Art

Scarpe Diem: Florence’s Salvatore Ferragamo Museum

Descend the staircase in the stunning Palazzo Spini Feroni, which houses the flagship Ferragamo store and serves as company headquarters, and you’ll be greeted by walls of Salvatore Ferragamo’s strikingly beautiful shoes, artfully displayed, of course. Though they play a major role in the Museo Salvatore Ferragamo, a marvelous small museum on Florence’s posh Via Tornabuono, there’s much more to see than fabulous footwear.

Ferragamo’s shoes may themselves be considered works of art.

The Museum tells the story of the man, who grew up outside of Naples, the eleventh of 14 children and became “shoemaker to the stars”; the company, which became synonymous with beautiful and comfortable shoes that were widely imitated; and the city of Florence itself.

Visitors can learn about Florence’s fascinating history at the museum.

Stunning masterworks of 17^th and 18^th century Florentine art, a look at the palazzo’s chapel with frescoes by Bernardino Poccetti, artful fashion, and company’s history are all part of the museum experience www.ferragamo.com/museo.

There is much more to see than shoes at the Museo Salvatore Ferragamo.

In addition to the innovatively designed shoes for which the company is known, the signed lasts created for Marilyn Monroe, Rita Hayworth, Sophia Loren and so many other movie stars and well-known names, past and present, are on view along with Ferragamo’s leather working tools.

Wooden lasts created for movie stars, royalty and other recognizable names hang on the museum’s walls.

The company’s history is cleverly presented in photographs displayed on racks like tourist post cards.

These “picture postcards” give visitors a glimpse of the company’s past.

Video and still photos tell the story of Salvatore Ferragamo and the company he created.

Beautiful sculpture, noteworthy paintings, historic books, documents, and more from the family’s extensive collection compete for visitors’ attention. Classical music such as Corelli’s Le Sonata per Violino, Violone e Cimbalo plays in various gallery spaces, adding to the ambiance.

Along with the permanent collection, the museum hosts rotating exhibitions. The current show, Across Art and Fashion poses the question, “Is fashion art?” and examines the relationship between the two.

The famous building, constructed in 1289, is itself part of the museum. Among other things, the Palazzo Spini Feroni was once home to the City Council when Florence was the capital of Italy. Salvatore Ferragamo purchased the Palazzo in 1938, after returning from America, and it has served as Ferragamo’s headquarters since that time.

During it’s long and colorful history, the Palazzo Spini Feroni was home to Florence’s City Council, a hotel and art galleries before becoming Ferragamo’s headquarters.

Salvatore Ferragamo’s widow, Wanda, was instrumental in creating the museum.

Through the efforts of Ferragamo’s widow and family members, Museo Salvatore Ferragamo was founded in 1995 after an exhibition at Florence’s Palazzo Strozzi went on tour, hosted by New York’s Guggenheim Museum, the County Museum of Los Angeles, London’s Victoria & Albert Museum, and Sogetsu Kai Foundation in Tokyo among others. The traveling exhibition became the basis of the permanent collection at the museum.

Phone or email for private guided tours.

Private guided tours can be arranged on the first Saturday of each moth at 10 a.m. and 11 a.m. by emailing museoferragamo@ferragamo.com or by calling +39 055 3562466. The museum also hosts special events. Check the website www.ferragamo.com/museo for details.

Pitstop in Pisa

If you’ve never been and you’re in the area, it’s worth a stop to see Pisa’s famous Leaning Tower and the Campo dei Miracoli or Square of Miracles. The Tower, or Torre, which was begun in 1173 and not completed until 1399 almost 200 years later, is one of the most recognizable and visited sites in Italy.

Go ahead– it’s why you’re here!

It’s easy to reach Pisa from Florence by car or train. We stopped on our way back to Panzano from Lucca. Park in one of the signed lots close to the piazza. There is a bit of an “element” looking to take advantage of tourists near the Campo dei Miracoli so it’s worth putting your car in an attended, paid lot. If you’ve arrived by train, take the LAM Rossa bus from the station in the direction of San Jacapo and get off at Torre.

Site map of the Campo dei Miracoli shows where everything is located.

If you’re feeling energetic, you can climb the 251 steps to the top of the Tower, for a fee. Children under the age of 8 are not allowed up into the Tower for safety reasons and children between the ages of 8 and 18 must have an adult accompany them. Opening hours and ticket prices are available at here, the official tourism website for Pisa.

Part of the fun is watching everyone else take their photos.

Take the requisite photos, enjoy watching others take theirs, and then visit Il Duomo, Pisa’s cathedral. It is really beautiful and has the holy doors or porta santa open for the Catholic Church’s Jubilee Year of Mercy. Inside, in addition to the spectacular architecture, you’ll find art treasures like 700-year-old depictions from the bible, works by Ghirlandaio, the tomb of the Holy Roman Emperor Henry VII, a beautiful mosaic by Cimabue, and a carved pulpit by Giovanni Pisano. Photos are not allowed inside.

Take the time to come inside. There is no charge to enter Pisa’s magnificent Il Duomo.

The Baptistery, though not as spectacular inside as the duomo, is also worth seeing if time allows. The Museo dell’Opera del Duomo, which contains many of the artworks formerly housed in Il Duomo, the Baptistery and the Camposanto (cemetery) is also located on the Square of Miracles.

Construction on the Baptistry began in 1152 and is the best known work of Pisan architect Diotisalvi.

Entrance to the Cathedral is free but you must collect an entry coupon at the ticket office on the square. For tickets and admission information for the Baptistry, Museum and Camposanto click here.

Day Tripping– Lovely Lucca

The lively and lovely small city of Lucca is the birthplace of Giacomo Puccini and a wonderful place to spend one day or several. We’ve had a few day trips from our home base in Panzano in Chianti (www.stayitalia.com more on that in another post) and keep promising ourselves to spend more time here.

Lucca is a popular destination for visitors to Tuscany and easy to reach by car or train from Florence.

You cannot drive inside the walled city. You must park in one of the lots outside. Be sure to look for the pay station if you park in any area with blue lines. White lines mean free parking, but blue lines require payment. We were so excited to get a spot near the Porta Santa Maria that we didn’t even notice we were in a pay zone and came back to find a parking ticket on our windshield. Note—if you get a parking ticket, pay it while you are still in Italy at any Post Office. You can do so with cash or credit card and you’ll avoid paying your car rental company the fee they charge to provide the Italian government with your information plus you’ll avoid the hassle of paying via wire transfer/foreign currency once you return home.

Bicycling is a popular means of getting around in Lucca– inside the city walls and on top of them.

Once you get inside the walls, Porte San Pietro is the main gate–find an Info Point—Porta Santa Maria or Porta San Donato both have them. Pick up a tourism map which has several itineraries for exploring the town. Itineraries are in Italian, English and German and include opening times, closing days, and other important information for the major sites such as museums and churches.

Visitors and locals alike stroll or bicycle around Lucca’s famous medieval walls. Bicycle rentals are readily available.

Lots of people go to Lucca to “walk the wall” or ride bicycles around the city on the top of its ancient fortifications—Passaggiata delle Mura. The medieval walls built in 1544 replaced earlier Roman ones and extend 4,195 meters around the perimeter of Lucca. There are plenty of bicycle rental places just inside the walls, particularly near the Porta Santa Maria. It was a blustery, rainy day when we were there a few weeks ago, so we put this on our list for next time.

Now a place for picnics and soccer practice, the grassy area around the walls was once a moat.

If you have time for a delicious and leisurely lunch (or dinner), go to la Buca di Sant’Antonio, Via della Cervia 3, 55100 Lucca +39058355881 www.bucadisantantonio.com. The restaurant specializes in traditional cuisine of the area and the food is delicious.We’ve had several memorable meals here.You must reserve a table because the restaurant is quite popular.

Put Buca di Sant’ Antonio on your list of delightful restaurants in Lucca.

Maccheroni lucchesi al sugo di coniglio– housemade pasta with rabbit sauce– as delicious as it looks.

Puntarella alla Romana– a crisp, bitter salad topped with anchovies widely regarded as a Roman specialty.

Petto di faraona all’ uva moscato– guinea fowl in a wonderful moscato wine sauce with crispy pancetta. Yum!

The Church of St. Michele in Foro is one of Lucca’s “must visit” sites. It was built on the site of the Roman forum in the 11^th and 12^th centuries and is still the center of city life. The church has works by Luca della Robbia and Fillipino Lippi, among others.

This beautiful church is worth seeing both for its architecture and the wonderful art inside.

San Michele in Forno.

Piazza San Martino is home to Lucca’s duomo of the same name. Built in the Gothic Romanesque style, this beautiful church contains some important artworks by Ghirlandaio, Tintoretto and Fra Bartolomeo as well as the Holy Face of Lucca, a wooden Christ on a crucifix attributed to Nicodemus, as legend has it.

The anfiteatro is another of Lucca’s attractions. Built in the second century AD, the amphitheater’s former arena is now home to many shops and restaurants built into the ancient Roman walls, which are interesting to see from both inside and outside.

This Roman amphitheater once hosted games and gladiators. Now it’s a popular dining and shopping destination.

The Torre delle Ore, or clock tower, dates back to 1390. It is the tallest tower in town and has 207 wooden steps that ambitious visitors are welcome to climb. In its early days, the time was announced by bells alone but a clock face was added in 1752.

Hardy souls who climb the tower can see the hand-wound clock mechanism from the 18th century. It’s still working!

Lucca has a Puccini Museum, of course, which is at Corte San Lorenzo 9 (near the Piazza Citadella)– the composer’s birthplace. The museum features furnishings, artworks, pianos, musical scores and other personal belongings including letters and notes from and to Puccini.

Shopping seems to be a popular past time in Lucca and there is no shortage of brand names from which to choose.

Lucca has plenty of stores to keep shoppers happy.

This giant sewing machine is a clever advertisement for the Milanese menswear maker.

Lucca is perfectly suited to those who like to wander, and we do, but after awhile we needed a break and stopped in for a gelato at De’Coltelli, 10 Via San Paolina, www.decoltelli.it . Definitely seek this one out for their terrific artisanal gelato offered with complimentary panna (thick, sweetened whipped cream), which just adds to the deliciousness!

Panna is offered free as a thank you to gelato lovers here.

If it’s a drink or coffee you crave, pop in to The Dark Side—a cool little bar at 24 Via San Frediano at the corner of Via Angillara near the Church of San Frediano.

Come over to the Dark Side. You’ll be glad you did.

Step inside San Frediano for the beautiful baptismal font and works by Sienese sculptor Jacapo della Quercia, Matteo Civitali, and Amico Aspertini. The stunning facade features a golden mosiac depicting the Ascension.

Although we had come in for a quick coffee, we stayed for more than a half hour. The bartender was really friendly and he gave us tastes of some popular aperitivos along with descriptions of everything we sampled.

Our knowledgable and friendly bartender at the Dark Side.

The Dark Side’s complementary snacks, served with drinks, looked abundant and delicious, but we were off to Pisa.

Treasures of Berlin’s Museum Island

Take a stroll through the Brandenburg Gate, down Unter den Linden, to the banks of the River Spree. There you’ll find some of the world’s most intriguing and important cultural treasures—the Ishtar Gate, the bust of Nefertiti and so many extraordinary antiquities, classical sculpture and masterworks, it is impossible to imagine they could all be in one place—but they are—Berlin’s Museum Island.

Museumsinsel http://www.smb.museum is home to five separate historical museum buildings, each designed by a well-regarded architect of the time and now part of a UNESCO world heritage site. Here you will find the Pergamonmuseum, Altes (Old) Museum, Alte Nationalgalerie, the Bode-Museum, and the Neues (New) Museum.

The museums on Berlin’s Museumsinsel are a treasure trove of important paintings, sculpture, and antiquities from around the globe.

According to Visit Berlin, more than 3 million people come each year to view the collections that range from prehistory to 20^th century art. Savvy travelers will want to purchase a Museum Pass, which provides entry to 50 major and lesser-known museums, including the five on Museum Island, over three consecutive days for one low fee. The price was 24 Euro when we visited in November. Passes are available at Berlin Tourist Info points, in the museums, and online at Shop.visitberlin.com.

The magnificent Ishtar Gate, believed to date from 170 AD, was dedicated to Zeus and Athena. It was brought to Berlin from Western Turkey in 1903.

The long lines and crowded galleries attest to the fact that the Pergamon Museum is on nearly every visitor’s short list of places to visit in Germany’s capitol city. It should be. The magnificent Pergamon Altar, Ishtar Gate, and marvelous sculpture and other works from ancient Sumeria, Babylon, Assyria, and modern day Iraq, Turkey and Syria are all on display here. Restoration is underway on the Ishtar Gate, but it remains open for viewing. The Pergamon Altar was closed for restoration during our recent visit and will reopen in 2019. We were fortunate to see it several years ago.

Detail from the Processional Way, which leads to the Ishtar Gate, at the Pergamon.

Stunning Roman mosaics cover the floor in the gallery that contains the Market Gate of Miletus, built in the 2nd century AD in Turkey and excavated and brought to Berlin in the early 1900s.

The stunning Aleppo Room at the Pergamon, seen through protective glass walls.

Facade of the Caliph Palace Mshatta from Amman/Jordan from the 8th century. The 33 meter long, 5 meter high facade was brought to Berlin in 1903 to the Bode Museum. In 1932 it was reconstructed in the Pergamon.

We practically had the galleries to ourselves when we visited the Bode-Museum in November. This beautiful museum boasts art from the Byzantine and Roman Empires, a spectacular sculpture collection spanning from the early Middle Ages to the late 18^th century, and one of the most extensive numismatic collections in the world. We could not understand why the Bode wasn’t full of people enjoying these art treasures.

Pedro Roldan’s Our Lady of Sorrows (Mater Delorosa) at the Bode-Museum.

The Bode-Museum is known for it’s sculpture collection. Friezes, sacred art and other cultural treasures are also on display.

Don’t miss the extensive numismatic collection at the Bode. It’s one of the most comprehensive in the world.

The Bode also has a lovely café where we enjoyed a delicious and very reasonably priced lunch along with views over the Spree. The cafe balcony overlooks the museum’s grand entrance below.

The comfortable cafe at the Bode was perfect for a light lunch.

Save room for dessert!

If Impressionist works are more to your liking, visit the Alte Nationalgalerie, home to 19^th century works by Renoir, Manet, Monet, and Cezanne, Adolph von Menzel and other well regarded artists of that time period. The Alte Nationalgalerie was the third museum to open on Museum Island.

The Alte Nationalgalerie is home to a fine collection of 19th century paintings– part of Berlin’s State Art Collection.

Housed in one of Berlin’s most impressive neoclassical buildings, the Altes Museum was dedicated in 1828 by Friedrich Wilhelm III for “the study all antiquities and the free arts”. The museum’s permanent collection centers on classic antiquities covering Etruscan, Roman and Greek art and includes urns, vases, sarcophagi, friezes, pottery and sculpture.

The Altes Museum is a popular destination for student and tour groups.

The 3300 year-old bust of Nefertiti is among the highlights at the Neues Museum, or New Museum. After sustaining significant damage during World War II, the building, which was designed by Friedrich August Stuler and constructed between 1843 and 1855, was abandoned. In 2003, extensive restoration began and the museum opened in 2009 with three main collections—Egyptian art from the Egyptian Museum and Papyrus Collection, prehistoric objects from the Museum for Prehistory and Early History, and classical antiquities. Visitors will find works from around the globe including the Middle East, North Africa, and Northern Europe at the Neues Museum.

For updated information on each of the museums on Berlin’s Museum Island and details on permanent collections, temporary exhibitions, admission, hours and directions, please visit http://www.smb.museum.

Note: The banner image is the Cathedral of Berlin known also as Berlin Dom, located on Museum Island. In addition to church services, the Berlin Dom is open for tours. Numerous concerts and other events are also held there throughout the year. To the right is the Berlin TV Tower, constructed by the Soviets during the Cold War and now a popular tourist destination.

MoMA’s Must See Picasso Sculpture Closes Soon

In just over a month’s time, one of the most extensive and engaging exhibitions of Pablo Picasso’s sculpture ever presented in the United States will close. If you haven’t already visited the Museum of Modern Art’s marvelous retrospective of the painter’s rarely seen works, get your tickets and go see it before it closes on Feb. 7, 2016. http://www.moma.org

A visitor examines Picasso’s Man With A Lamb (1943).

For the first time since 1967, New York’s MoMA presents one of the largest exhibitions of the painter’s three-dimensional work. The exhibit includes more than 100 sculptures plus photographs and works on paper, many never before displayed in North America. I was fortunate to see the exhibition during the Member Preview before it opened to the public in September.

Left foreground, Woman with Child (1961), center rear, Head of a Woman (1957), right, Chair (1961). All three of these sculptures are painted sheet metal.

While Picasso was a formally trained painter, he was a self-taught sculptor and his work reflects the exuberance and personal relationship he had with the art form. He kept most of his sculptures in his personal possession rarely allowing these works to be displayed. One of the first and only times some of these pieces were presented publicly was in 1966 at a major retrospective at the Petit Palais in Paris when the artist was 85 years old. The following year, the MoMA staged Sculpture of Picasso in New York featuring many of the same works. Picasso’s sculptures have not been on public view on such a grand scale since.

Insect (1951) was created from fired white clay and painted.

Picasso was fond of unconventional techniques and materials and frequently used found objects and materials including scrap wood, wire, metal and cardboard in his sculpture. Wicker baskets, pie tins, palm fronds, toy cars and many other scavenged items found their way into Picasso’s work. He used a bicycle seat and handlebars to create Bull’s Head, which was on loan from a private collection, for example.

Bull’s Head, (Spring 1942) is a repurposed bicycle seat and handlebars.

Left, bronze Pregnant Woman (1949). Right, Flowery Watering Can (1951-52) incorporates a watering can, plaster, nails and wood.

Museumgoers will learn that Picasso’s forays into sculpture were influenced by many sources including ceramics and woodcarvings by Paul Gaugin and Edgar Degas as well as by Oceanic and African sculpture. His themes run the gamut from political expression to family life. Just as in his paintings, women are frequent subjects in Picasso’s sculpture.

Left, Bather (1931) bronze. Right, Head of a Woman (1932) plaster.

Left, Woman with Vase (1933) bronze. Center, Head of a Warrior (1933) plaster, metal and wood.

He enjoyed reinventing and reimagining many of the same themes as the exhibition demonstrates. His Glass of Absinthe – six different polychromed bronze pieces each including an actual absinthe spoon, is a good example of this.

Seated Woman (1947), Standing Woman (1945), Seated Musician (1950), and Seated Faun (1950) are among the small earthenware, terracotta and clay pieces in this display case.

Visitors to Museum of Modern Art http://www.moma.org will need timed tickets to see the Picasso Sculpture exhibition. Only members, corporate members and guests accompanied by members are exempt from this. Each day a limited number of tickets will be available for same day viewing but we strongly suggest that you get your tickets in advance to ensure you don’t miss this wonderful exhibition.

Woman with Outstretched Arms (1961) painted iron and sheet metal.

Published in conjunction with the exhibition and available in the MoMA’s book and gift shops, the Picasso Sculpture catalog makes a beautiful souvenir that will allow you to revisit your favorite works again and again.

Carneros: Art, Bubbles and Fine Dining

This lovely path leads to the di Rosa Collection– one of the most extensive contemporary art collections in Northern California.

If you’re ready for a break from wine tasting and need to get off the well-trodden and always busy wine road that is Route 29, head over to the tranquil Carneros District and stop in at the di Rosa Collection. This lovely property has been open to the public since 2000, when it was incorporated as a nonprofit public trust.

The Gatehouse Gallery features rotating exhibitions of contemporary art.

Rene and Veronica di Rosa’s extensive contemporary art collection includes some 2,000 works by 800 artists including Richard Shaw, Bruce Nauman, Larry Sultan, John Buck, Allan Rath, Paul Kos, Viola Frey and many others and is considered to be one of the most important collections in Northern California.

Book a tour to see the entire collection both inside the buildings and around the gorgeous grounds.

The works are displayed in three buildings and throughout the property. The modern Gatehouse Gallery is home to rotating exhibitions of modern paintings, sculpture, multi-media and interactive pieces.

A recent exhibition in the Gatehouse Gallery.

An interactive piece lets visitors…

…blow giant smoke rings!

Tongue-In-Cheek, a recent exhibition at Gatehouse.

Gallery admission allows access only to the current exhibition on view in the Gatehouse and is self-guided. To experience the entire collection, set aside 1-1/2 to two hours for the superb guided tour of the outbuildings, including the chapel, and the exquisite grounds. It is best to book the guided tour in advance to avoid disappointment.

Take a tour and experience the art outdoors.

You’ll likely see peacocks racing through the tall grass around many of the outdoor sculptures including, “Field Hands.” The catalog of the permanent collection, Local Color, makes a great souvenir or a gift for an art-loving friend. Click here for updated information.

Outside art.

Domaine Carneros is right across the road from di Rosa.

After your tour of the di Rosa Collection, go across the street to the elegant Domaine Carneros—it’s home to Tattinger’s California sparkling wines. Reservations are required.

Domaine Carneros– Taittinger’s California Sparkling Wine.

There are numerous options for tasting from flights to single glasses. Take your glass out onto the beautiful terrace and enjoy the spectacular view across the vineyards of the Carneros District.

Enjoy a drink in this pleasant lounge area at Farm.

One of my favorite dining destinations is in the Carneros, just a short distance away—Farm at the Carneros Inn. We have celebrated many memorable meals here and the last, which happened to be an anniversary, was no exception. Start with your libation of choice and relax outside on the comfy couches that surround the open fire. Depending on the hour, you’re likely to see children running happily around the lawn—much better here than in the dining room!

The dining room is casual but elegant.

The menu at Farm changes often to reflect the restaurant’s commitment to local, seasonal and sustainable produce, fish and meat. The cuisine is contemporary Californian and the wine list draws almost entirely from California producers.

The wine list focuses on Californian bottlings. Our somm gave us terrific recommendations like this Philip Staley 2012 Viognier.

Service is impeccable and the room is spare yet elegant. The restaurant is open daily for dinner only and reservations are a must.

A complimentary amuse bouche began our dining adventure.

Even a chicken breast is elevated to new culinary heights at Farm.

The halibut was sublime.

A chocolate lover’s dream dessert.

A lovely finish to a beautiful meal.

The hotel also has a casual option called Boon Fly, which is open for breakfast, lunch and dinner. Reservations are only available at dinner. This is great place to stop if you want a quick and tasty lunch and are in the mood for a burger, salad or sandwich.

Mix it up a bit and add Carneros to your itinerary. You’ll be glad you did!

Note– I have updated this post to reflect the need for reservations during the current coronavirus crisis, though other elements of your visit may also change. Please check with individual wineries, restaurants and galleries for details and requirements.

Art and Wine in Napa Valley—A Visit to Mumm Napa and Hall Wines

A surprising number of Napa wineries also have art galleries on their premises. The Hess Collection, Clos Pegase, and Hall Wines –more on that winery later—are among our personal favorites.

Mumm Napa is a great place to stop for a glass of sparkling wine and a visit to their photo gallery.

We frequently stop by Mumm Napa to see what’s new in their gallery, which features fine art photography. This time, we grabbed a glass of their California sparkling—always choosing one that is not readily available outside the winery, like the Santana or a DVX Cuvee – and headed off to see the Graham Nash photos then on view. The primarily black and white photos focused mostly on Nash’s days as part of the band Crosby, Stills, Nash and Young.

Mumm Napa’s gallery features fine art photography and exhibitions changes frequently.

A color photo by singer/songwriter Graham Nash on view at Mumm Napa’s photography gallery.

Mumm’s permanent collection includes a sizable collection of Ansel Adam’s black and white photos of Yosemite and other beautiful California locations.

Mumm’s photo exhibits change frequently and you may be lucky enough to visit while they’re hosting an artist’s reception.There is no charge for admission to the Mumm gallery nor are you required to purchase wine, but why wouldn’t you? After viewing the photos, relax on their expansive verandah with another glass and enjoy the pleasant views out over the vineyards.

Hall Wines has a truly marvelous contemporary art collection and they make delicious wines, too, which were two reasons we chose to stop in. Located on Route 29 in St. Helena, visitors can’t help but notice the huge metal rabbit that appears to be leaping over the vineyards (shown above). Lawrence Argent created the sculpture. He is also the artist responsible for the gigantic red rabbit titled, “Leap,” in the Sacramento, CA airport. Hall’s owners, Kathryn and Craig Hall, were quite taken by the airport piece and had a similar one commissioned for the winery.

Baldessari’s camel greets visitors to Hall Wines in St. Helena.

Please don’t ride the sheep!

Guests at Hall are greeted by a whimsical flock of sheep by Francois- Xavier Lalanne and a camel sculpture by John Baldessari, both positioned close to the main entrance. Other contemporary pieces on view include a an enormous piece constructed of “temperamental” index cards by Peter Wegner and a huge wall hanging fashioned from embroidered and bedazzled textiles (read repurposed sweaters) by Nick Cave. You’ll find fiber optic art, a crazy kaleidoscope by Alyson Shotz that looks out over the vineyards behind the modern tasting facility, and many more edgy pieces to capture your imagination by highly regarded artists like Russell Crotty, Joel Shapiro, Anya Gallaccio, Jaume Plensa, Jesus Moroles, Ivan Navarro, Spencer Finch and others.

Wenger’s “temperamental” index cards are prominently displayed in the visitor’s center.

This piece by Nick Cave was fashioned from repurposed textiles like embellished sweaters.

Outside, you’ll find more art including a number of structures by Patrick Dougherty reminiscent of the “Big Bamboo” installation that was on display, and available for climbing, at Rome’s Macro Museum in the Testaccio during one visit. Please do not climb any of the art at Hall. There are plenty of benches to rest on to contemplate life and watch the grapes grow. There is also a barn on the property available for private functions.

It’s fun to explore these “structures” on the grounds at Hall Wines.

Hall hosts private events in this barn.

After touring the collection outside, head back in to the LEED® Gold certified building for what the Halls tout as #crazygoodcabernet—and it is. The attentive and very knowledgeable wine hosts will tell you everything you want and need to know about the provenance of the grapes, the processes used and the excellent wines you will taste here. There is a fee for tasting and several options are offered. Reservations are requested.

Step inside the beautiful tasting room for some #crazygoodcabernet.

Hall also has a well-stocked gift shop with just about anything the wine aficionado could want, including a suitcase designed to carry those precious bottles back home on the plane.

The gift shop has something for every wine fan.

Wineries cannot compete with their own distributors by discounting prices so sometimes it’s wise to wait until you get home to buy—this applies to all wineries in California. If you fall in love with a wine that’s only available at the winery, buy it! California wineries ship to most states.

Looking for more art? Click here.

Note– I have updated this post to reflect the need for reservations during the current coronavirus crisis, though other elements of a visit may also have changed. Please check with individual wineries for details and requirements.

Art, Yoga and More at Seattle’s Frye Museum

Welcome to the Charles and Emma Frye Art Museum.

Charles and Emma Frye began collecting art in 1893 focusing primarily on French and German artists from the 19^th and early 20^th centuries. The couple built an impressive Founding Collection of 230 paintings, now on permanent display at their namesake museum in Seattle’s Capitol Hill area. The museum is open to the public at no charge, as the Fryes intended when they established the Charles and Emma Frye Free Public Art Museum in 1952.

The museum has expanded and been updated since it opened at its current location in 1952.

The Fryes had a particular interest in German painters of the mid-19^th Century Munich School including Wilhelm Leibl, Franz von Lenbach and Max Slevogt whose works, along with other prominent painters of the period, are part of the Founding Collection.

Henry Raschen’s 1913 portraits of Emma and Charles Frye hang in the Frye Salon.

The Frye’s Permanent Collection includes not only those works collected by Charles and Emma, but also later acquisitions made by the Frye Foundation. These later aquisitions expanded the collection to include American artists as well as European painters other than the French and German artists the couple built their original collection upon.

Acquisitions by the Frye Foundation expanded the collection to include American artists.

Gilbert Stuart and John Singleton Copley’s Colonial Period paintings hang alongside the American Realism works of Winslow Homer and Thomas Eakins. Mary Cassatt, James McNeil Whistler, and John Singer Sargent are among the ex-pat painters whose Impressionist works are displayed.

Paintings are hung as they once were in the Frye home gallery.

Portrait of Chief Seattle by Henry Raschen, 1916.

The vast collection of paintings covers every wall in the Frye Salon with the works hung as they once were in the Frye’s home gallery. The Frye Salon is reminiscent of Boston’s Isabella Gardener Stewart Museum. In other words, there is not much space between the works and they are not hung in any apparent order— historical, religious and allegorical paintings hang beside portraits, landscapes and seascapes. There are several copies of a hardcover guide available to visitors in the gallery that identifies and describes each work and artist.

Visitors reference gallery guide to identify paintings and artists.

The helpful guide is available only in the gallery. There are several other books about the museum and its collection for sale in the shop, but not the gallery guide.

In addition to the Permanent Collection, there are several changing contemporary exhibitions.

The Frye features contemporary art as well as European and American paintings from the 19th and 20th centuries.

We enjoyed the two Andy Warhol exhibitions currently on view. During the 1970s, Warhol recorded a reported 40,000 Polaroids documenting his personal and professional endeavors. Warhol’s Little Red Book #178 is a collection of 19 Polaroid pictures of his friends and other celebrities taken in 1970 while he made his film L’Amour.

Little Red Book #178 has 19 of the reported 40,000 Polaroid photos Warhol took in the 1970s.

From 1964-1966, Warhol recorded hundreds of visitors to his studio, called The Factory, using a Bolex camera. Warhol’s 12 Screen Tests features artists and celebrities who were instructed to sit still for the length of a 16 mm film—about three minutes. Subjects featured in 12 Screen Tests include Dennis Hopper, Edie Sedgwick, Susan Sontag, Lou Reed, Bob Dylan, Marcel Duchamp and Brooke Hayward. Not everyone was capable of the task assigned. Bob Dylan’s Screen Test shows him smoking a cigarette and fidgeting throughout.

Hundreds of Warhol’s Factory visitors were filmed for his series of “Screen Tests.”

Subjects were meant to be still for the three minute films, but Bob Dylan fidgeted and smoked throughout his “Screen Test.”

Also on view is Structure and Ornament, a multi media exhibition of Leo Saul Berk’s work based on the iconic Chicago-area Ford House, his childhood home.

Berk’s dream about sleeping on the floor at Ford House was the inspiration for “Heat Signature.”

The artist refers to his work as “a riff on the house,” which has historical significance and was designed by architect Bruce Goff. The exhibition includes the history of the home, photographs and films, along with Berk’s sculptures and other works, based upon the unique structure and the artist’s memories of living there.

Leo Saul Berk’s childhood residence, the iconic Ford House, was the basis for the “Structure and Ornament” exhibition now on view.

“Cone Twelve,” Berk’s aluminum composite and stainless steel sculpture.

“Mortar and Marbles” is a to-scale representation of a section of the Ford House’s curved coal walls.

Also currently on view is: American Portraits: 1880-1915– a selection of portraiture by artists whose works are included in the Founding Collection.

Museum visitors relax and enjoy the “American Portraits: 1880-1915” exhibition.

The Museum has a nice little café with an outdoor garden. Sandwiches, soups, sweets and other simple but satisfying offerings are available at very reasonable prices.

The Frye’s cafe has a lovely garden area and is a nice option for lunch or coffee.

When we arrived at the Frye Museum, we were told that one of the galleries was closed for yoga, but would soon reopen. Every Sunday morning, a yoga class takes place there, accompanied by local experimental musicians—just one of the creative classes the Museum hosts along with art classes for everyone from pre-schoolers to life-long learners, meditation, film presentations, lectures, performances and creative aging programs for adults suffering dementia. A complete program listing is available at www.fryemuseum.org.

Charles and Emma Frye would no doubt be pleased to see their wish– that the public enjoy free access to art, that ‘perfection of good-nature,’ continues to be a reality today, thanks to their free art museum.

Outdoor Art at Seattle’s Olympic Sculpture Park

After a beautiful morning at Chihuly Garden and Glass and lunch at Seattle Central Armory’s Skillet Counter, we headed down to the Olympic Sculpture Park, part of the Seattle Art Museum. On the way we passed a Duckload of friendly tourists.

Seattle’s Duck Tour is one way to see the sights in the Emerald City.

We enjoyed the view of snowcapped Mt. Ranier in the distance and the cruise ships docked nearby.

Seattle is a popular jumping off point for Alaskan cruises.

And finally reached our destination– the Olympic Sculpture Park.

All are welcome at Seattle’s Olympic Sculpture Park. Admission is free.

Jaume Plensa’s 46- foot Echo, towers over visitors with her eyes closed to the sea beyond.

This beautiful urban art park was once an industrial site. Now, less than 10 years later, the nine acres on Elliott Bay is Seattle’s largest downtown green space and home to spectacular sculpture by some of the most influential and respected artists in the world including Richard Serra, Ellsworth Kelly, Alexander Calder, and Louise Nevelson.

A view of Richard Serra’s Wake.

It’s an entirely different visual experience to wander among the panels of Wake.

Alexander Calder’s The Eagle provides a brilliant pop of color and a shady place to rest.

Typewriter Eraser by Claes Oldenburg and Coosje van Bruggen must add a touch of whimsy to the daily commute.

With views toward the Olympic Mountains and Puget Sound, thought provoking and attention getting art, and its beautiful waterfront location, the award-winning Olympic Sculpture Park ought to be on your list of “must sees” in Seattle.

Cargo ships glide by Bunyon’s Chess by Mark di Suvero.

Puget Sound makes a beautiful backdrop for these sculptures.

di Suvero’s Schubert Sonata has a prime location.

The nine-acre sculpture park has lovely wooded paths to explore.

The Olympic Sculpture Park is pedestrian and bicycle friendly, handicapped accessible, and admission is free.

Roy McMakin’s Love and Loss was commissioned for the Olympic Sculpture Park.

Beverly Pepper’s Perre’s Ventaglio III is right at home among the vegetation.

What a fantastic place to spend a beautiful day in Seattle! Next, dinner decisions, The Frye and we take flight to Boeing Field–a visit to the Museum of Flight.

Note: Banner image is Louise Bourgeois’s Father and Son. Each figure is in turn concealed and revealed by the water in which they stand, separated, arms outstretched.

Seattle: Whirlwind Weekend in the Emerald City

Art, food and fun highlighted our three-day weekend in the Emerald City. We started off our Saturday morning with a monorail ride from the central shopping area to the Center City area, home of the iconic Space Needle. The monorail, which was built for the 1962 World’s Fair, costs just $3.00 and is only $1.50 for seniors, children under 12, disabled, and active duty military.

It’s a quick but fun ride on Seattle’s monorail.

The trip takes only minutes between Westlake Center Station at 5^th and Pine Streets and The Seattle Center Station. Purchase your ticket at the kiosk or from the cashier as you enter the train. The monorail runs every seven minutes or so from 8:30 a.m. on weekends (7:30 a.m. during the week) until 11 p.m.

Sonic Bloom greets visitors walking to EMP or Chihuly Garden and Glass. The “sunflowers” move and emit sound.

The monorail drops you off steps from at the Space Needle, Chihuly Garden and Glass and MoPOP Museum (formerly called Experience Music Project).

Seattle’s iconic Space Needle was built for the 1962 World’s Fair.

We’d been to the Space Needle on previous visits so headed right to the Chihuly Garden and Glass.

There’s a reason Chihuly Garden and Glass is on everyone’s Top 10 list. Don’t miss it!

We should have bought our tickets online—the lines were long for the cashiers inside and at the outdoor kiosks, and cost more than the online price. Plan ahead! Once you have your ticket and have reached the admission area, ask to have your arm stamped so that you can return in the evening (6 p.m. to 10 p.m.) to view these magnificent glass works illuminated. The sun sets quite late in Seattle during the summer months so keep that in mind when planning your return visit.

Prepare to be amazed. Detail of Chihuly’s Sealife Tower.

The Chihuly Garden and Glass is included in Seattle’s City Pass so if you plan to visit more than one of the included attractions—yes, the Space Needle is one of them—you may want to opt for the City Pass. You’ll save money and time since you won’t wait on line.

Tabac Basket in the Northwest Room.

Once inside, be prepared to be awed. There is a reason Chihuly Garden and Glass is on everyone’s “must see” list. We heard more than a few “wows” as soon as we stepped into the first gallery. Dale Chihuly’s glass art works are artistic, whimsical and beyond stunning.

Mille Fiori-– A thousand flowers- delight the senses.

These photos cannot capture the splendid forms, movement, intricacy and vibrant colors in Chihuly’s work but they do give an hint of what you’ll experience at Chihuly Garden and Glass. It is a magical place.

Persian Ceiling floods the room with color from above.

It seems as you move from gallery to gallery the works get progressively more beautiful and intricate. The lighting, staging and even the music in the galleries combine to create a magnificent experience.

Ikebana and Float Boats capture the viewer’s imagination.

A stroll through the gorgeous gardens is another delight. The art is so beautifully integrated in the various plantings that you’ll want to linger.

A view in the garden.

Northwest timber is integrated in the glass garden.

We had the added benefit of a spectacular day—clear, blue skies and temperatures in the mid-70s. The soothing background music being performed by a gentleman playing the Eyhu on the street just outside the garden added to our enjoyment.

Soothing music further enhanced our enjoyment of the gardens.

The works on display are included in a fairly comprehensive catalog titled, Chihuly Garden and Glass, available in the gift shop in the lobby. It is one of many available volumes featuring Mr. Chihuly’s art. In addition to the usual museum gift shop items like books and calendars featuring the artist’s work, original pieces of Chihuly’s glass art are also on offer and priced from $5,000.

This is no ordinary gift shop.

A spectacular souvenir.

If you’ve worked up an appetite after your stroll through the garden, head over to the Seattle Center Armory a few steps away. Originally built in 1939 to house the 146^th artillery and its half-ton tanks, it was repurposed for the 1962 World’s Fair and became the city’s first vertical shopping mall, called the Food Circus.

Once home to an artillery unit and half-ton tanks, the Armory now features food and family fun.

Today, in addition to a public space that hosts more than 3,000 free family entertainment and cultural events each year, you’ll find a food court that’s got something for everyone. Though Starbuck’s and Subway do have a presence here, they share the main floor with more interesting offerings from the likes of Eltana’s Wood- Fired Bagel Café, Seattle Fudge, MOD Pizza, Kabab, Cool Guys Fry Bar, Ceres Roasting Company, Bigfood BBQ, Quincy’s (burgers and seafood) , Blue Water Taco, Plum Pantry (vegan and organic selections), The Confectional and Skillet Counter.

The Seattle Center Armory is a busy place at lunchtime.

Mediterranean street food, beef baracoa, fish tacos, Belgian style fries, individual cheesecakes, pizza, vegan fare, and a terrific fried chicken sandwich are among the tantalizing possibilities we deliberated for lunch.

So many choices…

We chose Skillet Counter where the Fried Chicken Sammy with a fennel seed crust, kale, and jalapeno aioli on a potato roll called out to my traveling companions. I had a delicious curried carrot soup and a salad. We met Chef Mike “Mookie” who kindly shared his recipe for the soup and the aioli. Looking forward to whipping up some of that at home!

Skillet Counter’s Chef Mike aka “Mookie”

If you’ve got little ones in tow—you’re in luck—Seattle’s Children’s Museum is just downstairs. Here you’ll find interactive exhibitions, hands on, and age appropriate activities for children ages 10 months to 10 years.

Seattle Children’s Museum is lots of fun for the little ones.

After our satisfying lunch at Skillet Counter, we headed down towards Elliott Bay to the Olympic Sculpture Park, part of the Seattle Art Museum. So much to see and do in the Emerald City!

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