pass is available for purchase at any of these sites and is good for seven consecutive days. The Roma Pass also includes these sites plus additional museums and public transportation. It is available for 32 Euro for a two- day pass or 52 Euro for a three- day pass.

The Baths of Diocletian

The Baths of Diocletian are just across the busy Piazza Repubblica near Rome’s main train station Stazione Termini.

We have visited the Baths of Diocletian many times and have never had to wait on line to enter. On our first visit a few years ago, an expansive Henry Moore exhibition was on display throughout the baths. Seeing Moore’s sculpture, large and small, in this remarkable setting was an incredible experience.

The largest and best preserved thermal baths the Romans constructed, the Baths of Diocletian provide a respite from the crowds, outstanding architecture, art and history.

We were fortunate to see a marvelous Henry Moore exhibition staged at the Baths of Diocletian on one of our first visits here.

Even without a special exhibit on, this museum should be on your list. Built in the 4th century, these are the largest of all the thermal baths built by the Romans. They are also among the best preserved and easy to reach since they are across the Piazza della Repubblica from Rome’s train station—Roma Termini.

Remarkably preserved Roman mosaics line the floors and some walls within the Baths of Diocletian.

A memorable experience awaits visitors to this archeological and architectural wonder.

Water was stored in these great halls where sculpture now stands.

If you happen to visit the in the evening, you’ll have the opportunity to walk inside the enormous baths bathed in blue light—a simulation of sorts of what the ancient Roman experience may have been. Day or evening, don’t miss this astounding repository of Rome’s magnificent history.

The large marble-clad pool, called the natatio, was about 4,000 square meters and one meter deep. Visitors are free to wander throughout the pool areas and great halls.

In 1561, Michelangelo was given the job of converting the Bath’s frigidarium into a church. He created the beautiful Basilica Santa Maria degli Angeli on the site, along with the cloister he designed. He likely did not live long enough to oversee its construction though it is referred to as Michelangelo’s Cloister. More than 400 works of art, including sculpture, reliefs, altars and more are displayed in the cloister and gardens.

The cloister of Santa Maria degli Angeli e dei Martiri, referred to as Michelangelo’s Cloister, contains hundreds of statues, sculpture, altars and sarcophagi.

This is one of several colossal animal heads that were found near Trajan’s Column in 1586 and brought to the cloister.

Inside the National Roman Museum, which has been housed at the Baths of Diocletian since 1889, visitors will find three floors of extraordinary exhibitions and works of art ranging from important documents related to Roman life, culture and commerce through the centuries, to classic sculpture, funerary objects, mosaics and much more.

Art and artifacts from the 5th century BC to the 4th century AD are displayed in the area known as the Epigraphic Museum, part of the National Roman Museum.

Fascinating documents and antiquities relating to Roman life, culture and commerce through the centuries bring the Roman experience to life.

We have visited the Baths of Diocletian numerous times and always spend many more hours than we planned– wandering through the Baths, the garden and cloister, and of course, the marvelous museum and beautiful Michelangelo-designed church, all located on this easy- to- reach site. There is so much to see here. Don’t miss it!

Palazzo Massimo alle Terme

Built at the behest of Jesuit priest Massimiliano Massimo, whose family had owned the land prior to the construction of Rome’s Termini Station, Palazzo Massimo was constructed between 1883 and 1887.

Also near the Baths of Diocletian you’ll find the stunning Palazzo Massimo alle Terme. This is another of Rome’s great treasures not found on many traveller’s itineraries. The Palazzo Massimo gives visitors a rare look into what life was like for upper class Romans during the empire’s heyday.

Detail of one of the many beautifully preserved mosaics on display at Palazzo Massimo alle Terme.

Here you’ll discover beautifully preserved mosaics, frescoes, stuccoes and entire rooms rebuilt inside the museum from Imperial Roman villas. The beautiful painted garden from Livia’s Villa (constructed 75-50 BC) now displayed here, offers a serene escape in the heart of the busy city.

These carefully restored painted walls once adorned the villa belonging to Livia, wife of Augustus.

This reconstructed room from Villa Farnesina gives a glimpse into upper class Roman life in the 1st century BC.

These bronze arms were fittings from one of two ceremonial vessels owned by Caligula and recovered from Lake Nemi between World Wars I and II. The ships were destroyed during WWII.

Portraits from the Republican to the Imperial era, Greek and Roman sculpture (including the famous Hermaphroditus Asleep from the 2nd Century), jewelry, furnishings, and even a mummy of an eight-year old are included in the museum’s collections.

The Boxer (also called The Pugilist) seems to gaze plaintively at visitors through his lost eyes. This magnificent sculpture may date from the 4th century BC and was found on Quirinal Hill.

The Lancellotti Discobolos, in the foreground, is another important sculpture from the Antonine period on view at Palazzo Massimo.

Palazzo Altemps

This peaceful courtyard gives visitors to Palazza Altemps quiet respite from the busy Piazza Navona just outside.

Just off the busy Piazza Navona is Palazzo Altemps. This gorgeous 15th century palace was once home to Cardinal Altemps and has been a part of the Roman National Museum since 1997.

Classical sculpture and elaborately decorated ceilings line the loggia.

The Palazzo includes works ranging from Egyptian antiquities, Greek and Roman sculpture, original frescoes, and the spectacular Ludovisi Collection.

The Ludovisi Fury is thought to be a copy of a Greek work, likely from the 2nd century. The left side of the face was cut horizontally to provide stability and is sometimes called the Sleeping Fury.

Ancient sculpture and reliefs from important collections, notable Egyptian artifacts, frescoes from 70-100 AD, and other antiquities are all housed in the museum’s galleries.

The 104 sculptures that comprise the collection, begun by Cardinal Ludovico Ludovisi in the early 1620s and purchased by the Italian government in 1901, is widely regarded as the centerpiece of the Palazzo Altemps. Be sure to see the famous Ludovisi Throne.

Detail of one of the colossal sculptures displayed at the Palazzo.

The museum also houses several other important collections including the Mattei and “Dragon Collection” which has nothing to do with mythical beasts but is instead the works owned by the del Drago family. Visitors will also find the Pallavicini Rospigliosi Frescoes, which date from 70-100 AD, and notable art and significant artifacts in the Altemps’ Egyptian and Antiquarian collections.

The beautiful Church of San Aniceto is located within the Palazzo Altemps– a serene spot for contemplation and prayer.

Step inside the Church of San Aniceto, which is located within the palazzo and was built in 1617 to house the saint’s remains, for a meditative moment or two and leave the noise and crowds behind.

Crypta Balbi

Crypta Balbi’s excavations show how Rome developed from antiquity through the 20th century, building layer upon layer from its ancient beginnings.

You will not be fighting crowds at Crypta Balbi, also part of the National Roman Museum. It is a wonderful archeological site and should be on your list of remarkable places to see. A subterranean tour through excavations of ancient buildings, combined with fascinating exhibitions, takes visitors on a historical journey from Rome’s earliest beginnings through the 20th century.

The excavations, which give visitors a fascinating look at the city’s earliest development, began in 1981.

Frescoes, such as these from Santa Maria in Via Lata can be found upstairs in the “Rome from Antiquity to Middle Ages” section of the museum.

Ceramics, glass fragments, coins, tools and other items from Roman daily life centuries ago are on display.

Be aware that there are not always English speaking guides available to accompany you through the excavations below the museum but the exhibitions upstairs have information in English. Even without a guide, it is worth exploring the lower level. The museum is at Via delle Botteghe Oscure 31, just around the corner from the Largo di Torre Argentina where you’ll find interesting ruins, a sunken excavation site and a cat sanctuary and adoption point.

The Largo di Torre Argentina is home to ancient Roman ruins and a cat sanctuary.

The Pantheon

The Pantheon is one of Rome’s most important and most visited ancient wonders.

The Pantheon is one of ancient Rome’s most glorious structures and has been in continual use since it was built by Marcus Agrippa in 31 BC and rebuilt by the Emperor Hadrian 125-118 AD. Illuminated by the oculus in its magnificent dome, the Pantheon boasts the largest masonry vault ever constructed. As of July 3, 2023 a 5 Euro fee is required to enter. Tickets are available online and onsite and nearly 3,800 were sold the first day.

Originally built in 31 BC by Marcus Agrippa, this is the largest masonry vault ever constructed and it is spectacular.

We have been here when the sun is streaming in through the oculus as well as when the rain is pouring down—a visit here is a memorable experience at any time.

Sculpture, paintings and sacred art adorn the interior of the Pantheon.

The esteemed Italian painter Raphael and Italy’s first king, Vittorio Emanuel II, are both buried here. Go early in the morning to beat the crowds.

Arrive here any time after early morning and be prepared for large crowds and the occasional, “Silencio,” shouted by guards.

After you’ve finished marveling at the immense beauty inside the Pantheon, take a walk around the exterior. You can see excavations of the shops and dwellings that surrounded the building during the era of Imperial Rome.

Shops and homes were once built into the Pantheon’s exterior walls. Visitors can see the remains today.

Close to this magnificent building you’ll find the classic Armando Al Pantheon. Open for lunch and dinner, except on Saturday nights and Sundays, this place serves traditional Roman cuisine. Be sure to reserve as far in advance as you can– it’s enormously popular with locals and tourists.

The Colosseum

If you’ve never visited Rome before, you’ll need to brave the crowds and see the Colosseum.

I’m not suggesting you skip the Colosseum. In fact, if you’re planning to head over that way, be sure to include the Forum and Palatine Hill in your plans. Just be prepared. Lines are less long early in the morning, but there are always lines. If you have an Archeological Pass or Roma Pass you get to go on a much shorter line than those without—just look for the signs. The Colosseum, which took just under 10 years to build, was completed in 80 AD and is the largest amphitheater ever constructed.

Pack your patience and your most comfortable walking shoes. Crowds are huge and steps are steep and unforgiving at the Colosseum–one of Rome’s most visited sites.

There are rules, though apparently not always observed.

You’ll be hiking up and down some very steep stone steps and rocky, uneven walk ways in both the Colosseum and the Forum. There is no shade so wear a hat or take an umbrella to keep the sun off and bring a bottle of water if it’s a hot day. There are no services or shops. Some areas are handicapped accessible but inquire before setting off.

The Forum

The Forum tempts the imagination with incredible Imperial Roman ruins.

The Roman Forum was the heart of the ancient city and the ruins are spectacular. Some of the highlights include the Arch of Titus (through which most visitors enter), the Temple of Saturn, and the Temple of Vesta. The Sacra Via, or sacred road, runs through the ancient site.

Uneven walkways and cobbled paths at the Forum call for comfortable shoes. Bring a hat and water– there’s no shade and no conveniences inside the gates.

Be aware that unlike the Colosseum, there are no facilities once you are in the Forum—no bathrooms, snack shops, water fountains or souvenir vendors inside the gates. Beware of pickpockets and “for hire” guides at both the Colosseum and the Forum. The latter often dupe visitors into thinking they must buy a guided tour to get inside, which is not true.

Visitors take a walk through ancient history on original Roman roads. Most significant sites are signed in English and Italian but a guidebook will be handy here.

All that walking gave us an appetite. We had a really good lunch across from the Colosseum at Angelino ai Fori dal 1947 at Largo Ricci #40, 06.6791121. We expected high prices and mediocre food since it’s so close to several major tourist sites but were pleasantly surprised by both the food and the prices.

We enjoyed a delicious lunch on the patio at Angelino ai Fori.

If you are prepared for a short journey, take a trip to Ostia Antica. Ancient Ostia was once a bustling seaside town built on the Tiber River where it enters the Mediterranean Sea, but now, 2,000 years later, it is four kilometers from the water. We found the ancient site even more interesting than the Forum and far less crowded. We enjoyed a picnic here one fine afternoon and learned, once we had secured a knowledgeable guide of the area, that we’d had our lunch seated on a burial site. There are spectacular ruins of baths, a theater, apartment houses (some with painting still intact), mosaics, and much more to see in the excavations of this once fortified city.

These are just a few of the astounding archeological treasures found nowhere else but Rome. Put on your walking shoes and go explore this ancient and vibrant city.

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Listen to the World at Phoenix’s Musical Instrument Museum

If “Music is the language of the soul,” the Musical Instrument Museum speaks it fluently.  The MIM, as it’s known, is home to more than 8,000 musical instruments from every country on the planet and calls itself the world’s only global music museum.

Musical instruments from every country on earth are displayed at the MIM, sometimes along with ceremonial costumes, like this one from the Mongol people of Ulaanbaatar.

Wonder what a theremin sounds like or even what it is? Put on your headset and watch and listen as virtuoso Clara Rockmore brings this custom-built instrument to life, moving her hands between two antennae to control pitch and volume. You’ll learn the history behind the instrument, the artist, and even see what she wore as she toured the USA with major symphonic orchestras in the 1930s. 

I’d never heard of a theremin before my visit to the MIM! Now I’ve had the chance to see, hear and even play one!

The MIM’s interactive technology instantly syncs your headset to any video screen you stand before, allowing guests to see, hear and experience instruments we may never have even heard of, let alone seen and heard being played!

Move your hands between two antennae to control pitch and volume on the theremin. There’s one in the Experience Gallery for visitors to try!

Throughout the museum, thousands of instruments– historic, rare and sometimes common place– are displayed along with clothing, costumes, cultural artifacts, maps, and most importantly, information that gives perspective to the ceremonies, rituals and the role in everyday life the instruments play.  The videos that accompany each exhibition take visitors on a musical journey to countries and cultures around the world and sometimes, back in time.

Headphones sync automatically with videos as you walk through the museum.Watch and listen as Kukeri- costumed dancers chase away evil spirits with their jangling bells in Bulgaria.
Visit Ireland and hear the Chieftains, the country’s “Musical Ambassadors,” perform traditional Irish music.

We started our visit at the MIM’s special exhibition, Treasures: Legendary Musical Instruments. Rare, historically significant and stunningly beautiful instruments from around the world, spanning thousands of years of musical history, are on display along with videos that allow you to hear these incredible instruments being played. 

Where else will you see and hear an ancient Greek trumpet that may be the only one of its kind still in existence?

Nowhere else will you experience the sounds and sight of a Salpinx, an ancient Greek trumpet (300 BCE-200 CE) believed to be the only one of its kind still in existence!  You’ll see and hear renowned musician Jake Shimabakuro play a Kumu tenor ukulele handcrafted of Koa wood, mahogany, mother-of pearl, ebony, turquoise, abalone and onyx, built specifically for him.  View fragments of a 4,500-year-old lyre from Ur, Mesopotamia (modern day Iraq), along with the oldest intact guitar on earth, and Jimi Hendrix’s iconic Black Widow guitar.

The oldest intact guitar in the world is at the MIM along with Jimi Hendrix’s famous Black Widow, shown below.
Anthropomorphic harps from the Ngandi people of the Central African Republic are among the rare instruments in the Treasures exhibition.

The collection includes a 1584 harpsichord from Belgium made from wood, bird quill, iron, felt, paper and paint, and anthropomorphic harps from the Ngandi people of the Central African Republic (1850-1875). There are fiddles, mandolins, drums, bells, lutes, and flutes– some shown being played by world-class musicians. In the center of it all is a spectacular bronze-gilded grand piano built by the Erard Company in Paris for the 1889 Exposition Universelle, where the Eiffel Tower was introduced to the world.

This splendid piano was unveiled at the same time as the Eiffel Tower.

Next door to Treasures, the Artist Gallery features musicians from nearly every genre you can think of from hip hop to country.  Missed Woodstock? The MIM has it covered with instruments, costumes, memorabilia and video of that epic event thanks to donations by people who performed there including Carlos Santana, Joan Baez and John Sebastian.

Memorabilia, musical instruments and concert performances by numerous artists who played the iconic festival help capture the spirit of Woodstock.
I saw the legendary drummer performing at New York City’s Rainbow Room many years ago though I don’t know if Buddy was playing this particular set of drums.

The white, marine pearl Swingerland drum set the legendary Buddy Rich played many times on The Tonight Show hosted by Johnny Carson (also a drummer by the way) is here. So is the Steinway piano John Lennon composed Imagine on and the guitar Eric Clapton used to record Layla. Country music fans will find the Chet Atkin’s Signature electric archtop guitar donated by Duane Eddy and hear Glen Campbell strumming, singing and playing the bagpipes, via video at the MIM. 

Photos, video, drums, even Tito Puente’s dazzling jacket are here along with one of the “Queen of Salsa” Celia Cruz’s gorgeous stage dresses and maracas. Cruz, a five-time Grammy -award winner sometimes performed and recorded with Puente.

Elvis Presley, Dick Dale, Black Eyed Peas, Johnny Cash and Maroon 5 are just a few of the artists sharing the spotlight in this enormous gallery which rotates its 40 exhibitions to include music icons from around the world.

The King is among the legendary performers in the Artists Gallery, of course!

In the Mechanical Music Gallery, the MIM has treasures ranging from intricate music boxes to player pianos to my personal favorite, the orchestrion named Apollonia.  Built in 1926 in Antwerp, she is 25 feet wide, seven feet tall and weighs two tons. After retiring from a career touring the dance halls of Europe, Apollonia was refurbished in 1950 and found her way to the USA.  Now she entertains MIM’s visitors daily at noon and 3 p.m.  How extraordinary to experience the same music played on identical instruments audiences enjoyed nearly one hundred years ago!

Apollonian entertains visitors daily at noon and 3 p.m. Don’t miss a chance to hear this performance!
Intricate music boxes, dancing puppets, player pianos and more fill the Mechanical Music Gallery.

Upstairs, in the Geographic Galleries, you’ll tour the world through music—the bridge that connects us all. Start in Africa, where human civilization began, and wind your way through the continent from Angola to Zimbabwe. 

Start your journey in Africa, where human civilization began and prepared to be amazed at the sheer variety of instruments played on that continent.

Stunning stringed instruments, drums, Nigerian bronze bells from the eighth century, an enormous 18- key xylophone from Ghana, Ngoni lutes from Mali, and more held our attention as we traveled from country to country learning about cultures, languages and the music people make a world away from our home.  Move on to the Middle East then continue your tour through Asia.  

In 17th century Japan, displaced Samuri warriors often became Komuso monks, wandering the countryside playing the shakuhachi. Wearing a basket over their head signified detachment from the material world.
Take a musical journey through every country in the world at the MIM. Just about every instrument imaginable– is here in one gallery or another!
No area of the globe is left unexplored -even instruments from the subarctic are here!

Cross the seas to Oceania and Latin America. Experience Europe’s musical treasures–opera, ballet and orchestral instruments and performances– and finally, explore genres from country to classical to jazz and even marching band music in North America.  Who knew Elkhart, Indiana played such a significant role in our musical history?

This 48K Grand Jumbo sousaphone (left) was manufactured in Elkhart, IN, the home of most American band instrument companies. Master engraver Julian Stenberg created this for a nationwide promotional tour for the C.G. Conn company’s 50th anniversary.

Personally, I was astounded to see how musical instruments traveled and evolved across borders and through time.  We saw bagpipes in one form or another, made from materials ranging from fabric to animal skin, not only from Scotland, but also Tunisia, Croatia, Slovakia, France, Spain, Romania and Sweden.

Above are bagpipes from Tulum, Turkey while the instrument below is from the Iranian province of Hormozgan.

Though closely associated with the Scottish Highlands, bagpipes have been around for 2,000 years and may have originated in Turkey, according to the MIM.

Bagpipes may have originated in Turkey more than 2,000 years ago. This display shows wind, string and percussion instruments from Turkey’s countryside and urban areas.

Don’t leave the MIM before stopping in the Experience Gallery where visitors of all ages are not only invited but encouraged to make their own kind of music. 

The gamelan shown here is displayed in the Geographic Galleries but there is also a gamelan available for visitors to play in the Experience Gallery. Give it a try!
Drums are found in every country. These Turkish kettle drums from the 1920’s are made from copper covered in camel skin and are part of the Treasures exhibit. There’s a huge communal drum for visitors to play in the Experience Gallery.

Bang a gong, play a zither, try your hand at the theremin or Javanese gamelan. Join your friends around the communal drum and make a joyful noise! Express your own ‘Language of the Soul”—after all, that’s what this magnificent museum is all about. Learn more at mim.org.

California’s High Desert Hidden Gems: Noah Purifoy’s Outdoor Desert Museum

It’s been months since museums have been closed in Southern California where I live, so when I learned about an outdoor museum while planning a trip to Joshua Tree National Park, I knew we had to go!

Welcome to Noah Purifoy’s Outdoor Desert Museum of Assemblage Sculpture.

After spending most of the day hiking in the strange but beautiful Joshua Tree National Park, we headed out for a look at another high desert gem—Noah Purifoy’s Outdoor Desert Art Museum of Assemblage Art. We drove through the small town of Joshua Tree, into the scrubby desert landscape, past large lots and small houses–more than a few surrounded by chain link fences. In this part of Southern California, pick-up trucks are far more popular than Porsches.

The high desert landscape is the perfect setting for Mr. Purifoy’s assemblage art. Shipwrecked is in the foreground with White House to the left.

Up and down the lonely roads we drove until our turn- off onto an unpaved road that ended in a dirt lot. A triumphal arch of tires spelling out W-E-L-C-O-M-E in a non- conformist way, let us know we had arrived. 

Please don’t jump on the Band Wagon, 1995. Tempting as it is, visitors are asked to refrain from touching or climbing on the sculptures.
Bowling balls play a starring role in a number of Mr. Purifoy’s sculptures.
Found materials of all kinds make up the monumental sculpture in the Outdoor Desert Museum, as in this work called Aurora Borealis.

I have been fascinated by assemblage art for a long time. Created from found materials, assemblage art personifies the old saying, “One man’s trash is another’s treasure,” and shows how a creative mind can make something provocative, beautiful, and meaningful from goods that might otherwise have been tossed on the trash heap.  Noah Purifoy’s Outdoor Desert Museum of Assemblage Sculpture is the embodiment of that. 

1996 Toilet Bowl Sculpture is just one of the 30 inventive and monumental assemblage sculptures on the 10-acre art site.

Too often, we find ourselves exploring these out-of-the-way places alone. We were happy to see others here experiencing these amazing art installations.

Purifoy’s work can be poignant and provocative. This piece is called White/Colored.
Homelessness and shelter are among the social themes Purifoy explores in his work.

A renowned assemblage artist, Noah Purifoy first came to national attention with sculpture he created using burnt debris from the 1965 Watts Riots in Los Angeles.  His work was part of 66 Signs of Neon, a landmark group exhibition that traveled across America and abroad from 1966- 1971. 

Prominently positioned, The White House includes plumbing ware and bowling balls. It took Purifoy three years to create.

Free brochures lead visitors on a self-guided tour of the 10-acre site. Docent-led visits for groups can be arranged through the Noah Purifoy Foundation.

Purifoy was the founder and first director of the Watts Tower Art Center and was later appointed to the California Arts Council, a position he held for more than a decade. His work there included bringing art into California’s State Prison system under the Artists in Social Institutions program he initiated.

This piece, called Kirby Express, was created from old Kirby vacuum cleaners and bicycle parts among other things.
Here’s Kirby Express from a different vantage point with Shipwrecked and Carousel to the left.
No Contest (Bicycles) is dwarfed by a Joshua Tree, the area’s namesake desert plant.

Long a fixture on LA’s art scene, Purifoy, who was born in Alabama in 1917, moved to Joshua Tree in California’s high desert in 1989.  He began populating his 10-acre sculpture park with works of all shapes and sizes using materials ranging from discarded toilets to tires and just about everything in between. Industrial materials, clothing, wood, metal, rubber, concrete and old appliances all found their way into Purifoy’s art.

From the Point of View of the Little People, 1994.
Abstract, whimsical, inventive and thought provoking, Purifoy’s works are best experienced by a visit to his amazing desert museum.
Piles of old chairs became art in Purifoy’s wildly creative hands.

From 1989 until his death in 2004, Purifoy worked to create a public art space that continues to attract visitors from across the country and around the world.  Admission to the sculpture park is free but donations are welcome. The Outdoor Desert Museum is open daily.

The Gas Station conveys a certain attitude. The White House is to the left.
Admission is free but donations are welcome.

Purifoy’s work can be seen at the Whitney Museum of American Art in New York, Los Angeles County Museum of Art, National Gallery of Art in Washington, DC, as well as other prestigious art institutions here and abroad. Until those eminent museums open their doors again, and even after, visitors to Southern California may well want to head to the high desert to experience Purifoy’s final and very impressive body of work. Visit www.noahpurifoy.com for more.

Into the Woods –Bomarzo’s Monster Park

We made our way to Bomarzo’s Monster Park on a beautiful autumn day, early enough that the morning fog still hung over the woods adding a decidedly forbidding atmosphere to the place. 

With its strange and beautiful sculptures, eerie wooded pathways and vertigo-inducing tipsy house, I wondered for a moment if Lewis Carroll had taken inspiration from Bomarzo for his Alice’s Adventures in Wonderland.

The dragon symbolizes time and wisdom, rather than destruction. At Bomarzo, the dragon fights a dog, lion and wolf representing spring, summer and winter.

While appearing completely contemporary, this unconventional garden near Viterbo, Italy was commissioned by Prince Pier Francesco “Vicino” Orsini in 1552.    Known for their balance, order and harmony, classical 16th century Italian gardens with their careful geometric designs and extravagant water features seemed to celebrate man’s control over nature. Not so, the wild and woodsy Bomarzo.  

Bomarzo’s winding, woodsy paths are full of surprises.
The giant jaws of the whale warn visitors away from the water.

Created by architect Pirro Ligorio in the Mannerist style, this garden is almost a rebellion against order and a tribute to life’s unpredictability. That’s what makes it so much fun to visit.

Proteus, Neptune’s son, comes from the legend of Glauco, a fisherman who became a sea god.

Instead of being adjacent to or surrounding the owner’s villa like most gardens of the period, this one flourishes in a nearby wood, nearly hidden from view from the palace above.

Il Sacro Bosco, the Sacred Wood, is the opposite of the well-ordered classical 16th century Italian garden.

There is no rhyme or reason to this garden. There doesn’t seem to be a relationship between the sculptures and their placement in the park, though that could have everything to do with the fact that they were all carved from gigantic rocks where the stone stood.

Statues were carved on-site from stones where they stood.

Il Sacro Bosco or the Sacred Wood, as the Monster Park is also known, is home to mermaids, sphinx, dragons, nymphs, fountains, a giant tortoise, and a heroic Hercules, among other fantastical sculptures.

The tortoise symbolizes the feminine powers of water and ancient knowledge.

Originally the sculptures would have been painted in bright colors.  None of that remains today though some pieces are covered in downy green moss. I was slightly disappointed to see the tortoise had recently had her nice coat of soft green moss removed, though she was still a striking figure. 

An elephant carrying a castle was a popular medieval symbol and reference to Hannibal’s use of elephants to invade the Italian peninsula.
This elephant, holding a wounded or dead soldier, represents Rome’s victories and defeats.

Many of the Bomarzo’s sculptures have historical, religious and cultural significance.  Some are meant to be puns or puzzles.  Others may have had meanings which have long been lost over the nearly 500 years since the garden was created.  The brochure we received with our tickets gave explanations for all of the 35 key sculptures, as well as serving as a guide through the park.  

The sleeping nymph, which represents purity in Greek mythology, is both human and divine.

The Ogre, or L’Orco, king of the underworld, is at the center of the garden and one of the most popular sculptures at Bomarzo. I found a photo of surrealist artist Salvador Dali sitting in the “Mouth of Hell” in 1938! He was so inspired by the Monster Park that he made a short film about the gardens.

A school group posed in front of the giant sculpture amid much jostling and laughter, clearly enjoying the monsters and whimsical creatures throughout the park.

The inscription above the entrance says, “Abandon all thought,” a reference, and maybe a tribute, to Dante Alighiere’s Divine Comedy- Inferno, where a warning above the Gates of Hell reads, “Abandon all hope, ye who enter here.” Don’t be put off. Inside the mouth, visitors will find cool respite and a small built- in table and seats.  It’s a perfect place for contemplation and perhaps a picnic.

Just try to walk around inside the Leaning House without losing your balance!

Another popular stop, the Leaning House doesn’t seem so disorienting until you get inside and try to explore the rooms. There’s not much to see other than the family crest and motto. It is a vertiginous experience at best and not a place to linger—purposefully, scholars think. Some believe that the house represents the falling fortunes of the Orsini family, but nearly 500 years on, the house still stands!

Proserpina welcomes visitors to the hippodrome area.

Hiding around every corner or peeking through the trees are heroic and monumental figures.  Proserpina, wife of Pluto, stands in for Diana and Juno greeting visitors with open arms.  An enormous Hercules—a protector of good, is shown subduing the evil Caucus.  Ceres appears with her circle of babies.

Hercules, protecting the poor, vanquishes Caucus, who stole food from them.

Neptune towers over the basin, while the open jaws of a whale warn visitors away from the water. Nearby, a giant nymph is both human and divine– a reference to the sleeping Ariadne. There are Furies, a pegasus, dolphins, lions and other mythical and magical creatures throughout the garden.

The Winged Fury is of Greek origin and also played an important role in Roman religion. The Furies were considered guardians of national glory and the fertility of the soil.

There are large vases with inscriptions no longer decipherable, benches with messages in Latin, and much more that will surprise and delight around every turn.

Some of the benches have Latin inscriptions.
Scholars think this sculpture represents Bacchus’s descent into hell, goblet in hand. Medusa’s head is carved into the bottom of the giant vase.

Il Sacro Bosco was created as a memorial to Prince Orsini’s late wife, Guilia Farnese, of the wealthy Farnese family.  Their money helped fund the garden, which her broken- hearted husband intended as a manifestation of his grief and a place of shock and surprise.

Il Sacro Bosco was created as a tribute to Orsini’s late wife, Guilia Farnese.

A Pegasus in the garden represents Orsini’s in-laws– the Farnese family. The Temple of Eternity was built 20 years after the original garden as a memorial to Guilia and was designed with roses associated with the Orsini family.

Wander as you like, but if you follow the suggested trail in the park’s brochure you’ll see all of the key sculptures and sights in this fascinating garden.

Visitors are welcome to wander freely through the paths, but following the trail outlined on the brochure’s itinerary will ensure that you won’t miss a single one of the extraordinary sculptures and sights waiting in the Sacred Wood at Bomarzo. While the traditional gardens of the period we visited– including Villa Farnese, Villa Lante and Villa D’Este–are stunning, Bomarzo is absolutely fascinating. We’ve never experienced anyplace like it!

An Afternoon with Otzi the Iceman

He’s an international man of mystery, media darling, and a murder victim. Otzi the Iceman was brutally killed about 5,300 years ago and is the oldest known natural human mummy in Europe. A German couple hiking the Otzal Alps discovered his body on September 19, 1991 on a glacier in Italy about 100 meters across the Austrian border — thus his nickname.  We spent an afternoon with Otzi, not far from his birthplace in the Dolomites.

Otzi’s final resting place is the South Tyrol Museum of Archeology in Bolzano Bozen, not far from where he was born and where his body was discovered 5,300 years later.

After a brief custody dispute— both Austria and Italy laid claim to Otzi–research on his mummified body began at Innsbruck University in Austria. He has found a final resting place at Italy’s South Tyrol Museum of Archeology in Bolzano Bozen.  Today, the entire museum is dedicated to Otzi and life in the Copper Age.  Visitors can peek through a small glass window to view Otzi’s body, which is kept in a climate controlled, sealed vault.  Be patient, there is always a line to see him.

Otzi’s body is preserved in a viewable, climate- controlled vault but signage asks visitors to be respectful and refrain from photographing his remains. This acrylic model is provided for photos.
Scientists have created a remarkably life-like reconstruction of Otzi, one of the world’s most fascinating murder victims and Europe’s oldest natural human mummy.

A 3-D reconstruction gives a surprisingly lifelike depiction of what Otzi would have looked like. He was believed to be 45 years old when he met his untimely death. At 5’3’’ and 110 lbs., he was short and stocky, but muscular. He wasn’t in the pink of health when his life was cut short, though.  He had tooth decay, parasites and H. pylori, which would have caused numerous gastric issues.  Scientists were able to retrieve and identify the contents of his stomach which included his last meal—red deer meat, unleavened bread and fruit and an herb called hop hornbeam.  He likely took that to ease his tummy troubles. His hair had high levels of arsenic and copper particles, possibly from smelting copper, which may also have contributed to his ill health. None of these things killed him though.

Otzi’s goat hide leggings, bearskin hat, and other garments were remarkably well preserved after 5,300 years entombed in a glacier.
Otzi’s leggings would have extended into his shoes for warmth and protection from the snow and rain.

The garments and accessories Otzi was wearing when he met his demise were remarkably well preserved by his years of glacial entombment.  His lambskin loincloth, goat hide coat and leggings, and bearskin hat are all on exhibit, along with what remains of his shoes with their cow hide laces.  His shoes are really something to see- made from bearskin soles, deer hide uppers and tree bark netting, they were lined with grasses that acted like socks and cushioned his feet for the long treks he made through the mountains.  

Bearskin, deerskin, tree bark netting and hay-like grasses went into the construction of his shoes. Here you can see the structural foundation as well as what remains of his well worn shoes.

Even his deerskin quiver and arrows survive.  Because of the variety of animal skins used in his clothing and accessories, researchers believe that Otzi kept and herded domesticated animals like sheep, goats and cows, earlier than was previously thought.

Scientists discovered blood, not his own, on Otzi’s goat skin coat, adding to the mystery around his murder.

He also had a grass cape with him, either to wear as a raincoat or to sleep upon—or maybe both.  Displays show how all of his garments fit together to protect him from the elements—pretty complicated!

Drawings indicate how Otzi would have dressed. Fitting each item together was a lot more complicated than you’d imagine.

Otzi liked ink!  He is in the Guinness Book of World Records for being the oldest person on earth to sport tattoos. His body is adorned with 61 of them made by rubbing charcoal dust into fresh wounds. These are certainly not the elaborate tattoos seen today—they’re mostly crosses and lines on his back, ribs, wrist and legs and may have been used for pain relief.

The copper head on Otzi’s axe came from far-away Tuscany, which meant he traveled widely or traded or both.

Researchers have been able to piece together a great deal about the life and times of Otzi the Iceman based on his clothing and the items found alongside him.  He had a copper-bladed axe, which would have made him a high-status individual.  The copper was from Tuscany, quite a distance away, so he traveled or traded or both. He also had a flint dagger from the Lake Garda area, arrows, incomplete shafts and longbow, plus a net.  Otzi was a hunter.  

The articles found near his body give us great insights into Otzi’s lifestyle and activities. A backpack frame, shown here, was one of many personal belongings discovered with him in 1991.

He had several wooden tools used to fashion clothes or utensils—he would have needed these to make repairs or construct needed items on his long treks.  He also had a birch bark cylinder likely used to carry hot embers for quickly starting a cook fire and a complex fire-starting kit. These would have been handy on his journeys for cooking and for warmth.  Otzi has shown us that people travelled more widely than previously believed during the Copper Age, trading goods, services and knowledge.

Visitors can examine Otzi’s clothing, weapons, even the contents of his last meal, and learn what scientists have finally determined was his cause of death.

Researchers know what the iceman wore and ate and likely what he did for a living, but mystery surrounded his murder until 2012.  Was he struck in the head with a blunt object? Stabbed? Shot in the back with an arrow? Was there a fight?  Or all of these things? Scrappy Otzi was definitely a hunter and a fighter. Blood from four different individuals was found on Otzi’s dagger, coat and on one of his arrows which could mean a battle. He had several broken ribs that had healed before death, and he had been struck in the head.  His brain had evidence of clots which could have been from blunt force trauma that then caused stroke or embolism.  He also had stab wounds on his hands. The likeliest cause of death was the arrow lodged in his left shoulder.  Finally, in 2012, researchers agreed that Otzi had bled to death from the arrow wound.

Otzi and the mysteries surrounding him have made him a popular media subject across the globe.

Otzi’s discovery made quite a stir worldwide and was also marked by controversy.  Once the significance of the find was reported, numerous people claimed to have found the body. The museum has an exhibit detailing much of the media coverage around him. Otzi is so scientifically important; the museum has a specific evacuation plan for him should a crisis arise that could damage him. He has opened a window into life in the Copper Age that would have remained closed, had those hikers not stumbled upon him back in 1991.

Helmut and Erika Simon, a German couple, were credited with finding Otzi’s body on the Tisenjoss Pass, just over the Austrian border in Italy, while hiking in the Otzel Alps.

In 2012 Otzi’s genome was sequenced using a bit of his hip bone, revealing he had brown eyes, type O blood, a predisposition to heart disease, was lactose intolerant, and may have had Lyme disease. His maternal line is extinct, but his paternal lineage is intact. In 2013, 19 Austrian men from a group of 3,700 tested, shared a unique genetic mutation with Otzi. Scientists believe that his descendants would have settled between the Dolomites and Sardinia— his genetic profile has much in common with Sardinians today —and that there are likely more of them alive today.

Our afternoon with Otzi was fascinating and we’d highly recommend a visit if you’re in the Bolzano Bozen area. Click here for more information.

Porto—Sinners, Saints, Art, and of course, Plenty of Port

Portugal’s second largest city, Porto, or Oporto as the British called it, has a vibrant cultural scene, beautiful churches and a fascinating history, but for many, it’s all about the port.

Welcome to Porto!

Port!

Port and port tastings draw visitors from all over the world —after all, the city is named for the fortified wine.  All the big port houses are here, along with smaller cellars worth investigating. Just across the river in Vila Nova de Gaia, you’ll find Sandeman, Taylor Fladgate, Grahams, Ferreira, Calem, Croft, Cruz, Ramos Pintos, Kopke, Cockburn and many others. Individual port houses vary in their offerings– there are guided tours, self-guided visits, port tastings, retail shops and several have restaurants on site.

The world- famous port houses Porto is named for are across the river in Vila Nova de Gaia.

Since there is so much to do in Porto and we had already spent time in the Douro Valley where the grapes for port are grown and the production of the fortified wine occurs, we decided to visit just one port house. We chose Taylor Fladgate because we also wanted to have lunch at Barao de Fladgate. Food is an important part of the travel experience!

Taylor offers a self- guided tour (with audio available in English) and port tastings in the garden afterwards.  No reservations are needed for tours but they are required for lunch.

The self-guided tour, which includes a visit to the cellars, was fun and informative.
Visitors learn about the history of the wine, the area it comes from, and port production through photos, a short film and exhibits at Taylor Fladgate.

We thoroughly enjoyed our tour, which covered the history and “how to” of port production, interesting information about the families behind the cellar, and included a short film, static exhibits, photographs, and a cellar visit.

Afterwards we were entertained by a group of peacocks and one very loud, very busy rooster who was clearly in charge, during our tasting in Taylor’s garden.  There is also a well-stocked shop on the premises with relative bargains compared to the prices you’ll pay in the U.S.  for ports of this quality.

Visitors have numerous choices for their port tasting.
This fellow clearly ruled the roost and let those peacocks know it.

Taylor Fladgate is the only port house we visited in both our visits to Porto, so we can’t give details on the others, though Grahams was also highly recommended. Check with all those you’re interested in for specifics.

Many of the larger port houses have tours and tastings. Check individual websites for updated information and to make reservations where required.

A water taxi goes back and forth from Porto to Vila Novo de Gaia for about 3 euro.  It’s a short but pleasant ride and sometimes you can see the local boys jumping off the lower level of the Eiffel Bridge to the river below. 

Taking a water taxi is a nice way to cross the Douro after port tasting and exploring Vila Nova de Gaia.

If you are a serious port person or just want to learn more and sample some of Portugal’s best known export, look into a visit at the Douro and Port Wine Institute’s Interpretive Center. A word of warning – port is a high alcohol, fortified wine so taste judiciously.  

Museu Serralves–  Contemporary Collections

A peek inside the enormous Anish Kapoor installation.

As we said, there’s much more to Porto than port. For contemporary art lovers, the Museu Serralves is a top draw. The museum, which showcases contemporary art from the 1960s through the present, recently celebrated its 30th anniversary.  Its vast collection includes more than 4,400 works either owned by the foundation or on long- term loan.  Located in a beautiful park-like setting, it’s easy to reach by public transport, cab or Uber. 

There are more than 4,400 works of contemporary art in the Museu Serralves’ collections.
Numerous models of famous works by Anish Kapoor, including Cloud Gate, informally known as the Chicago “Bean”, were on exhibit when we visited the museum.
The Incredible Hulk has international appeal.

There was so much to see and experience, we wound up spending almost all day at the Museu Serralves.

Some visitors practiced yoga and danced inside this Kapoor installation.

Museu National Soares dos Reis– Porto’s First Public Art Museum

The oldest museum and first public art museum in Porto, the Museu National Soares dos Reis has been located in the beautiful 18th century Carrancas Palace since 1940.

“The Presence of History” by Pedro Valdez Cardoso, greets visitors at the Museu National Soares dos Reis. Duct tape and found objects were used to construct the sculpture.
The museum was originally created as a repository for artifacts like these, seized when the government dissolved monasteries throughout Portugal.

A 1934 terracotta sculpture by Canto da Maya is one thousands of pieces on display at Porto’s very first public art museum.

The museum was created as a repository for confiscated property seized when monasteries in Porto and other Portuguese cities, like Coimbra, were dissolved by the government.

The museum was created to house art and other treasures like these, seized when the government dissolved monasteries throughout Portugal.
Ceramics, glassware, textiles and furnishing are among the decorative arts on display here.

The museum’s collections include sculpture, paintings, textiles, furniture, ceramics, jewels and works such as a Roman sarcophagus found in the Alentejo region dating from the 3rd century, an 18th century French tapestry that tells the life story of Portuguese explorer Vasco da Gama, and contemporary sculpture by Portuguese artists like Pedro Valdez Cardoso.

Portuguese Centre of Photography

Stories of spycraft, crime and photography converge at the Portuguese Centre of Photography near the Torre dos Clerigos. Yes, there are photo exhibits, but there’s much more in store for visitors here. The building itself, a former prison, is part of the story.

Housed in a former prison, the Centre of Photography includes exhibits about the people once incarcerated here.

Visitors can see cameras of every description including rare daguerreotypes, antique wooden cameras, spy cameras, and even disposable cameras. There are also exhibits about the prison and the people incarcerated within its walls, including political prisoners during the dark days of Salazar’s reign.

The Centre of Photography has special exhibitions as well as a permanent collection for visitors to enjoy.

The museum has revolving photo exhibitions as well as a permanent collection. We saw a fascinating exhibit of photos by and about the artist Frieda Kahlo.

Spy cameras used during Salazar’s tenure are on display along with vintage cameras and much more at the Portuguese Centre of Photography.
Former prison cells now house exhibitions at the Portuguese Centre of Photography.

Clerigos Tower– Torre dos Clerigos

While you’re in the area, consider a visit to the Clerigos Tower– Torre dos Clerigos.  A beautiful example of baroque architecture and a national monument since 1910, the tower offers expansive views of Porto.

Take a tour of this beautiful baroque landmark, a national monument since 1910.

Free or guided tours of this Porto landmark are available.

Se do PortoThe Cathedral of Porto and Churches Worth a Visit

A view of Porto’s Cathedral, or Se, at the top of the Praca da Batalha.

The Catholic Church has a major presence in Portugal and Porto has many marvelous churches filled with exquisite paintings, sculpture and azulejos. Visit the magnificent Porto Cathedral (Se do Porto) located in the Batalha area, the highest point in the city for the art and the views.

Though you’ll often read travel stories where you may be directed to “visit the Se Cathedral”, Se is the Portuguese word for cathedral, like duomo in Italian. Igreja means church. It is free to enter the Se but there is a small fee to visit the tower. 

Inside the opulent Se do Porto, resplendent in gold and silver.

The Church of St.Francis or Igreja de Soa Francisco, Igreja do Carmo and the Carmelitas Church right next door, are also worth a visit.

Stop into Porto’s beautiful churches for some quiet reflection and to enjoy the art treasures within.

Located in Porto’s historic center in the building it has occupied since the mid 16th century, MMIPO, the Museum of the Church of the Misericordia  is worth a visit for its paintings, sculpture, religious articles and exhibits that tell the history of Porto’s Holy House of Mercy and the city itself.  A visit to the museum includes entry to the church and is the only way to see it. 

Porto’s Museum of the Church of Misericordia or Holy House of Mercy includes admission to the church, as well as the opportunity to view the fine art on exhibit.

Shop

If retail therapy is what you’re after, head over to Rua Santa Catarina.  Santa Catarina is Porto’s main shopping street and is in the highest part of town, beginning at Praca da Batalha. 

Busy Rua Catarina is Porto’s main shopping thoroughfare and is limited to pedestrian traffic.

You’ll find all the well-known international brands and plenty of smaller, local stores along the busy street, as well as cafes and coffee shops including the famous Majestic Cafe.

The Majestic Cafe, open since 1921, is still a popular spot for coffee or a light meal.

Nearby, you’ll find Porto’s main market —Mercado do Bolhao.  This is the place to pick up picnic provisions.  If you’re lucky enough to have lodging that includes a kitchen, you can find fresh produce, charcuterie, cheeses, meats, and fish—everything you need to make a marvelous meal. 

Sao Bento’s Azulejos

If you arrive in Porto by train and happen to come into the Sao Bento railway station, you’ll be treated to a remarkable display of azulejos – the fabulous blue and white tiles so famous in Portugal.  Many people come to the station just to see the tiles, as we did.

The beautiful azulejos at Sao Bento rail station tell the story of Portugal and Porto’s rich history.

Rua da Ribeira NegraBuskers, Bars and Boat Rides

The Rua da Ribeira Negra area is very busy and touristy but it is fun to walk along the river and enjoy the buskers and people watching.  We saw people dancing, making music, and performing magic tricks.

The Rua da Ribeira is a lively area on the riverfront with cafes, bars and buskers.
Buskers sang, danced, performed magic, and blew giant bubbles hoping to collect tips from tourists on the Rua da Ribeira.

Most boat rides on the Douro River depart from Rua da Ribeira.  We took an hour- long cruise–it was a nice ride and especially fun on a hot day!  We did not book ahead—boats run regularly and there are a number of companies offering the same rides at the same prices.  We picked the one leaving the closest to the time we wanted to go. 

A boat ride on the Douro was the perfect antidote to a hot summer day.
Pick the river cruise that suits your departure time and length of journey. Most companies offer the same itineraries and rates.

Souvenir vendors line the riverfront. If you’re looking for cork products, tea towels and “typical” Portuguese goods, you’ll find them here.

Souvenir shopping under the Eiffel Bridge in Porto.
Shopping for tea towels for their new life together?

Sleep

Here, as in most cities, there are lodging options for all tastes and budgets. We stayed at the Eurostars Porto Douro just a 10- minute walk along the river to the Rua da Ribeira Negra area. The hotel is comfortable, clean and well- priced. Our large room had a little kitchenette perfect for making a cup of tea or a snack and the view from our balcony of the Eiffel Bridge, the boats and people passing up and down the river was unbeatable.  

Our spacious corner room had a fabulous river view from the balcony.
The kitchenette was a nice addition to our room.

Breakfast was included in our rate and offered everything we could want from hot dishes to yogurt, fruit and pastries, including the Portuguese specialty pasteis de nata.  The clientele was international and Americans were definitely in the minority here.  We met some terrific fellow travelers and the front desk staff couldn’t have been more helpful. 

The hotel has a well-priced laundry service (shirts were about 7 Euro), important since we rarely check luggage.  There is not a full-service restaurant at the Eurostars but there is a bar serving light fare.  There’s also a rooftop terrace with spectacular views and bar service during the summer months.

We enjoyed wonderful views up and down the river from the rooftop terrace at the Eurostars.

We also enjoyed a too-brief stay at the historic Infante Sagres Hotel in the heart of Porto.  After an absolutely awful experience with the Rosa Et Al Townhouse’s self-catering apartment on our first visit to Porto, we sought refuge at this magnificent grand dame of a hotel with its lux lobby and beautifully appointed rooms. The elevator has vintage alligator- covered seats so guests can sit and enjoy the ride!

Old world luxury is a hallmark at the Infante Sagres in Porto.
Local Portuguese marble was used floor to ceiling in our spacious bathroom.
A comfortable bed in a blissfully quiet room was just what we needed after a very long day.

We were lucky to get even one night here at the last minute on a sold-out weekend. Somehow the front desk staff managed to book the next four nights for us at the Eurostars. We will always be grateful for their kindness. 

The sumptuous breakfast buffet at the Infante Sagres can be enjoyed in the dining room or peaceful courtyard.

Whether port is your preference or art floats your boat, lace up your walking shoes and discover the myriad charms Porto’s winding, cobbled streets have to offer.

Sunnylands— A Midcentury Masterpiece

As a regular visitor to the Palm Desert area, I often wondered what was behind the big pink walls where Bob Hope and Frank Sinatra Drives intersect in Rancho Mirage.  During Modernism Week I found out.  Among the more than 350 events and activities offered during the 10-day tribute to Midcentury Modernism were tours of Sunnylands, the marvelous estate built by media mogul and philanthropist Walter Annenberg and his second wife, Lee. 

The glass and Mexican lava rock midcentury marvel built by Walter and Lee Annenberg was conceived as a family home and high-level retreat for world leaders and luminaries from the arts, media and industry. Photo courtesy Annenberg Foundation Trust at Sunnylands.

Conceived as both a family home to escape winters in Wynnewood, PA, where the couple maintained their permanent residence, and an intimate, high-level retreat where leaders of government and industry could meet privately to address national and global concerns, Sunnylands has successfully filled both roles since it was completed in 1966.

The centerpiece of the 200-acre estate is a fabulous glass and Mexican lava rock 25,000- square-foot midcentury home designed by architect A. Quincy Jones.  It’s hard not to “ooh and aah” when the front door of the historic main house opens onto the spectacular great room with its pink marble floors, prolific planting, outstanding art collection (Rodin’s Eve surrounded by 300 pink bromeliads will be one of the first things you’ll see in the central atrium), exquisite furnishings, and panoramic desert views.

Art Price’s Welcome Birds, a favorite of the Annenbergs, greet visitors to Sunnylands.

Visitors on the 90-minute Historic House Tour, which is the only way to visit the home, learn all about the property and the people who designed, built, lived in and stayed at this wonderful estate.  You’ll visit all of the rooms in the house including my personal favorite–the Room of Memories. It’s chock full of memorabilia marking momentous occasions, Christmas cards and thank you letters—some from British royalty, photos, portraits, and family mementos. 

The Room of Memories has photos, portraits, letters, memorabilia, mementos and more documenting decades of visits to Sunnylands from famous guests and the historic role the house has played in U.S. history. Photo courtesy Annenberg Foundation Trust at Sunnylands.

The color-themed guest rooms (hint-Mrs. Annenberg’s favorite colors were yellow, pink and green), stunning dining room, cozy game room, and the kitchen, where visitors will get a peek at the incredible china collection the Annenbergs used to host dinners large and small, are all on the tour.  Visitors also have access to the Annenberg’s private quarters, which were modified somewhat by Mrs. Annenberg after her husband’s death in 2002 at the age of 94.

Comfortable guest rooms were color-themed and included Mrs. Annenberg’s favorites– yellow, green and pink. Photo courtesy Annenberg Foundation Trust at Sunnylands.

You’ll also see the Inwood Room, redesigned from its original purpose as a patio, to hold many of the antiques Mrs. Annenberg brought to Sunnylands after closing their Pennsylvania home, Inwood.  She wanted a place that reminded her of her home in the East.

The Annenbergs, known for their support of the arts, filled Sunnylands with masterpieces by artists including Picasso, Degas, Van Gogh, Cezanne, Monet, Renoir, Matisse, Rodin, Giacometti and Braque. Some of the paintings now on the walls are high-quality reproductions.  Mr. Annenberg donated many of the original works to the Metropolitan Museum of Art in New York, where he was a trustee for many years.

This Kwakiutl totem pole was commissioned by the Annenbergs and is located on the estate’s private nine-hole golf course.

The grounds include a tennis court, private nine- hole golf course and no less than 11 lakes. Now operated by the Annenberg Foundation Trust, the estate has expanded to include 15 additional acres for the Sunnylands Center and Gardens, which opened in 2012.  That’s the same year the property became accessible to the public.

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Visitors to Sunnylands enjoy spectacular desert and mountain views. The private nine-hole golf course enjoyed by celebrities and world leaders is in the distance.

While Sunnylands served as the winter home of the Annenbergs, it was also designed to function as a private and intimate retreat for luminaries and world leaders. The guest list is as impressive as the property. Eight U.S. Presidents were among the notable visitors the Annenbergs welcomed to Sunnylands.  Dwight Eisenhower, an avid golfer, was the first U.S. President to enjoy a round on the estate’s private course with Walter Annenberg.

President and Mrs. Reagan were good friends of the Annenbergs and frequent visitors to Sunnylands. Mr. Reagan was one of eight U.S. Presidents to have enjoyed their hospitality. Photo courtesy Annenberg Foundation Trust at Sunnylands.

Ronald Reagan, a good friend of the Annenbergs, was a frequent guest as President, and earlier, when he served as Governor of California.  Along with his wife Nancy, a dear friend of Leonore “Lee” Annenberg, the Reagans were a fixture at the Sunnylands New Year’s Eve party for many years.   Mr. Reagan held cabinet meetings and invited his top advisors to the estate. President Reagan’s treat of choice– Jelly Belly® jellybeans are still available in his favorite guest room. No detail that could add to a guest’s pleasure was too small to include at Sunnylands.  Fun fact—the jellybeans are color-coordinated to match the bedding and upholstery!

The Yellow Room was President Reagan’s favorite. Jellybeans were always on hand–color coordinated to match the room, of course. Photo courtesy Annenberg Foundation Trust at Sunnylands.

Richard Nixon, who was also a long-time friend of the couple and another frequent guest before, during and after his presidency, spent a number of months in seclusion at the estate after his resignation. His poignant thank you note is on display in the house.

George H.W. Bush held the only State dinner ever hosted outside the White House at Sunnylands for Prime Minister Kaifu of Japan in 1990. They were able to negotiate some difficult trade issues in the relaxed setting Sunnylands provided. President Bush also enjoyed fishing at the estate and preferred the Green Room for its proximity to the lake for early morning angling.

President George H.W. Bush enjoyed early morning fishing in some of the 11 lakes on property at Sunnylands.

Presidents Gerald Ford, George W. Bush and Bill Clinton all enjoyed the Annenberg’s hospitality at Sunnylands.  President Obama was a three-time visitor, meeting with Chinese President Xi Jinping on one occasion and Jordan’s King Abdullah II on another. He also held a summit with 10 Association of Southeast Asian Nations leaders at the estate, which resulted in the “Sunnylands Declaration.”

 

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President Obama and Chinese President Xi Jinping were photographed strolling near the reflection pool shown here.

Appointed by President Reagan, Walter Annenberg served as U.S. Ambassador to the Court of St. James and was awarded an Honorary Knightship (KBE) so it’s no surprise that Queen Elizabeth II and Prince Philip, Prince Charles, and other members of the British Royal Family were visitors to Sunnylands.

Queen Elizabeth II and Prince Philip, shown here with Ambassador and Mrs. Annenberg, were guests at Sunnylands, along with other members of the Royal Family. Photo courtesy Annenberg Foundation Trust at Sunnylands.

U.S. Supreme Court Justices Sandra Day O’Connor and Anthony Kennedy, Secretary of State George Shultz, British Prime Minister Margaret Thatcher, Henry Kissinger, Barbara Walters, Colin Powell, Steve Forbes and other highly influential people from government, industry, media and the arts have all been feted at Sunnylands. 

It hasn’t been all problem solving and high- level meetings at the estate though. Frank Sinatra wed his wife Barbara at Sunnylands and the couple were frequent guests at festivities there, including the social event of the year—the Annenberg’s annual New Year’s Eve party.  Hollywood icons like Bob Hope, Bing Crosby, Kirk Douglas, Gregory Peck and Ginger Rogers have all been on the guest list.  Photos capturing the Annenbergs and their famous friends at play are on display in the home.

Birding on the Estate tours are also available twice a week and must be booked online, in advance. An experienced birder leads the 90-minute excursion and all levels are welcome to participate.

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All tours except the Open Air Experience must be booked in advance, online.

The historic main house can be visited only by guided tour, which must be booked online, typically one month in advance.  Because access is limited, the Historic House Tour slots fill quickly.  Plan ahead!  This is the only tour that provides access to the home.  Groups of seven are shuttled from the Visitor Center to the house for the 90-minute tour, which includes standing and walking—there is no sitting down and children under 10 are not permitted.  Knowledgeable guides, many from local colleges, accompany visitors through the home and around the lushly landscaped exterior areas adjacent to the house, including the pool where you can channel your inner Hollywood icon preparing for a dip.

There is a separate tour available for the grounds without prior reservations. The Open Air Experience is a 45-minute trip aboard an electric shuttle around the exquisite estate with visits to various outdoor locations such as the private golf course where visitors can see a Kwakiutl totem pole built especially for the Annenbergs, the Chinese Pavilion where Mrs. Annenberg entertained lunch guests, the Annenbergs’ final resting place, sculpture including Birds of Welcome by Art Price, and much more.  The Foundation’s commitment to sustainability and the steps being taken to preserve and protect plant and wildlife species on the grounds are also discussed during the visit. The Open Air Experience can be booked on a first come-first served basis during a visit to the Sunnylands Center and Gardens and unlike the other tours, does not require prior reservations.

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Channel your inner Hollywood icon and imagine yourself preparing for a dip in the pool with some of the Annenbergs’ famous friends like Frank Sinatra, who was married at the estate.

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The Sunnylands Center and Gardens are open to the public free of charge.

There is no admission fee for the Sunnylands Center and Gardens, which opened in 2012 and is family-friendly.  Inside the glass-walled building guests can enjoy a short film that tells the history of the estate and the Annenbergs. This is well worth viewing before visiting the house or in lieu of, if you haven’t been fortunate enough to reserve space on a tour. There are art and photo exhibitions, historic photos, and memorabilia on display.

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Enjoy the gardens while having a snack or light meal at the cafe.

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Sunnylands Center and Gardens are family-friendly, though the tours do have age limits.

There’s also a gift shop and a small café for a casual lunch or snack, which can be enjoyed indoors or outside at the tables overlooking the garden.  On a recent visit, families were playing games and picnicking on the garden’s central grassy grounds.

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Meandering paths take visitors through the Sunnylands Gardens featuring more than 70 native and drought-tolerant species.

The expansive gardens include a labyrinth for peaceful mediation, meandering paths, reflection pools and more than 70 species of native plant life. The native and drought-resistant plants used in the landscape are clearly marked for the enjoyment of amateur botanists.

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Visitors can walk the labyrinth and enjoy quiet meditation at Sunnylands Gardens.

Tours are not conducted while retreats and meetings are taking place on the property. No photos are allowed inside the house due to security concerns.  The Annenberg Foundation graciously provided the interior photos I’ve included here.  Sunnylands is not open during summer months. Please visit their website for current tour dates and ticket information.

Adventures in Fatima and a Day in the Douro Valley

There are two things travelers must bring along on every trip—a sense of humor and resilience. You have to be flexible because sometimes, maybe even often, things do not go to plan. That’s where a sense of humor comes in handy. This was the case one Sunday in Portugal on what was to be our longest driving day– from Evora in the Alentejo, to the mountains above the Douro River in the north of Portugal, with a planned stop at the Shrine of Fatima. After consulting a map and Google, my husband, who always prefers to drive in Europe, agreed to the Fatima stop since it was right off the freeway.

It was time to leave the beautiful Alentejo in Portugal’s southwest and head north to the Douro Valley.

We did not get an early start, which is no surprise to anyone who knows us, but instead enjoyed a delicious, and leisurely, last breakfast at Convento do Espinheiro before setting off for the Douro Valley.

Each year the Shrine of Our Lady of Fatima welcomes more than 4 million pilgrims.

Imagine our surprise when two and half hours hours later we turned off the freeway heading for Fatima and were greeted by plenty of police and even more motorcyclists– thousands of them. Many of the roads leading to the Shrine were closed, there were detours everywhere, and there were motorcyclists—young, old, families, even dogs—all on two wheels.

Apparently everyone in Portugal, with the notable exception of these two visiting Americans, knew there was a special mass for motorcyclists that day. After spending about an hour in the traffic jam, we realized there was no possible way we could visit that day. We very sensibly decided to come back on a weekday on our return to Lisbon. I wish I had taken photos of the motorcyclists but didn’t want to risk offending anyone, and there was no possibility of a speedy getaway.  On our return visit, things were decidedly quieter.

This immense plaza, constructed for Pope John Paul II’s visit in 1987, can accommodate 1 million visitors. On Oct. 13 each year nearly that many people arrive to celebrate the anniversary of the apparition. On the day we visited, a week after our first attempt, there were very few visitors.

Turns out the plaza at Fatima between the basilica and the chapel can accommodate 1 million people– as it did when Pope John Paul II visited in 1987—and we imagined that nearly as many motorcyclists had made the pilgrimage that Sunday morning, too.

The open air Chapel of the Apparition was built on the site where the Virgin Mary appeared to the children.

Each year the Shrine of Our Lady of Fatima welcomes more than 4 million people. When we returned on a Tuesday afternoon a week later, there were no motorcyclists in sight and relatively few visitors.  It could have been the 114 degree heat that kept people away.

Many visitors light candles at the shrine and pray for intentions and interventions.

We visited the beautiful basilica and the Chapel of the Apparition where nuns recited the rosary in numerous languages.  We also took the time to light a few candles, which were available for sale at the shop and ranged in size from standard to enormous. There were candles as big as my arm.

There is a full schedule of masses, reciting the rosary and confessions offered every day.

It was so terribly hot, and since there was no shade on the plaza, we chose not to cross it to see the enormous rosaries and crucifix on the other side. That will have to wait for another visit. But now, back to our journey to the beautiful Douro Valley—

We enjoyed the drive from the Alentejo in the south to the Douro Valley in the north of Portugal. Be sure your rental car comes equipped with the Portuguese version of the Fast Pass.

Back to the freeway and on to our pousada we went, over winding mountain roads and bridges, through tunnels, and burned out forested areas. The main roads in Portugal are well- paved and well-marked. Smaller side roads are a little bit trickier, but we never had trouble finding our way even out in the countryside.  We ate our picnic lunch in the car to save time and arrived in Alijo about three and a half hours later. It had been a long day.

Scenic mountain roads took us north to the vineyards of the Douro Valley.

When we finally arrived at the Palacete Alijo, the first thing we noticed was the laundry hanging out to dry on the balconies. Inside, the pousada didn’t come close to living up to the photos we’d seen online. Perhaps someone had carefully cropped out the propane tanks next door and the rust marks surrounding the pool.

Sadly, this pousada in Alijo didn’t live up to expectations and we left without staying.

The website’s images didn’t deliver an accurate portrayal of the property. This was the view.

The website indicated the place was part of the well-respected Pestana Group. The friendly front desk clerk told us that it hadn’t been for nearly five years and offered us a “welcome” drink. He also mentioned that the air conditioner was broken, brought up a few other housekeeping issues and again offered a welcome drink. We had planned to stay for four nights but after seeing the accommodations, we turned down the drink and summoned up Trip Advisor on our phones.

This was the splendid view across the river to Pesa de Regua from our room at the Vila Gale Douro.

Vila Gale (a hotel group popular in Portugal and Spain) had a river view room available for two nights in the town of Peso de Regua, right on the Douro River. Back to the car we went, grateful we hadn’t brought our bags inside—we never do until after we’ve seen the room. After another hour of driving, this time in the dark through the winding mountain roads, and did I mention it was raining?—we arrived at the Vila Gale Douro.

The Vila Gale Douro, part of a popular group of hotels in Portugal and Spain, is well- located across the river from Peso de Regua.

While my husband put the rental car in the garage, I went to the restaurant on property to secure a table before they closed. It was 10:30 p.m. at this point and we were really hungry. I thought I was imagining things when I my heard my name called out and turned to find two dear friends from home finishing their dinners. Had we not changed our hotel, we would never have had the chance to spend time with them. We agreed to meet for breakfast the next morning.

Our Vila Gale room was large, comfortable and contemporary and had terrific views from the private balcony.

It was lovely to wake up to this beautiful view from our balcony.

Fans of Portuguese wines know that the steep terraced hillsides of the Douro Valley are home to numerous well-regarded producers of table wines and of course, port. Our friends were free in the morning but had to return to Porto in the afternoon. We agreed that a visit to a nearby winery would be the perfect outing.

We spent a fun and informative morning with our friends at Quinta do Vallado.

Grapes grow seemingly everywhere on the Douro Valley’s steep hillsides.

Like the wineries in the Alentejo, you must make reservations to tour and taste in the Douro Valley. My husband had his heart set on a visit to Quinta do Vallado but when he telephoned, he was told that the morning’s English- speaking tour was already full. With the help of our front desk clerk, we secured our spots.

Quinta do Vallado is a highly regarded producer of Douro wines and port. They also have a small hotel on property.

The winery is located high up on the terraced hillside across the river from where we were staying, just about a 10- minute drive away. One of the oldest in the Douro Valley, the winery celebrated its 300th anniversary in 2016. Once owned by Dona Antonia Adelaide Ferreira (of the Ferreira Port family), production was geared towards port for the company’s first 200 plus years. In 1993, they decided to restructure and expand into producing Quinta do Vallado label table wines and in 2009 construction on the new winery was completed.

Our tour began in the vineyards where some grapes had already been harvested.

We followed our guide from the vineyards, through the production facilities, and into the cellars, explaining each stage of wine making to the group in English. There are also tours given in Portuguese several times daily. We always ask if English tours are available, though rather than miss out, we’ve taken some in Italian, French and Portuguese.

Our knowledgeable tour guide explained the wine making process in detail– and in English.

We saw everything from the grapes growing, to high tech, temperature controlled stainless steel tanks, to the traditional granite legares in which grapes are crushed by foot, to the cellars where the barrels are stored and wines are aged before they’re bottled.

We saw state of the art temperature controlled stainless steel tanks…

…and traditional granite legares where grapes for port are crushed by foot.

Antique barriques are still in use.

New French oak barrels are also used, depending on the kind of wine they’re aging.

After the very informative tour, we all gathered around a communal table and tasted Quinta do Vallado’s wonderful wines, working our way from crisp whites to delicious ports. Many of us made purchases in the quinta’s well-stocked shop.

After our tour we gathered around for a wonderful wine tasting.

During the tasting, we sampled crisp whites, full-bodied reds and finally, ports.

The well-stocked shop beckoned many of the visitors, including our friends and ourselves.

Though we were not able to tour it, Quinta do Vallado has a small hotel on property with 13 rooms—five in the manor house built in 1733, and eight in the modern wing constructed in 2012.

The roads in the Douro are narrow and winding but exceptionally scenic.

There were two things we planned to do in the Douro—wine taste and take a boat ride. After saying goodbye to our friends at the winery, we headed to Pinhao to check out the river cruise options.

The Douro has been used to transport people, port and other products down river to Porto for centuries.

The Douro River meanders from Spain through the heart of northern Portugal down to Porto where it empties into the sea. For centuries, port wine has been transported by boat down river to the city that shares its name with the wine. Day trippers from Porto, cruise boats from lines like AMA and Viking, private pleasure craft, and charter boats large and small ply the waters of the Douro River.  Getting out on the river sounded like a perfect plan on that hot day.

Tourism is big business in the small town of Pinhao.

Pinhao is a small town seemingly fully committed to the tourist trade. There are souvenir shops everywhere and numerous choices for boat rides on the river. A one-hour ride is 10 euro from any of the vendors. We chose our boat based on schedule. They all come and go from the same place and follow a similar route.

River boats all leave from the same place and follow similar routes. Schedules differ but pricing does not. 10 Euro is typical for a one-hour boat ride.

Once aboard, you’ll learn all about the port trade and see many well-known names as you pass by the quintas. We had a delightful time and enjoyed chatting with newlyweds from the Netherlands and a Spanish couple. It was a relaxing and informative hour that passed in a heartbeat. We wished we’d opted for a longer ride.

Our convivial group included newlyweds from the Netherlands and a couple from Spain.

Bridges large and small cross the Douro.

Hillsides, which reminded us of California, are dotted with wineries.

You’ll see quintas with familiar names like Croft along with others that have been producing wine for centuries here.

Our journey was so peaceful and enjoyable we wished we’d booked a longer trip. Next time!

After our boat ride, we walked over to the historic Pinhao train station, which has been in service since 1880. The station is notable for its lovely azulejos—the blue and white tiles for which Portugal is famous.

Trains have been transporting travelers to and from the Pinhao station since 1880.

The station is known for its azulejos– the stunning blue and white tiles famous throughout Portugal.

These particular azulejos tell the story of the port trade in 25 large panels that were installed in 1937. There is also a café and shop in the station perfect for a coffee, glass of wine or edible souvenirs.

Pinhao’s 25 panels tell the story of the port trade.

The azulejos were installed in 1937.

The shop inside the station is a pleasant place for a coffee, glass of wine or a snack.

After a leisurely stroll through town and a stop for ice cream and souvenir shopping, we headed back to Pesa de Regua and dinner.

This former industrial building has a new life as home to shops and restaurants.

Just across the bridge from our hotel is a renovated industrial building on R. Jose de Vasques that now houses several restaurants and shops.

Picnic provisions and edible souvenirs are available here.

The contemporary dining room at Castas e Pratos was full on the Monday night we ate here.

We browsed a bit and then headed to Castas e Pratos for our meal. Part wine bar, wine shop, and restaurant, the place was buzzing when we arrived. We were glad we had a reservation upstairs in the airy and modern dining room.

Our starter was a plate of succulent scallops in a rich pea puree.

The tender veal medallions in roquefort sauce was served with a delicious wild mushroom risotto.

Larger parties were sharing dishes like this “Duck Rice”– a local specialty. It looked and smelled divine.

The menu has something for most tastes and includes fish, meat and vegetarian options.

Wines from all over Portugal were featured on the extensive wine list.

We started with a refreshing sparkling rose and ended with a nice tawny port.

Castas e Pratos has an extensive wine list featuring wines from the Douro and as well as all of the other wine producing areas of Portugal. Service was attentive and friendly and we enjoyed every bite of our meal from the scallop starter through desert. Happy and full, we returned to the Vila Gale to plan our next day’s adventure.

Lisbon’s Beautiful Belem

The Belem district is a fascinating and historic area of Lisbon that ought to be on every traveler’s itinerary—and it appeared that it was on the Sunday we spent there! Packed with monuments, museums and many of Lisbon’s “must see” spots, it’s just about five miles from the downtown area. It’s easy to reach via bus, tram or cab. We took a 10 Euro taxi ride for the 20-minute trip from Lisbon’s city center. The tram costs less but takes nearly an hour and with so much to see, we opted to save time.

There’s plenty to see and do in Lisbon’s busy Belem area.

Belem was the launching point for many sea voyages during Portugal’s Age of Discovery. The Tower of Belem was the last thing sailors would see as they left port and the first site to welcome them home.

The Church of St. Jeronimos and its monastery are beautiful examples of the decorative Manueline architectural style.

Before setting off, many sailors would stop at the stunning Church of St. Jeronimos and its spectacular monastery to pray for a successful journey and a safe return. These gorgeous buildings are wonderful examples of the decorative Manueline architecture popular in Portugal in the late 1400s through 1500s.

St. Jeronimos and it’s spectacular monastery are among Lisbon’s most popular sites.

The entry fee for the monastery is 10 Euro and worth it. It’s stunning and surprisingly peaceful in spite of the crowds. Admission is free for the church. If you plan to attend mass, be punctual. We arrived late and no amount of pleading would make the guards open the church doors for us until services were over.

Visitors to the church can see the tomb of famed Portuguese explorer Vasco da Gama and the memorial to writer Luis de Camoes.

Entry to the Church of St. Jeronimos is free but there is a fee for the monastery.

We were directed to the end of a very, very long line. After standing around for quite some time, we realized there were no lines at the other end of the building and decided to go check it out. That’s when we found the National Archeology Museum.

Avoid the long lines at St. Jeronimos by buying a combo ticket for the Archeology Museum next door for an extra two Euro.

Here’s a tip we wished we’d known–walk right past those long lines in front of the monastery and church and make your first stop in Belem the National Archeology Museum.

The museum is full of ancient treasures and antiquities, some dating back to the Iron Age.

Buy a combo ticket for the museum and the monastery (the monastery is actually in the same building as the museum). For an extra two Euro, or 12 Euro total, you can enjoy the museum’s terrific exhibitions and avoid the crowds. The museum is a treasure trove of Egyptian, Roman, Greek, and Moorish artifacts. After touring the galleries, you’ll go directly into the monastery from the museum without waiting on the ever-present line.

This was the first megalith we saw and it inspired us to seek out the Almendres Cromeleque, home to 95 of these fascinating stones near Evora in the Alentejo area.

The museum has a rich collection of Egyptian, Greek, Roman and Moorish art and antiquities. Be sure to visit the Room of Treasures in the museum. No photography is allowed in that area but the display of coins and jewelry from 1800 to 500 BC is impressive.

After touring the galleries in the National Archeology Museum, you’ll enter the Monastery directly without waiting on any additional lines.

This fascinating time line inside the monastery captures 500 years of world history in words and images.

In spite of the crowds, there are numerous serene spaces within the monastery perfect for quiet contemplation.

You may notice long lines around the bakery just up the street from the monastery. If you’ve been to Portland, Oregon, this may remind you of the lines around Voodoo Doughnuts. I’m always amazed by the patience people seem to have in their quest for particular baked goods, but back to Belem…

Lines for Casa Pasteis de Belem snake around the corner. Worth the wait? You decide.

This is the place that claims to have the original and the best Pasteis de Belem. These are little custard pastries in a flaky filo- like crust. Locals say these are good, but you’ll have to decide if they’re worth waiting for. We didn’t, but we haven’t ever waited for doughnuts either. They sell Pasteis de Belem in the Starbuck’s next door without the wait, though buying them there doesn’t quite have the same cachet. You can find these delicious pastries all over the country though they’re called Pasteis de Nata (nata is cream) or Pastel de Nata, if you’re only having one,  everywhere else except Belem. Try one or two and remember to add a healthy shake of cinnamon and powdered sugar on top!

Time for lunch or dinner? Turn down this little street to find Enoteca de Belem.

If you’re hungry for a meal, we highly recommend the Enoteca de Belem   (+351) 213 631 511 Travessa do Marta Pinto, 12. Located on a little alley off the main street in Belem, this is a terrific choice for lunch or dinner.   It’s very small so book a table or prepare to be disappointed.

We were delighted with our lunch at Enoteca de Belem. Here’s a peak at the menu.

Sitting at the bar gave us a chance to learn about and taste delicious Portuguese wines.

We sat at the bar since we had missed our reservation time—the museum and monastery were so fascinating we spent far longer than we had anticipated. The bar turned out to be perfect for us because in addition to a fabulous lunch, we had a great chat and learned quite a bit about Portuguese wines and history.

The perfectly prepared scallops with cauliflower puree and quail eggs were as delicious as they looked.

The freshly caught grouper was the fish of the day. Served with “clam rice,” it was an incredibly flavorful dish.

Portuguese cuisine often pairs fish and pork. The tender grilled octopus and spicy chorizo was perfection on a plate.

This classic dessert, Papo de Anjo, reminded us of an upgraded rice pudding. Comfort food at its best!

Our lunch was incredible and one of the best meals we had in Lisbon. Try the scallops to start and the grouper or cod if they have it.

When we asked for the wine list, we were handed these vintage binoculars and instructed to look around and choose whatever we were interested in from the shelves above the bar. There was a printed list, as well, but selections change regularly– thus the binoculars.

We opted for wines by the glass so we could sample several. The staff were well- versed in the wide selection available and happy to make suggestions and answer questions.

The knowledgeable staff will be glad to help you match the appropriate wines to your food selections.

Sailboats and other pleasure craft ply the waters off the embarcadero. The Hippotrip looked like Lisbon’s version of the Boston Duck Tours. Could be fun, but we didn’t try it.

Next, take a walk along the water down to the Monument to the Discoveries, which honors Prince Henry the Navigator, and was built in 1960 to commemorate the 500th anniversary of his death. Henry’s mother, Queen Filipa of Lancaster, Vasco da Gama, Magellan, King Manuel I and the poet Camoes are all depicted on the monument.

The busy waterfront is the perfect place to stroll and people watch. It’s possible to go inside the Monument to the Discoveries, which commemorates the 500th anniversary of the death of Henry the Navigator.

The Tower of Belem was the last bit of home Portuguese sailors saw as they set off to sea. It offers beautiful views but be prepared for long lines if you’d like to climb the 120 steps to the top.

Further on, you’ll see the famous Tower of Belem. It’s possible to climb 120 steps to the top of the tower for the views. Lines can be quite long. Let’s face it—there are lines for nearly everything you’ll want to see in this area so just be prepared for that. There’s an Atlas Hotel along the way with a nice terrace, perfect for an apperitivo if you’re ready for a break from touring– and the lines.

There is a lovely park near the waterfront and we happened to catch a good- sized open air market there on our visit.

On our walk back, we came upon an open air market selling everything from hand crafted ceramics, art and jewelry, to tea towels and mass-produced souvenirs. There was also a lively folk dance competition taking place in the park and we simply had to stop and watch for a while. It was delightful!

Troupe after troupe of talented folk dancers took the stage in the park. We joined the crowd to cheer them on.

Near the stage where the dancers competed, we spotted this pavilion. It was a 2012 gift from the Royal Thai Government to Portugal, celebrating 500 years of bilateral relations between the two nations.

We wished we had more time in Belem. We would like to have seen the Maritime Museum, Coaches Museum and the Ajuda Palace. Next time for sure!

Portugal’s Mysterious Megaliths

Lisbon’s Museu Nacional de Arqueologia has numerous treasures including megaliths.

We saw our first megalith in Lisbon’s Museum of Archeology and we were intrigued. What were these stones with their strange markings? Where could we see more of them? It turns out the largest collection of megaliths on the Iberian peninsula is located less than two hours from Lisbon in the Alentejo region not far from Evora, the area’s capital city.

Drive in the direction of Nossa Senhora de Guadalup through the beautiful forests of cork oak trees to reach Almendres Cromlech.

There are numerous places to see megaliths in Portugal, many in the Alentejo, but Cromeleque dos Almendres, or Almendres Cromlech, is the largest and most prominent site. Older than Stonehenge, Cromeleque dos Almendres is located about seven kilometers off the main road, the N114, driving towards Evora from Lisbon. We were heading to the Evora after Lisbon and decided to include a stop to see these archeological wonders.

The megaliths are in a large clearing, surrounded by cork oak trees.

Head in the direction of Nossa Senhora de Guadalup through the beautiful forests of cork oak trees. The dirt road is clearly marked with signs–Cromeleque dos Almendres and Menhir dos Almendres– directing you to the site. You will either need a car or a taxi to get here. There is no public transportation available.

Visitors can wander freely around the 95 remaining megaliths, or menhirs, at Almendres Cromlech.

About 95 of the granite megaliths, also called menhirs, still stand in the area and date back to the Neolithic Period (4th and 5th century BC). The stones at Almendres Cromlech are arranged to form two rings and visitors are free to wander all around the area, though touching the stones is discouraged.

The Cromeleque dos Almendres is older than Stonehenge.

It is believed that the earliest stones were placed here in 6000 BC and that ancient peoples used the area at Almendres Cromlech until 3000 BC for religious purposes. There is still a great deal of mystery surrounding the purpose of the stones, their placement and the markings on them, but there is speculation that the site had astrological significance due to its latitudinal location.

The placement, purpose and meaning of the megaliths remains largely a mystery.

There is a map of the enclosure on site, which identifies particular menhirs and describes various markings on the different stones.

Helpful signs in English and Portuguese explain the history of Almendres Cromlech and a map of the area shows where the most important stones are located.

This is identified as megalith number 1 on the posted diagram. The markings are clearly visible.

A careful examination is required to see the ancient markings on many of the stones. Here’s a close up look at one.

Admission to the site is free. Guided tours can be arranged.

We chose to take a self-guided exploration of the area but guided tours can be arranged. We met a Canadian couple that had hired a tour company to take them out to Almendres Cromlech and explain the mysteries of this ancient site and they thoroughly enjoyed their visit. Admission to the site is free and there is plenty of parking.