Art

Explore Rome’s Ancient Wonders and Avoid the Crowds

Rome is the destination of choice for tens of millions of visitors annually and it seems like everyone is heading to the Eternal City this summer. Where do all those tourists go? Only the Vatican gets more visitors than the Colosseum and both boast more than 4 million each year. Rome has more monuments than any other city in the world, so why fight the crowds when there are so many other archeological marvels to see in Bella Roma?

The Vatican Museums are astounding and should be on everyone’s itinerary but even with timed entry tickets, be prepared for enormous crowds.

The savvy traveler to Rome will purchase an Archeological Museum Pass. The last time we checked, 25 Euro will buy you an expedited entrance to several of Rome’s most important archeological sites and museums. The Colosseum, Forum, Palatine Hill, Baths of Diocletian, Crypta Balbi, Palazzo Massimo, Palazzo Altemps, and Baths of Caracalla are all included. The pass is available for purchase at any of these sites and is good for seven consecutive days. The Roma Pass also includes these sites plus additional museums and public transportation. It is available for 32 Euro for a two- day pass or 52 Euro for a three- day pass.

The Baths of Diocletian

The Baths of Diocletian are just across the busy Piazza Repubblica near Rome’s main train station Stazione Termini.

We have visited the Baths of Diocletian many times and have never had to wait on line to enter. On our first visit a few years ago, an expansive Henry Moore exhibition was on display throughout the baths. Seeing Moore’s sculpture, large and small, in this remarkable setting was an incredible experience.

The largest and best preserved thermal baths the Romans constructed, the Baths of Diocletian provide a respite from the crowds, outstanding architecture, art and history.

We were fortunate to see a marvelous Henry Moore exhibition staged at the Baths of Diocletian on one of our first visits here.

Even without a special exhibit on, this museum should be on your list. Built in the 4^th century, these are the largest of all the thermal baths built by the Romans. They are also among the best preserved and easy to reach since they are across the Piazza della Repubblica from Rome’s train station—Roma Termini.

Remarkably preserved Roman mosaics line the floors and some walls within the Baths of Diocletian.

A memorable experience awaits visitors to this archeological and architectural wonder.

Water was stored in these great halls where sculpture now stands.

If you happen to visit the in the evening, you’ll have the opportunity to walk inside the enormous baths bathed in blue light—a simulation of sorts of what the ancient Roman experience may have been. Day or evening, don’t miss this astounding repository of Rome’s magnificent history.

The large marble-clad pool, called the natatio, was about 4,000 square meters and one meter deep. Visitors are free to wander throughout the pool areas and great halls.

In 1561, Michelangelo was given the job of converting the Bath’s frigidarium into a church. He created the beautiful Basilica Santa Maria degli Angeli on the site, along with the cloister he designed. He likely did not live long enough to oversee its construction though it is referred to as Michelangelo’s Cloister. More than 400 works of art, including sculpture, reliefs, altars and more are displayed in the cloister and gardens.

The cloister of Santa Maria degli Angeli e dei Martiri, referred to as Michelangelo’s Cloister, contains hundreds of statues, sculpture, altars and sarcophagi.

This is one of several colossal animal heads that were found near Trajan’s Column in 1586 and brought to the cloister.

Inside the National Roman Museum, which has been housed at the Baths of Diocletian since 1889, visitors will find three floors of extraordinary exhibitions and works of art ranging from important documents related to Roman life, culture and commerce through the centuries, to classic sculpture, funerary objects, mosaics and much more.

Art and artifacts from the 5th century BC to the 4th century AD are displayed in the area known as the Epigraphic Museum, part of the National Roman Museum.

Fascinating documents and antiquities relating to Roman life, culture and commerce through the centuries bring the Roman experience to life.

We have visited the Baths of Diocletian numerous times and always spend many more hours than we planned– wandering through the Baths, the garden and cloister, and of course, the marvelous museum and beautiful Michelangelo-designed church, all located on this easy- to- reach site. There is so much to see here. Don’t miss it!

Palazzo Massimo alle Terme

Built at the behest of Jesuit priest Massimiliano Massimo, whose family had owned the land prior to the construction of Rome’s Termini Station, Palazzo Massimo was constructed between 1883 and 1887.

Also near the Baths of Diocletian you’ll find the stunning Palazzo Massimo alle Terme. This is another of Rome’s great treasures not found on many traveller’s itineraries. The Palazzo Massimo gives visitors a rare look into what life was like for upper class Romans during the empire’s heyday.

Detail of one of the many beautifully preserved mosaics on display at Palazzo Massimo alle Terme.

Here you’ll discover beautifully preserved mosaics, frescoes, stuccoes and entire rooms rebuilt inside the museum from Imperial Roman villas. The beautiful painted garden from Livia’s Villa (constructed 75-50 BC) now displayed here, offers a serene escape in the heart of the busy city.

These carefully restored painted walls once adorned the villa belonging to Livia, wife of Augustus.

This reconstructed room from Villa Farnesina gives a glimpse into upper class Roman life in the 1st century BC.

These bronze arms were fittings from one of two ceremonial vessels owned by Caligula and recovered from Lake Nemi between World Wars I and II. The ships were destroyed during WWII.

Portraits from the Republican to the Imperial era, Greek and Roman sculpture (including the famous Hermaphroditus Asleep from the 2^nd Century), jewelry, furnishings, and even a mummy of an eight-year old are included in the museum’s collections.

The Boxer (also called The Pugilist) seems to gaze plaintively at visitors through his lost eyes. This magnificent sculpture may date from the 4th century BC and was found on Quirinal Hill.

The Lancellotti Discobolos, in the foreground, is another important sculpture from the Antonine period on view at Palazzo Massimo.

Palazzo Altemps

This peaceful courtyard gives visitors to Palazza Altemps quiet respite from the busy Piazza Navona just outside.

Just off the busy Piazza Navona is Palazzo Altemps. This gorgeous 15^th century palace was once home to Cardinal Altemps and has been a part of the Roman National Museum since 1997.

Classical sculpture and elaborately decorated ceilings line the loggia.

The Palazzo includes works ranging from Egyptian antiquities, Greek and Roman sculpture, original frescoes, and the spectacular Ludovisi Collection.

The Ludovisi Fury is thought to be a copy of a Greek work, likely from the 2nd century. The left side of the face was cut horizontally to provide stability and is sometimes called the Sleeping Fury.

Ancient sculpture and reliefs from important collections, notable Egyptian artifacts, frescoes from 70-100 AD, and other antiquities are all housed in the museum’s galleries.

The 104 sculptures that comprise the collection, begun by Cardinal Ludovico Ludovisi in the early 1620s and purchased by the Italian government in 1901, is widely regarded as the centerpiece of the Palazzo Altemps. Be sure to see the famous Ludovisi Throne.

Detail of one of the colossal sculptures displayed at the Palazzo.

The museum also houses several other important collections including the Mattei and “Dragon Collection” which has nothing to do with mythical beasts but is instead the works owned by the del Drago family. Visitors will also find the Pallavicini Rospigliosi Frescoes, which date from 70-100 AD, and notable art and significant artifacts in the Altemps’ Egyptian and Antiquarian collections.

The beautiful Church of San Aniceto is located within the Palazzo Altemps– a serene spot for contemplation and prayer.

Step inside the Church of San Aniceto, which is located within the palazzo and was built in 1617 to house the saint’s remains, for a meditative moment or two and leave the noise and crowds behind.

Crypta Balbi

Crypta Balbi’s excavations show how Rome developed from antiquity through the 20th century, building layer upon layer from its ancient beginnings.

You will not be fighting crowds at Crypta Balbi, also part of the National Roman Museum. It is a wonderful archeological site and should be on your list of remarkable places to see. A subterranean tour through excavations of ancient buildings, combined with fascinating exhibitions, takes visitors on a historical journey from Rome’s earliest beginnings through the 20th century.

The excavations, which give visitors a fascinating look at the city’s earliest development, began in 1981.

Frescoes, such as these from Santa Maria in Via Lata can be found upstairs in the “Rome from Antiquity to Middle Ages” section of the museum.

Ceramics, glass fragments, coins, tools and other items from Roman daily life centuries ago are on display.

Be aware that there are not always English speaking guides available to accompany you through the excavations below the museum but the exhibitions upstairs have information in English. Even without a guide, it is worth exploring the lower level. The museum is at Via delle Botteghe Oscure 31, just around the corner from the Largo di Torre Argentina where you’ll find interesting ruins, a sunken excavation site and a cat sanctuary and adoption point.

The Largo di Torre Argentina is home to ancient Roman ruins and a cat sanctuary.

The Pantheon

The Pantheon is one of Rome’s most important and most visited ancient wonders.

The Pantheon is one of ancient Rome’s most glorious structures and has been in continual use since it was built by Marcus Agrippa in 31 BC and rebuilt by the Emperor Hadrian 125-118 AD. Illuminated by the oculus in its magnificent dome, the Pantheon boasts the largest masonry vault ever constructed. As of July 3, 2023 a 5 Euro fee is required to enter. Tickets are available online and onsite and nearly 3,800 were sold the first day.

Originally built in 31 BC by Marcus Agrippa, this is the largest masonry vault ever constructed and it is spectacular.

We have been here when the sun is streaming in through the oculus as well as when the rain is pouring down—a visit here is a memorable experience at any time.

Sculpture, paintings and sacred art adorn the interior of the Pantheon.

The esteemed Italian painter Raphael and Italy’s first king, Vittorio Emanuel II, are both buried here. Go early in the morning to beat the crowds.

Arrive here any time after early morning and be prepared for large crowds and the occasional, “Silencio,” shouted by guards.

After you’ve finished marveling at the immense beauty inside the Pantheon, take a walk around the exterior. You can see excavations of the shops and dwellings that surrounded the building during the era of Imperial Rome.

Shops and homes were once built into the Pantheon’s exterior walls. Visitors can see the remains today.

Close to this magnificent building you’ll find the classic Armando Al Pantheon. Open for lunch and dinner, except on Saturday nights and Sundays, this place serves traditional Roman cuisine. Be sure to reserve as far in advance as you can– it’s enormously popular with locals and tourists.

The Colosseum

If you’ve never visited Rome before, you’ll need to brave the crowds and see the Colosseum.

I’m not suggesting you skip the Colosseum. In fact, if you’re planning to head over that way, be sure to include the Forum and Palatine Hill in your plans. Just be prepared. Lines are less long early in the morning, but there are always lines. If you have an Archeological Pass or Roma Pass you get to go on a much shorter line than those without—just look for the signs. The Colosseum, which took just under 10 years to build, was completed in 80 AD and is the largest amphitheater ever constructed.

Pack your patience and your most comfortable walking shoes. Crowds are huge and steps are steep and unforgiving at the Colosseum–one of Rome’s most visited sites.

There are rules, though apparently not always observed.

You’ll be hiking up and down some very steep stone steps and rocky, uneven walk ways in both the Colosseum and the Forum. There is no shade so wear a hat or take an umbrella to keep the sun off and bring a bottle of water if it’s a hot day. There are no services or shops. Some areas are handicapped accessible but inquire before setting off.

The Forum

The Forum tempts the imagination with incredible Imperial Roman ruins.

The Roman Forum was the heart of the ancient city and the ruins are spectacular. Some of the highlights include the Arch of Titus (through which most visitors enter), the Temple of Saturn, and the Temple of Vesta. The Sacra Via, or sacred road, runs through the ancient site.

Uneven walkways and cobbled paths at the Forum call for comfortable shoes. Bring a hat and water– there’s no shade and no conveniences inside the gates.

Be aware that unlike the Colosseum, there are no facilities once you are in the Forum—no bathrooms, snack shops, water fountains or souvenir vendors inside the gates. Beware of pickpockets and “for hire” guides at both the Colosseum and the Forum. The latter often dupe visitors into thinking they must buy a guided tour to get inside, which is not true.

Visitors take a walk through ancient history on original Roman roads. Most significant sites are signed in English and Italian but a guidebook will be handy here.

All that walking gave us an appetite. We had a really good lunch across from the Colosseum at Angelino ai Fori dal 1947 at Largo Ricci #40, 06.6791121. We expected high prices and mediocre food since it’s so close to several major tourist sites but were pleasantly surprised by both the food and the prices.

We enjoyed a delicious lunch on the patio at Angelino ai Fori.

If you are prepared for a short journey, take a trip to Ostia Antica. Ancient Ostia was once a bustling seaside town built on the Tiber River where it enters the Mediterranean Sea, but now, 2,000 years later, it is four kilometers from the water. We found the ancient site even more interesting than the Forum and far less crowded. We enjoyed a picnic here one fine afternoon and learned, once we had secured a knowledgeable guide of the area, that we’d had our lunch seated on a burial site. There are spectacular ruins of baths, a theater, apartment houses (some with painting still intact), mosaics, and much more to see in the excavations of this once fortified city.

These are just a few of the astounding archeological treasures found nowhere else but Rome. Put on your walking shoes and go explore this ancient and vibrant city.

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California’s High Desert Hidden Gems: Noah Purifoy’s Outdoor Desert Museum

It’s been months since museums have been closed in Southern California where I live, so when I learned about an outdoor museum while planning a trip to Joshua Tree National Park, I knew we had to go!

*Welcome to Noah Purifoy’s Outdoor Desert Museum of Assemblage Sculpture.*

After spending most of the day hiking in the strange but beautiful Joshua Tree National Park, we headed out for a look at another high desert gem—Noah Purifoy’s Outdoor Desert Art Museum of Assemblage Art. We drove through the small town of Joshua Tree, into the scrubby desert landscape, past large lots and small houses–more than a few surrounded by chain link fences. In this part of Southern California, pick-up trucks are far more popular than Porsches.

*The high desert landscape is the perfect setting for Mr. Purifoy’s assemblage art. Shipwrecked is in the foreground with White House to the left.*

Up and down the lonely roads we drove until our turn- off onto an unpaved road that ended in a dirt lot. A triumphal arch of tires spelling out W-E-L-C-O-M-E in a non- conformist way, let us know we had arrived.

*Please don’t jump on the Band Wagon, 1995. Tempting as it is, visitors are asked to refrain from touching or climbing on the sculptures.*

*Bowling balls play a starring role in a number of Mr. Purifoy’s sculptures.*

*Found materials of all kinds make up the monumental sculpture in the Outdoor Desert Museum, as in this work called Aurora Borealis.*

I have been fascinated by assemblage art for a long time. Created from found materials, assemblage art personifies the old saying, “One man’s trash is another’s treasure,” and shows how a creative mind can make something provocative, beautiful, and meaningful from goods that might otherwise have been tossed on the trash heap. Noah Purifoy’s Outdoor Desert Museum of Assemblage Sculpture is the embodiment of that.

*1996 Toilet Bowl Sculpture is just one of the 30 inventive and monumental assemblage sculptures on the 10-acre art site.*

Too often, we find ourselves exploring these out-of-the-way places alone. We were happy to see others here experiencing these amazing art installations.

*Purifoy’s work can be poignant and provocative. This piece is called White/Colored.*

*Homelessness and shelter are among the social themes Purifoy explores in his work.*

A renowned assemblage artist, Noah Purifoy first came to national attention with sculpture he created using burnt debris from the 1965 Watts Riots in Los Angeles. His work was part of 66 Signs of Neon, a landmark group exhibition that traveled across America and abroad from 1966- 1971.

*Prominently positioned, The White House includes plumbing ware and bowling balls. It took Purifoy three years to create.*

*Free brochures lead visitors on a self-guided tour of the 10-acre site. Docent-led visits for groups can be arranged through the Noah Purifoy Foundation.*

Purifoy was the founder and first director of the Watts Tower Art Center and was later appointed to the California Arts Council, a position he held for more than a decade. His work there included bringing art into California’s State Prison system under the Artists in Social Institutions program he initiated.

*This piece, called Kirby Express, was created from old Kirby vacuum cleaners and bicycle parts among other things.*

*Here’s Kirby Express from a different vantage point with Shipwrecked and Carousel to the left.*

*No Contest (Bicycles) is dwarfed by a Joshua Tree, the area’s namesake desert plant.*

Long a fixture on LA’s art scene, Purifoy, who was born in Alabama in 1917, moved to Joshua Tree in California’s high desert in 1989. He began populating his 10-acre sculpture park with works of all shapes and sizes using materials ranging from discarded toilets to tires and just about everything in between. Industrial materials, clothing, wood, metal, rubber, concrete and old appliances all found their way into Purifoy’s art.

*From the Point of View of the Little People, 1994.*

*Abstract, whimsical, inventive and thought provoking, Purifoy’s works are best experienced by a visit to his amazing desert museum.*

*Piles of old chairs became art in Purifoy’s wildly creative hands.*

From 1989 until his death in 2004, Purifoy worked to create a public art space that continues to attract visitors from across the country and around the world. Admission to the sculpture park is free but donations are welcome. The Outdoor Desert Museum is open daily.

*The Gas Station conveys a certain attitude. The White House is to the left.*

*Admission is free but donations are welcome.*

Purifoy’s work can be seen at the Whitney Museum of American Art in New York, Los Angeles County Museum of Art, National Gallery of Art in Washington, DC, as well as other prestigious art institutions here and abroad. Until those eminent museums open their doors again, and even after, visitors to Southern California may well want to head to the high desert to experience Purifoy’s final and very impressive body of work. Visit www.noahpurifoy.com for more.

Into the Woods –Bomarzo’s Monster Park

We made our way to Bomarzo’s Monster Park on a beautiful autumn day, early enough that the morning fog still hung over the woods adding a decidedly forbidding atmosphere to the place.

With its strange and beautiful sculptures, eerie wooded pathways and vertigo-inducing tipsy house, I wondered for a moment if Lewis Carroll had taken inspiration from Bomarzo for his Alice’s Adventures in Wonderland.

*The dragon symbolizes time and wisdom, rather than destruction. At Bomarzo, the dragon fights a dog, lion and wolf representing spring, summer and winter.*

While appearing completely contemporary, this unconventional garden near Viterbo, Italy was commissioned by Prince Pier Francesco “Vicino” Orsini in 1552. Known for their balance, order and harmony, classical 16^th century Italian gardens with their careful geometric designs and extravagant water features seemed to celebrate man’s control over nature. Not so, the wild and woodsy Bomarzo.

*Bomarzo’s winding, woodsy paths are full of surprises.*

*The giant jaws of the whale warn visitors away from the water.*

Created by architect Pirro Ligorio in the Mannerist style, this garden is almost a rebellion against order and a tribute to life’s unpredictability. That’s what makes it so much fun to visit.

*Proteus, Neptune’s son, comes from the legend of Glauco, a fisherman who became a sea god.*

Instead of being adjacent to or surrounding the owner’s villa like most gardens of the period, this one flourishes in a nearby wood, nearly hidden from view from the palace above.

*Il Sacro Bosco, the Sacred Wood, is the opposite of the well-ordered classical 16th century Italian garden.*

There is no rhyme or reason to this garden. There doesn’t seem to be a relationship between the sculptures and their placement in the park, though that could have everything to do with the fact that they were all carved from gigantic rocks where the stone stood.

*Statues were carved on-site from stones where they stood.*

Il Sacro Bosco or the Sacred Wood, as the Monster Park is also known, is home to mermaids, sphinx, dragons, nymphs, fountains, a giant tortoise, and a heroic Hercules, among other fantastical sculptures.

*The tortoise symbolizes the feminine powers of water and ancient knowledge.*

Originally the sculptures would have been painted in bright colors. None of that remains today though some pieces are covered in downy green moss. I was slightly disappointed to see the tortoise had recently had her nice coat of soft green moss removed, though she was still a striking figure.

*An elephant carrying a castle was a popular medieval symbol and reference to Hannibal’s use of elephants to invade the Italian peninsula.*

*This elephant, holding a wounded or dead soldier, represents Rome’s victories and defeats.*

Many of the Bomarzo’s sculptures have historical, religious and cultural significance. Some are meant to be puns or puzzles. Others may have had meanings which have long been lost over the nearly 500 years since the garden was created. The brochure we received with our tickets gave explanations for all of the 35 key sculptures, as well as serving as a guide through the park.

*The sleeping nymph, which represents purity in Greek mythology, is both human and divine.*

The Ogre, or L’Orco, king of the underworld, is at the center of the garden and one of the most popular sculptures at Bomarzo. I found a photo of surrealist artist Salvador Dali sitting in the “Mouth of Hell” in 1938! He was so inspired by the Monster Park that he made a short film about the gardens.

*A school group posed in front of the giant sculpture amid much jostling and laughter, clearly enjoying the monsters and whimsical creatures throughout the park.*

The inscription above the entrance says, “Abandon all thought,” a reference, and maybe a tribute, to Dante Alighiere’s Divine Comedy- Inferno, where a warning above the Gates of Hell reads, “Abandon all hope, ye who enter here.” Don’t be put off. Inside the mouth, visitors will find cool respite and a small built- in table and seats. It’s a perfect place for contemplation and perhaps a picnic.

*Just try to walk around inside the Leaning House without losing your balance!*

Another popular stop, the Leaning House doesn’t seem so disorienting until you get inside and try to explore the rooms. There’s not much to see other than the family crest and motto. It is a vertiginous experience at best and not a place to linger—purposefully, scholars think. Some believe that the house represents the falling fortunes of the Orsini family, but nearly 500 years on, the house still stands!

*Proserpina welcomes visitors to the hippodrome area.*

Hiding around every corner or peeking through the trees are heroic and monumental figures. Proserpina, wife of Pluto, stands in for Diana and Juno greeting visitors with open arms. An enormous Hercules—a protector of good, is shown subduing the evil Caucus. Ceres appears with her circle of babies.

*Hercules, protecting the poor, vanquishes Caucus, who stole food from them.*

Neptune towers over the basin, while the open jaws of a whale warn visitors away from the water. Nearby, a giant nymph is both human and divine– a reference to the sleeping Ariadne. There are Furies, a pegasus, dolphins, lions and other mythical and magical creatures throughout the garden.

*The Winged Fury is of Greek origin and also played an important role in Roman religion. The Furies were considered guardians of national glory and the fertility of the soil.*

There are large vases with inscriptions no longer decipherable, benches with messages in Latin, and much more that will surprise and delight around every turn.

*Some of the benches have Latin inscriptions.*

*Scholars think this sculpture represents Bacchus’s descent into hell, goblet in hand. Medusa’s head is carved into the bottom of the giant vase.*

Il Sacro Bosco was created as a memorial to Prince Orsini’s late wife, Guilia Farnese, of the wealthy Farnese family. Their money helped fund the garden, which her broken- hearted husband intended as a manifestation of his grief and a place of shock and surprise.

*Il Sacro Bosco was created as a tribute to Orsini’s late wife, Guilia Farnese.*

A Pegasus in the garden represents Orsini’s in-laws– the Farnese family. The Temple of Eternity was built 20 years after the original garden as a memorial to Guilia and was designed with roses associated with the Orsini family.

*Wander as you like, but if you follow the suggested trail in the park’s brochure you’ll see all of the key sculptures and sights in this fascinating garden.*

Visitors are welcome to wander freely through the paths, but following the trail outlined on the brochure’s itinerary will ensure that you won’t miss a single one of the extraordinary sculptures and sights waiting in the Sacred Wood at Bomarzo. While the traditional gardens of the period we visited– including Villa Farnese, Villa Lante and Villa D’Este–are stunning, Bomarzo is absolutely fascinating. We’ve never experienced anyplace like it!

Porto—Sinners, Saints, Art, and of course, Plenty of Port

Portugal’s second largest city, Porto, or Oporto as the British called it, has a vibrant cultural scene, beautiful churches and a fascinating history, but for many, it’s all about the port.

Port!

Port and port tastings draw visitors from all over the world —after all, the city is named for the fortified wine. All the big port houses are here, along with smaller cellars worth investigating. Just across the river in Vila Nova de Gaia, you’ll find Sandeman, Taylor Fladgate, Grahams, Ferreira, Calem, Croft, Cruz, Ramos Pintos, Kopke, Cockburn and many others. Individual port houses vary in their offerings– there are guided tours, self-guided visits, port tastings, retail shops and several have restaurants on site.

Since there is so much to do in Porto and we had already spent time in the Douro Valley where the grapes for port are grown and the production of the fortified wine occurs, we decided to visit just one port house. We chose Taylor Fladgate because we also wanted to have lunch at Barao de Fladgate. Food is an important part of the travel experience!

Taylor offers a self- guided tour (with audio available in English) and port tastings in the garden afterwards. No reservations are needed for tours but they are required for lunch.

The self-guided tour, which includes a visit to the cellars, was fun and informative.

Visitors learn about the history of the wine, the area it comes from, and port production through photos, a short film and exhibits at Taylor Fladgate.

We thoroughly enjoyed our tour, which covered the history and “how to” of port production, interesting information about the families behind the cellar, and included a short film, static exhibits, photographs, and a cellar visit.

Afterwards we were entertained by a group of peacocks and one very loud, very busy rooster who was clearly in charge, during our tasting in Taylor’s garden. There is also a well-stocked shop on the premises with relative bargains compared to the prices you’ll pay in the U.S. for ports of this quality.

Visitors have numerous choices for their port tasting.

This fellow clearly ruled the roost and let those peacocks know it.

Taylor Fladgate is the only port house we visited in both our visits to Porto, so we can’t give details on the others, though Grahams was also highly recommended. Check with all those you’re interested in for specifics.

Many of the larger port houses have tours and tastings. Check individual websites for updated information and to make reservations where required.

A water taxi goes back and forth from Porto to Vila Novo de Gaia for about 3 euro. It’s a short but pleasant ride and sometimes you can see the local boys jumping off the lower level of the Eiffel Bridge to the river below.

Taking a water taxi is a nice way to cross the Douro after port tasting and exploring Vila Nova de Gaia.

If you are a serious port person or just want to learn more and sample some of Portugal’s best known export, look into a visit at the Douro and Port Wine Institute’s Interpretive Center. A word of warning – port is a high alcohol, fortified wine so taste judiciously.

Museu Serralves– Contemporary Collections

A peek inside the enormous Anish Kapoor installation.

As we said, there’s much more to Porto than port. For contemporary art lovers, the Museu Serralves is a top draw. The museum, which showcases contemporary art from the 1960s through the present, recently celebrated its 30th anniversary. Its vast collection includes more than 4,400 works either owned by the foundation or on long- term loan. Located in a beautiful park-like setting, it’s easy to reach by public transport, cab or Uber.

There are more than 4,400 works of contemporary art in the Museu Serralves’ collections.

Numerous models of famous works by Anish Kapoor, including Cloud Gate, informally known as the Chicago “Bean”, were on exhibit when we visited the museum.

The Incredible Hulk has international appeal.

There was so much to see and experience, we wound up spending almost all day at the Museu Serralves.

Some visitors practiced yoga and danced inside this Kapoor installation.

Museu National Soares dos Reis–– Porto’s First Public Art Museum

The oldest museum and first public art museum in Porto, the Museu National Soares dos Reis has been located in the beautiful 18th century Carrancas Palace since 1940.

“The Presence of History” by Pedro Valdez Cardoso, greets visitors at the Museu National Soares dos Reis. Duct tape and found objects were used to construct the sculpture.

The museum was originally created as a repository for artifacts like these, seized when the government dissolved monasteries throughout Portugal. — A 1934 terracotta sculpture by Canto da Maya is one thousands of pieces on display at Porto’s very first public art museum.

The museum was created as a repository for confiscated property seized when monasteries in Porto and other Portuguese cities, like Coimbra, were dissolved by the government.

The museum was created to house art and other treasures like these, seized when the government dissolved monasteries throughout Portugal.

Ceramics, glassware, textiles and furnishing are among the decorative arts on display here.

The museum’s collections include sculpture, paintings, textiles, furniture, ceramics, jewels and works such as a Roman sarcophagus found in the Alentejo region dating from the 3rd century, an 18th century French tapestry that tells the life story of Portuguese explorer Vasco da Gama, and contemporary sculpture by Portuguese artists like Pedro Valdez Cardoso.

Portuguese Centre of Photography

Stories of spycraft, crime and photography converge at the Portuguese Centre of Photography near the Torre dos Clerigos. Yes, there are photo exhibits, but there’s much more in store for visitors here. The building itself, a former prison, is part of the story.

Housed in a former prison, the Centre of Photography includes exhibits about the people once incarcerated here.

Visitors can see cameras of every description including rare daguerreotypes, antique wooden cameras, spy cameras, and even disposable cameras. There are also exhibits about the prison and the people incarcerated within its walls, including political prisoners during the dark days of Salazar’s reign.

The Centre of Photography has special exhibitions as well as a permanent collection for visitors to enjoy.

The museum has revolving photo exhibitions as well as a permanent collection. We saw a fascinating exhibit of photos by and about the artist Frieda Kahlo.

Spy cameras used during Salazar’s tenure are on display along with vintage cameras and much more at the Portuguese Centre of Photography.

Former prison cells now house exhibitions at the Portuguese Centre of Photography.

Clerigos Tower– Torre dos Clerigos

While you’re in the area, consider a visit to the Clerigos Tower–– Torre dos Clerigos. A beautiful example of baroque architecture and a national monument since 1910, the tower offers expansive views of Porto.

Take a tour of this beautiful baroque landmark, a national monument since 1910.

Free or guided tours of this Porto landmark are available.

Se do Porto — The Cathedral of Porto and Churches Worth a Visit

A view of Porto’s Cathedral, or Se, at the top of the Praca da Batalha.

The Catholic Church has a major presence in Portugal and Porto has many marvelous churches filled with exquisite paintings, sculpture and azulejos. Visit the magnificent Porto Cathedral (Se do Porto) located in the Batalha area, the highest point in the city for the art and the views.

Though you’ll often read travel stories where you may be directed to “visit the Se Cathedral”, Se is the Portuguese word for cathedral, like duomo in Italian. Igreja means church. It is free to enter the Se but there is a small fee to visit the tower.

Inside the opulent Se do Porto, resplendent in gold and silver.

The Church of St.Francis or Igreja de Soa Francisco, Igreja do Carmo and the Carmelitas Church right next door, are also worth a visit.

Stop into Porto’s beautiful churches for some quiet reflection and to enjoy the art treasures within.

Located in Porto’s historic center in the building it has occupied since the mid 16^th century, MMIPO, the Museum of the Church of the Misericordia is worth a visit for its paintings, sculpture, religious articles and exhibits that tell the history of Porto’s Holy House of Mercy and the city itself. A visit to the museum includes entry to the church and is the only way to see it.

Porto’s Museum of the Church of Misericordia or Holy House of Mercy includes admission to the church, as well as the opportunity to view the fine art on exhibit.

Shop

If retail therapy is what you’re after, head over to Rua Santa Catarina. Santa Catarina is Porto’s main shopping street and is in the highest part of town, beginning at Praca da Batalha.

You’ll find all the well-known international brands and plenty of smaller, local stores along the busy street, as well as cafes and coffee shops including the famous Majestic Cafe.

The Majestic Cafe, open since 1921, is still a popular spot for coffee or a light meal.

Nearby, you’ll find Porto’s main market —Mercado do Bolhao. This is the place to pick up picnic provisions. If you’re lucky enough to have lodging that includes a kitchen, you can find fresh produce, charcuterie, cheeses, meats, and fish—everything you need to make a marvelous meal.

Sao Bento’s Azulejos

If you arrive in Porto by train and happen to come into the Sao Bento railway station, you’ll be treated to a remarkable display of azulejos – the fabulous blue and white tiles so famous in Portugal. Many people come to the station just to see the tiles, as we did.

The beautiful azulejos at Sao Bento rail station tell the story of Portugal and Porto’s rich history.

Rua da Ribeira Negra– Buskers, Bars and Boat Rides

The Rua da Ribeira Negra area is very busy and touristy but it is fun to walk along the river and enjoy the buskers and people watching. We saw people dancing, making music, and performing magic tricks.

The Rua da Ribeira is a lively area on the riverfront with cafes, bars and buskers.

Buskers sang, danced, performed magic, and blew giant bubbles hoping to collect tips from tourists on the Rua da Ribeira.

Most boat rides on the Douro River depart from Rua da Ribeira. We took an hour- long cruise–it was a nice ride and especially fun on a hot day! We did not book ahead—boats run regularly and there are a number of companies offering the same rides at the same prices. We picked the one leaving the closest to the time we wanted to go.

A boat ride on the Douro was the perfect antidote to a hot summer day.

Pick the river cruise that suits your departure time and length of journey. Most companies offer the same itineraries and rates.

Souvenir vendors line the riverfront. If you’re looking for cork products, tea towels and “typical” Portuguese goods, you’ll find them here.

Souvenir shopping under the Eiffel Bridge in Porto.

Shopping for tea towels for their new life together?

Sleep

Here, as in most cities, there are lodging options for all tastes and budgets. We stayed at the Eurostars Porto Douro just a 10- minute walk along the river to the Rua da Ribeira Negra area. The hotel is comfortable, clean and well- priced. Our large room had a little kitchenette perfect for making a cup of tea or a snack and the view from our balcony of the Eiffel Bridge, the boats and people passing up and down the river was unbeatable.

Our spacious corner room had a fabulous river view from the balcony.

The kitchenette was a nice addition to our room.

Breakfast was included in our rate and offered everything we could want from hot dishes to yogurt, fruit and pastries, including the Portuguese specialty pasteis de nata. The clientele was international and Americans were definitely in the minority here. We met some terrific fellow travelers and the front desk staff couldn’t have been more helpful.

The hotel has a well-priced laundry service (shirts were about 7 Euro), important since we rarely check luggage. There is not a full-service restaurant at the Eurostars but there is a bar serving light fare. There’s also a rooftop terrace with spectacular views and bar service during the summer months.

We enjoyed wonderful views up and down the river from the rooftop terrace at the Eurostars.

We also enjoyed a too-brief stay at the historic Infante Sagres Hotel in the heart of Porto. After an absolutely awful experience with the Rosa Et Al Townhouse’s self-catering apartment on our first visit to Porto, we sought refuge at this magnificent grand dame of a hotel with its lux lobby and beautifully appointed rooms. The elevator has vintage alligator- covered seats so guests can sit and enjoy the ride!

Old world luxury is a hallmark at the Infante Sagres in Porto.

Local Portuguese marble was used floor to ceiling in our spacious bathroom.

A comfortable bed in a blissfully quiet room was just what we needed after a very long day.

We were lucky to get even one night here at the last minute on a sold-out weekend. Somehow the front desk staff managed to book the next four nights for us at the Eurostars. We will always be grateful for their kindness.

The sumptuous breakfast buffet at the Infante Sagres can be enjoyed in the dining room or peaceful courtyard.

Whether port is your preference or art floats your boat, lace up your walking shoes and discover the myriad charms Porto’s winding, cobbled streets have to offer.

Sunnylands— A Midcentury Masterpiece

As a regular visitor to the Palm Desert area, I often wondered what was behind the big pink walls where Bob Hope and Frank Sinatra Drives intersect in Rancho Mirage. During Modernism Week I found out. Among the more than 350 events and activities offered during the 10-day tribute to Midcentury Modernism were tours of Sunnylands, the marvelous estate built by media mogul and philanthropist Walter Annenberg and his second wife, Lee.

The glass and Mexican lava rock midcentury marvel built by Walter and Lee Annenberg was conceived as a family home and high-level retreat for world leaders and luminaries from the arts, media and industry. Photo courtesy Annenberg Foundation Trust at Sunnylands.

Conceived as both a family home to escape winters in Wynnewood, PA, where the couple maintained their permanent residence, and an intimate, high-level retreat where leaders of government and industry could meet privately to address national and global concerns, Sunnylands has successfully filled both roles since it was completed in 1966.

The centerpiece of the 200-acre estate is a fabulous glass and Mexican lava rock 25,000- square-foot midcentury home designed by architect A. Quincy Jones. It’s hard not to “ooh and aah” when the front door of the historic main house opens onto the spectacular great room with its pink marble floors, prolific planting, outstanding art collection (Rodin’s Eve surrounded by 300 pink bromeliads will be one of the first things you’ll see in the central atrium), exquisite furnishings, and panoramic desert views.

Art Price’s Welcome Birds, a favorite of the Annenbergs, greet visitors to Sunnylands.

Visitors on the 90-minute Historic House Tour, which is the only way to visit the home, learn all about the property and the people who designed, built, lived in and stayed at this wonderful estate. You’ll visit all of the rooms in the house including my personal favorite–the Room of Memories. It’s chock full of memorabilia marking momentous occasions, Christmas cards and thank you letters—some from British royalty, photos, portraits, and family mementos.

The Room of Memories has photos, portraits, letters, memorabilia, mementos and more documenting decades of visits to Sunnylands from famous guests and the historic role the house has played in U.S. history. Photo courtesy Annenberg Foundation Trust at Sunnylands.

The color-themed guest rooms (hint-Mrs. Annenberg’s favorite colors were yellow, pink and green), stunning dining room, cozy game room, and the kitchen, where visitors will get a peek at the incredible china collection the Annenbergs used to host dinners large and small, are all on the tour. Visitors also have access to the Annenberg’s private quarters, which were modified somewhat by Mrs. Annenberg after her husband’s death in 2002 at the age of 94.

*Comfortable guest rooms were color-themed and included Mrs. Annenberg’s favorites– yellow, green and pink. Photo courtesy Annenberg Foundation Trust at Sunnylands.*

You’ll also see the Inwood Room, redesigned from its original purpose as a patio, to hold many of the antiques Mrs. Annenberg brought to Sunnylands after closing their Pennsylvania home, Inwood. She wanted a place that reminded her of her home in the East.

The Annenbergs, known for their support of the arts, filled Sunnylands with masterpieces by artists including Picasso, Degas, Van Gogh, Cezanne, Monet, Renoir, Matisse, Rodin, Giacometti and Braque. Some of the paintings now on the walls are high-quality reproductions. Mr. Annenberg donated many of the original works to the Metropolitan Museum of Art in New York, where he was a trustee for many years.

*This Kwakiutl totem pole was commissioned by the Annenbergs and is located on the estate’s private nine-hole golf course.*

The grounds include a tennis court, private nine- hole golf course and no less than 11 lakes. Now operated by the Annenberg Foundation Trust, the estate has expanded to include 15 additional acres for the Sunnylands Center and Gardens, which opened in 2012. That’s the same year the property became accessible to the public.

Visitors to Sunnylands enjoy spectacular desert and mountain views. The private nine-hole golf course enjoyed by celebrities and world leaders is in the distance.

While Sunnylands served as the winter home of the Annenbergs, it was also designed to function as a private and intimate retreat for luminaries and world leaders. The guest list is as impressive as the property. Eight U.S. Presidents were among the notable visitors the Annenbergs welcomed to Sunnylands. Dwight Eisenhower, an avid golfer, was the first U.S. President to enjoy a round on the estate’s private course with Walter Annenberg.

President and Mrs. Reagan were good friends of the Annenbergs and frequent visitors to Sunnylands. Mr. Reagan was one of eight U.S. Presidents to have enjoyed their hospitality. Photo courtesy Annenberg Foundation Trust at Sunnylands.

Ronald Reagan, a good friend of the Annenbergs, was a frequent guest as President, and earlier, when he served as Governor of California. Along with his wife Nancy, a dear friend of Leonore “Lee” Annenberg, the Reagans were a fixture at the Sunnylands New Year’s Eve party for many years. Mr. Reagan held cabinet meetings and invited his top advisors to the estate. President Reagan’s treat of choice– Jelly Belly® jellybeans are still available in his favorite guest room. No detail that could add to a guest’s pleasure was too small to include at Sunnylands. Fun fact—the jellybeans are color-coordinated to match the bedding and upholstery!

*The Yellow Room was President Reagan’s favorite. Jellybeans were always on hand–color coordinated to match the room, of course. Photo courtesy Annenberg Foundation Trust at Sunnylands.*

Richard Nixon, who was also a long-time friend of the couple and another frequent guest before, during and after his presidency, spent a number of months in seclusion at the estate after his resignation. His poignant thank you note is on display in the house.

George H.W. Bush held the only State dinner ever hosted outside the White House at Sunnylands for Prime Minister Kaifu of Japan in 1990. They were able to negotiate some difficult trade issues in the relaxed setting Sunnylands provided. President Bush also enjoyed fishing at the estate and preferred the Green Room for its proximity to the lake for early morning angling.

*President George H.W. Bush enjoyed early morning fishing in some of the 11 lakes on property at Sunnylands.*

Presidents Gerald Ford, George W. Bush and Bill Clinton all enjoyed the Annenberg’s hospitality at Sunnylands. President Obama was a three-time visitor, meeting with Chinese President Xi Jinping on one occasion and Jordan’s King Abdullah II on another. He also held a summit with 10 Association of Southeast Asian Nations leaders at the estate, which resulted in the “Sunnylands Declaration.”

President Obama and Chinese President Xi Jinping were photographed strolling near the reflection pool shown here.

Appointed by President Reagan, Walter Annenberg served as U.S. Ambassador to the Court of St. James and was awarded an Honorary Knightship (KBE) so it’s no surprise that Queen Elizabeth II and Prince Philip, Prince Charles, and other members of the British Royal Family were visitors to Sunnylands.

Queen Elizabeth II and Prince Philip, shown here with Ambassador and Mrs. Annenberg, were guests at Sunnylands, along with other members of the Royal Family. Photo courtesy Annenberg Foundation Trust at Sunnylands.

U.S. Supreme Court Justices Sandra Day O’Connor and Anthony Kennedy, Secretary of State George Shultz, British Prime Minister Margaret Thatcher, Henry Kissinger, Barbara Walters, Colin Powell, Steve Forbes and other highly influential people from government, industry, media and the arts have all been feted at Sunnylands.

It hasn’t been all problem solving and high- level meetings at the estate though. Frank Sinatra wed his wife Barbara at Sunnylands and the couple were frequent guests at festivities there, including the social event of the year—the Annenberg’s annual New Year’s Eve party. Hollywood icons like Bob Hope, Bing Crosby, Kirk Douglas, Gregory Peck and Ginger Rogers have all been on the guest list. Photos capturing the Annenbergs and their famous friends at play are on display in the home.

Birding on the Estate tours are also available twice a week and must be booked online, in advance. An experienced birder leads the 90-minute excursion and all levels are welcome to participate.

All tours except the Open Air Experience must be booked in advance, online.

The historic main house can be visited only by guided tour, which must be booked online, typically one month in advance. Because access is limited, the Historic House Tour slots fill quickly. Plan ahead! This is the only tour that provides access to the home. Groups of seven are shuttled from the Visitor Center to the house for the 90-minute tour, which includes standing and walking—there is no sitting down and children under 10 are not permitted. Knowledgeable guides, many from local colleges, accompany visitors through the home and around the lushly landscaped exterior areas adjacent to the house, including the pool where you can channel your inner Hollywood icon preparing for a dip.

There is a separate tour available for the grounds without prior reservations. The Open Air Experience is a 45-minute trip aboard an electric shuttle around the exquisite estate with visits to various outdoor locations such as the private golf course where visitors can see a Kwakiutl totem pole built especially for the Annenbergs, the Chinese Pavilion where Mrs. Annenberg entertained lunch guests, the Annenbergs’ final resting place, sculpture including Birds of Welcome by Art Price, and much more. The Foundation’s commitment to sustainability and the steps being taken to preserve and protect plant and wildlife species on the grounds are also discussed during the visit. The Open Air Experience can be booked on a first come-first served basis during a visit to the Sunnylands Center and Gardens and unlike the other tours, does not require prior reservations.

Channel your inner Hollywood icon and imagine yourself preparing for a dip in the pool with some of the Annenbergs’ famous friends like Frank Sinatra, who was married at the estate.

The Sunnylands Center and Gardens are open to the public free of charge.

There is no admission fee for the Sunnylands Center and Gardens, which opened in 2012 and is family-friendly. Inside the glass-walled building guests can enjoy a short film that tells the history of the estate and the Annenbergs. This is well worth viewing before visiting the house or in lieu of, if you haven’t been fortunate enough to reserve space on a tour. There are art and photo exhibitions, historic photos, and memorabilia on display.

Enjoy the gardens while having a snack or light meal at the cafe.

Sunnylands Center and Gardens are family-friendly, though the tours do have age limits.

There’s also a gift shop and a small café for a casual lunch or snack, which can be enjoyed indoors or outside at the tables overlooking the garden. On a recent visit, families were playing games and picnicking on the garden’s central grassy grounds.

Meandering paths take visitors through the Sunnylands Gardens featuring more than 70 native and drought-tolerant species.

The expansive gardens include a labyrinth for peaceful mediation, meandering paths, reflection pools and more than 70 species of native plant life. The native and drought-resistant plants used in the landscape are clearly marked for the enjoyment of amateur botanists.

Visitors can walk the labyrinth and enjoy quiet meditation at Sunnylands Gardens.

Tours are not conducted while retreats and meetings are taking place on the property. No photos are allowed inside the house due to security concerns. The Annenberg Foundation graciously provided the interior photos I’ve included here. Sunnylands is not open during summer months. Please visit their website for current tour dates and ticket information.

Lisbon’s Beautiful Belem

The Belem district is a fascinating and historic area of Lisbon that ought to be on every traveler’s itinerary—and it appeared that it was on the Sunday we spent there! Packed with monuments, museums and many of Lisbon’s “must see” spots, it’s just about five miles from the downtown area. It’s easy to reach via bus, tram or cab. We took a 10 Euro taxi ride for the 20-minute trip from Lisbon’s city center. The tram costs less but takes nearly an hour and with so much to see, we opted to save time.

There’s plenty to see and do in Lisbon’s busy Belem area.

Belem was the launching point for many sea voyages during Portugal’s Age of Discovery. The Tower of Belem was the last thing sailors would see as they left port and the first site to welcome them home.

The Church of St. Jeronimos and its monastery are beautiful examples of the decorative Manueline architectural style.

Before setting off, many sailors would stop at the stunning Church of St. Jeronimos and its spectacular monastery to pray for a successful journey and a safe return. These gorgeous buildings are wonderful examples of the decorative Manueline architecture popular in Portugal in the late 1400s through 1500s.

St. Jeronimos and it’s spectacular monastery are among Lisbon’s most popular sites.

The entry fee for the monastery is 10 Euro and worth it. It’s stunning and surprisingly peaceful in spite of the crowds. Admission is free for the church. If you plan to attend mass, be punctual. We arrived late and no amount of pleading would make the guards open the church doors for us until services were over.

Visitors to the church can see the tomb of famed Portuguese explorer Vasco da Gama and the memorial to writer Luis de Camoes.

Entry to the Church of St. Jeronimos is free but there is a fee for the monastery.

We were directed to the end of a very, very long line. After standing around for quite some time, we realized there were no lines at the other end of the building and decided to go check it out. That’s when we found the National Archeology Museum.

Avoid the long lines at St. Jeronimos by buying a combo ticket for the Archeology Museum next door for an extra two Euro.

Here’s a tip we wished we’d known–walk right past those long lines in front of the monastery and church and make your first stop in Belem the National Archeology Museum.

The museum is full of ancient treasures and antiquities, some dating back to the Iron Age.

Buy a combo ticket for the museum and the monastery (the monastery is actually in the same building as the museum). For an extra two Euro, or 12 Euro total, you can enjoy the museum’s terrific exhibitions and avoid the crowds. The museum is a treasure trove of Egyptian, Roman, Greek, and Moorish artifacts. After touring the galleries, you’ll go directly into the monastery from the museum without waiting on the ever-present line.

This was the first megalith we saw and it inspired us to seek out the Almendres Cromeleque, home to 95 of these fascinating stones near Evora in the Alentejo area.

The museum has a rich collection of Egyptian, Greek, Roman and Moorish art and antiquities. Be sure to visit the Room of Treasures in the museum. No photography is allowed in that area but the display of coins and jewelry from 1800 to 500 BC is impressive.

After touring the galleries in the National Archeology Museum, you’ll enter the Monastery directly without waiting on any additional lines.

This fascinating time line inside the monastery captures 500 years of world history in words and images.

In spite of the crowds, there are numerous serene spaces within the monastery perfect for quiet contemplation.

You may notice long lines around the bakery just up the street from the monastery. If you’ve been to Portland, Oregon, this may remind you of the lines around Voodoo Doughnuts. I’m always amazed by the patience people seem to have in their quest for particular baked goods, but back to Belem…

Lines for Casa Pasteis de Belem snake around the corner. Worth the wait? You decide.

This is the place that claims to have the original and the best Pasteis de Belem. These are little custard pastries in a flaky filo- like crust. Locals say these are good, but you’ll have to decide if they’re worth waiting for. We didn’t, but we haven’t ever waited for doughnuts either. They sell Pasteis de Belem in the Starbuck’s next door without the wait, though buying them there doesn’t quite have the same cachet. You can find these delicious pastries all over the country though they’re called Pasteis de Nata (nata is cream) or Pastel de Nata, if you’re only having one, everywhere else except Belem. Try one or two and remember to add a healthy shake of cinnamon and powdered sugar on top!

Time for lunch or dinner? Turn down this little street to find Enoteca de Belem.

If you’re hungry for a meal, we highly recommend the Enoteca de Belem (+351) 213 631 511 Travessa do Marta Pinto, 12. Located on a little alley off the main street in Belem, this is a terrific choice for lunch or dinner. It’s very small so book a table or prepare to be disappointed.

We were delighted with our lunch at Enoteca de Belem. Here’s a peak at the menu.

Sitting at the bar gave us a chance to learn about and taste delicious Portuguese wines.

We sat at the bar since we had missed our reservation time—the museum and monastery were so fascinating we spent far longer than we had anticipated. The bar turned out to be perfect for us because in addition to a fabulous lunch, we had a great chat and learned quite a bit about Portuguese wines and history.

The perfectly prepared scallops with cauliflower puree and quail eggs were as delicious as they looked.

The freshly caught grouper was the fish of the day. Served with “clam rice,” it was an incredibly flavorful dish.

Portuguese cuisine often pairs fish and pork. The tender grilled octopus and spicy chorizo was perfection on a plate.

This classic dessert, Papo de Anjo, reminded us of an upgraded rice pudding. Comfort food at its best!

Our lunch was incredible and one of the best meals we had in Lisbon. Try the scallops to start and the grouper or cod if they have it.

When we asked for the wine list, we were handed these vintage binoculars and instructed to look around and choose whatever we were interested in from the shelves above the bar. There was a printed list, as well, but selections change regularly– thus the binoculars.

We opted for wines by the glass so we could sample several. The staff were well- versed in the wide selection available and happy to make suggestions and answer questions.

The knowledgeable staff will be glad to help you match the appropriate wines to your food selections.

Sailboats and other pleasure craft ply the waters off the embarcadero. The Hippotrip looked like Lisbon’s version of the Boston Duck Tours. Could be fun, but we didn’t try it.

Next, take a walk along the water down to the Monument to the Discoveries, which honors Prince Henry the Navigator, and was built in 1960 to commemorate the 500^th anniversary of his death. Henry’s mother, Queen Filipa of Lancaster, Vasco da Gama, Magellan, King Manuel I and the poet Camoes are all depicted on the monument.

The busy waterfront is the perfect place to stroll and people watch. It’s possible to go inside the Monument to the Discoveries, which commemorates the 500th anniversary of the death of Henry the Navigator.

The Tower of Belem was the last bit of home Portuguese sailors saw as they set off to sea. It offers beautiful views but be prepared for long lines if you’d like to climb the 120 steps to the top.

Further on, you’ll see the famous Tower of Belem. It’s possible to climb 120 steps to the top of the tower for the views. Lines can be quite long. Let’s face it—there are lines for nearly everything you’ll want to see in this area so just be prepared for that. There’s an Atlas Hotel along the way with a nice terrace, perfect for an apperitivo if you’re ready for a break from touring– and the lines.

There is a lovely park near the waterfront and we happened to catch a good- sized open air market there on our visit.

On our walk back, we came upon an open air market selling everything from hand crafted ceramics, art and jewelry, to tea towels and mass-produced souvenirs. There was also a lively folk dance competition taking place in the park and we simply had to stop and watch for a while. It was delightful!

Troupe after troupe of talented folk dancers took the stage in the park. We joined the crowd to cheer them on.

Near the stage where the dancers competed, we spotted this pavilion. It was a 2012 gift from the Royal Thai Government to Portugal, celebrating 500 years of bilateral relations between the two nations.

We wished we had more time in Belem. We would like to have seen the Maritime Museum, Coaches Museum and the Ajuda Palace. Next time for sure!

Hats Off to Degas–Lucas Shakes Things Up at SF’s Legion of Honor

San Francisco’s venerable Palace of Legion of Honor, part of the city’s Fine Arts Museums, is currently hosting the very popular Degas, Impressionism and the Paris Millinery Trade.

The extensive exhibition focuses on the impact of the millinery trade in Paris during the Belle Epoch era on the work of Degas and his contemporaries. Paintings and pastels by Degas, Renoir, Edouard Manet, Mary Cassatt, Toulouse- Lautrec and others, some never before shown in the U.S., are featured. In addition to the splendid impressionist paintings, included in the exhibition are 40 marvelous examples of millinery from that time period—in other words—hats!

Hats featuring flowers were popular in the 19th and 20th centuries. Silk, cotton, velvet and paper were all used to construct artificial flowers like those shown here.

Some patrons were definitely in the spirit of things.

These hats range in size and complexity from the sublime to over the top. One chapeau is topped with an entire owl, which had been preserved specifically for that purpose. There are plumes, beads, metallic wire, ribbons and flowers adorning these mostly enchanting toppers.

Plumage from domestic and exotic birds, including ostrich and owls, often were used to embellish luxury ladies’ hats.

These hats all sport fashionable feathers. The hat on the left features a complete owl while the one on the right has an African starling above its brim.

A visitor admires Manet’s “At the Milliner’s”–one of about 40 paintings and pastels in the exhibition.

Men’s hats are included in the exhibit too. There are fine examples including boater and bowler hats, along with a sketch of Degas himself in a top hat.

Bowlers and top hats, along with carrying cases, are part of the exhibit.

The 42 year-old Edgar Degas is shown here wearing a top hat.

The exhibition was quite crowded, mostly with ladies of a certain age, oohing and ahhing over the millinery creations. There were a few patrons sporting hats and we spotted several of the museum’s docents in the spirit of things– wearing lovely fascinators.

Feathered finery got a lot of attention from visitors.

We didn’t take a docent-guided tour but shared our table at lunch with a group of ladies from the San Jose area who had and raved about it. It is necessary to reserve a spot for a guided tour in connection with this exhibit.

This docent wears a fine fascinator for her presentation. Reservations for the free tours are essential for this exhibition.

Some of the Impressionist paintings in this exhibition have not been shown in the U.S. before.

Special exhibition tickets are required for the Degas exhibit, in addition to the general admission fee for the museum. This doesn’t seem to be keeping the crowds away at all downstairs. There were numerous tour groups vying to get close to the works during our midweek trip to the Legion of Honor.

Special exhibition tickets are required, in addition to general admission. The galleries became quite crowded at times.

Upstairs in the galleries featuring Rodin’s classic sculpture, visitors can enjoy near solitude—at least during our visit. Displayed with the August Rodin: The Centenary Installation, which honors the 100th anniversary of the artist’s death, you’ll find the provocative work of Sarah Lucas. Sarah Lucas:Good Muse is the first major exhibition of the UK artist’s work in the U.S.

The museum is best known for its ancient and classical European collections which includes paintings, sculpture, furnishings and porcelain.

Sarah Lucas’ work brings contemporary art and controversy to the Legion of Honor.

Sarah Lucas:Good Muse would probably be much more comfortable at the SFMOMA (SF Museum of Modern Art) than at the classically- focused Legion of Honor. The docent who provided a tour of the exhibition shared that many patrons and members of the museum were more than a little unhappy with Lucas’ work.

Giant plaster cast boots, soft sculptures and a series of Lucas’ yellow urinal sculptures are on display among the 50 bronze, plaster and marble works by Rodin.

Lucas’ sculptures, made from plaster, panty hose, florescent lights, a bedspring and mattress, cigarettes and other materials, allude to sexual interactions, availability, empowerment, and domestic responsibilities, according to the docent. She also pointed out examples where Rodin’s work related to the themes of Lucas’ pieces.

“Washing Machine Fried Eggs” invites discussion of women’s sexual and domestic roles.

Apparently the artist wanted to “bring color” to the galleries and chose to include a series of yellow urinal sculptures displayed atop small refrigerators, placed among Rodin’s classic sculpture. We found the juxtaposition interesting but could easily understand the contretemps. At the entrance to the galleries where Lucas’ work is displayed, there are signs warning that the art may not be appropriate for all viewers. We have chosen not to include photos of the most controversial work for that reason.

Electricity in this piece “keeps the energy up” according to the artist.

Degas, Impressionism and the Paris Millinery Trade closes September 24 and Sarah Lucas: Good Muse closes September 17. Go see these very different exhibitions for yourself and let us know what you think. A day at the Palace of Legion of Honor is always a day well spent.

Puppets in Palermo—A Stopover in Sicily’s Biggest City

Welcome to Palermo.

We took a drive right up the center of Sicily on SS624 to reach Palermo. The ride is scenic, beautiful and pretty straightforward. As you approach, you’ll be greeted with breathtaking views of the city sprawl and the bay—bellissimo!

Palermo is Sicily’s capital city and it’s most populous. Its Romanesque, Gothic and Baroque architecture, cultural attractions, and incredible cuisine draw visitors from around the world.

Palermo is the largest and busiest city in Sicily and has plenty to offer the visitor looking for a bustling urban experience. We had less than two full days in Palermo and there is far more to see and do than we had time for.

The simple facade of Monreale Cathedral gives no indication of the superb golden mosaics inside this “must see” church.

Let your first stop in Palermo be a visit to Monreale Cathedral. This stunning cathedral has golden mosaics that rival, and some say surpass, those at Venice’s Basilica San Marco (St. Mark’s). This is truly a spectacular church, considered to be the finest example of Norman architecture in Sicily, and should not be missed. The somewhat plain façade belies the beauty that awaits inside.

The breathtaking golden mosaics inside Monreale Cathedral rival those at St. Mark’s (San Marco) Basilica in Venice.

Narrow, busy streets and overcrowding make parking a challenge in Palermo and the area surrounding the cathedral is no exception. There is a well-marked, supervised pay parking garage just down the road from the cathedral. Walk carefully along the alley- like street back up to the church.

The clear message here is: Do not park in front of this garage. Parking is always tricky in Palermo. When in doubt, find a pay lot.

After enjoying the splendor of the cathedral, we had a terrific lunch at Bricco e Bacco Brasserie, just kitty corner from the cathedral. It was a lovely place with good, local specialties and friendly service. Since we arrived after the lunch crowd, it was also quiet. You’ll find the restaurant at Via B. D’Aquisto, 13, Monreale, Phone for a reservation +39 091 641 7773. It’s a popular spot.

Driving in Palermo can be a harrowing experience and is not for the faint hearted.

Wind your way down into the city proper, navigating traffic carefully. All bets are off in Palermo and traffic can be heavy. Stop signs seem to be a mere suggestion and traffic signals are also sometimes ignored.

Farm fresh fruits and vegetables are sold at stands throughout the city. Be aware that in Sicily, what we call broccoli is cauliflower here.

Street markets like this one, selling clothing, dry goods, kitchen wares and other necessities can be found throughout Palermo. Ask for a “piccolo sconto”– a discount. Bargaining is part of the fun.

We really enjoyed walking all around the city to get the flavor of it and to get our bearings on our first visit. We covered a lot of ground, including the Corso Vittorio Emmanuel, which is Palermo’s “high street.” Here you’ll find upscale shops and stylish boutiques, cafes and bars. Palermo also has numerous street markets with household necessities, clothing and dry goods, fruit stands, and food stalls, including the well known Vucciria and Ballaro markets.

Hands down, our favorite cultural institution in Palermo was the Museo Internazionale delle Marrionette. Yes, it is a puppet museum and far more compelling than you might expect. Sicily has a strong tradition of puppetry used for both entertainment and political commentary dating back centuries.

In addition to providing entertainment, puppet shows were often used to express political and social view points, particularly when the literacy rate was low.

Plan to spend at least a few hours enjoying the expansive collection and exhibits at the International Museum of Puppetry.

The museum’s collection includes more than 3,000 puppets of all kinds from around the world.

Marionette soldiers in full armament along with their battle- ready horses are on display in this large gallery.

The attention to detail and historical accuracy of the costumes is impressive.

They have puppets and marionettes from around the world, from the simplest paper puppets to the most elaborate marionettes. You’ll see everything from fairy princesses and dragons to entire armies dressed in armament from throughout the ages, all with remarkable attention to detail.

Even Laurel and Hardy make an appearance here.

You’ll find examples of puppets from the primitive to the extraordinarily elaborate.

Puppets from around the world including Africa, Indonesia and Japan are represented.

There are also a variety of settings and backdrops on view. We found our visit to the marionette museum to be an absolutely enchanting experience. The museum hosts puppet shows, too, of course.

Enjoy these fine examples of Japanese Bunraku puppets.

The museum often hosts puppet shows and has videos of productions on view.

For more information and show times, please visit www.museomarionettepalermo.it The museum is at the end of Via Butera on the Piazzetta Antonio Pasqualina, 5.

Known for its medieval art collection, the Galleria Regionale della Sicilia at Palazza Abatellis is a former palatial residence dating back to the 1490s, which went on to become a convent and then a monastery. It is now a regional gallery and museum.

Built for the Kingdom of Sicily’s Port Master, this fine former residence now houses an impressive collection of Medieval art and other treasures.

Here you will find sculptures, frescoes and paintings by Italian artists, as well as Flemish and other European masters, sacred art, weaponry and more.

Sculpture, paintings, religious art and more await visitors at the Palazzo Abatellis.

Though the building suffered terrible damage during Allied bombing raids in WWII, frescoes such as these from the 1400s survived.

Unfortunately the website has not been updated for some time so it is best to call the museum at +39 091 623 0011. It is located at Via Allora, 4.

To see how the upper class lived centuries ago, visit the Palazzo Mirto www.casemuseoitalia.it/en. The Palazzo Mirto is part of a network of “house museums” found throughout Italy. It was originally built for the Filangeri family in the mid 17^th century and falls into the ancestry category of homes.

The Palazzo Mirto provides a glimpse at the opulence the upper classes enjoyed during the time of the Kingdom of Sicily.

The palazzo is filled with beautifully appointed rooms featuring elaborate furnishings, ceramics, antique musical instruments, and art. One of the most spectacular is the Chinese Room, likely decorated in 1876 when the house was renovated.

The Chinese Room was the height of fashion when it was designed in the mid 1800s.

There are also classic carriages on display along with other historic treasures that paint a picture of Sicilian life for the upper class in the days before the Risorgimento when Sicily was still a kingdom.

Splendid furnishings and elegant porcelain are among the items on display at Palazzo Mirto.

The museum is located at Via Merlo, 2 and telephone is +39 091 616 4751 for updated information.

Enjoy a performance or take a guided tour– these are the only ways to get inside the magnificent Teatro Massimo.

If there is a performance at the Teatro Massimo, get a ticket and go. Regularly scheduled dance, opera, and classical music are all performed here. If you’re feeling flush, you, too, can rent the royal box —you just have to purchase all 27 seats in it.

The Teatro Massimo is known for its excellent acoustics and grand stage.

If time does not permit you to attend a performance, take a guided tour, which is the only other way to see the inside of this magnificent and historic building.

This beautiful and historic theater is among the largest in Europe.

A model of the theater is displayed in the lobby.

The theater boasts one of the largest stages in Europe and is worth seeing. Built in 1897, it is known for its outstanding acoustics and is still the largest theater in Italy with 1,300 seats. It is appropriately located on the Piazza Verdi. +39 091 6053580 www.teatromassimo.it.

The Politeama Garabaldi Theater hosts regular performances in Palermo’s historic city center.

We wanted to visit the highly regarded National Archeological Museum but it was closed for renovations during our visit. Please go to www.regione.sicilia.it/beniculturali/salinas for current information.

A stroll through Sicily’s capital city yields surprises.

We did not visit the Catacombe dei Cappuccine, the home of about 8,000 dead bodies, amassed over the course of several hundred years, all dressed up and on display. We find the entire enterprise rather ghoulish and having seen the Capuccine Chapel in Rome, which features skeletons of dead monks, felt no obligation to see this seemingly far more ambitious enterprise. Apparently it is a popular place on many tourist itineraries and so we mention it here.

Flags fly outside the Porta Felice Hotel on the small but busy Via Butera.

There are lodgings at all price points and with all levels of service, as you would expect in a large city like Palermo. We stayed at Hotel Porta Felice www.hotelportafelice.it/en at Via Butera, 45. Tele. 091 6175678. This is in the old section of town near the port.

Pleasure craft and fishing boats crowd the marina at the end of Via Butera.

Even though the hotel is on what appears to be a small side street, it is pretty busy. We were upgraded to a nice suite, even though we’d booked through www.venere.com. The location was very convenient and we walked everywhere we wanted to go, after turning in our rental car.

Friendly service and excellent Sicilian specialties await diners at L’Ottava Nota.

We only had two nights in Palermo and wound up having dinner both evenings just down the street from our hotel at L’Ottava Nota Ristorante, via Butera 55 091 6168601 www.ristoranteottavanota.it. The restaurant was small and lovely with fantastic food and great service. The fish dishes were all spectacular. Everything was fresh, artfully prepared and delicious.

Perfectly prepared pasta makes a delicious first course.

White fish in a light curry broth was a favorite.

Seafood dishes were the star attraction for us, but L’Ottova Nota has superb meat and vegetable dishes, too.

A fish in a light curry broth with vegetables was so good I still think about it, though it is no longer on the menu. We mentioned we were staying at the Porta Felice and were happily surprised to learn we’d get a 20 percent discount on our meal because we were guests there. We cannot confirm that the special pricing is still available but it never hurts to ask, should you dine here. The restaurant is just a few doors down from Porte Felice on Via Butera, 55. The telephone is +39 091 616 8601.

We had an excellent lunch at Trattoria Piccolo Napoli, www.trattoriapiccolonapoli.it. Piccolo Napoli had been recommended by an Italian friend in the wine business but apparently Anthony Bourdain had once dined here and the owner told us that lots of Americans had been showing up ever since. Our welcome was much more cordial when we told him (in Italian) that his friend Sasha had sent us! Try the panisse (chick pea fritters) to start and have any seafood you like—it is all super fresh and simply, but deliciously, prepared.

Snack on some panisse as you peruse the menu.

Simply but perfectly prepared pastas and seafood dishes shine at Piccolo Napoli.

Through a small window into the kitchen, we watched the chef toss a whole octopus into a pot, plate it and serve it to a young girl who devoured every bit. We had pasta with shellfish and then I had a beautiful swordfish dish. For dessert, they brought us the ubiquitous “winter melon.” The melon is sweet and refreshing and so called winter melon because it can be picked in the summer and stored throughout the winter. We saw it on menus throughout Sicily. The restaurant is on the Piazzetta Mulino a Vento, 4. Telephone is +39 091 320431.

Palermo is a fascinating and vibrant city and certainly worth a visit. We’ll be back.

Our final meal in Palermo was an extremely casual, but excellent pizza lunch at the airport, which we enjoyed out on the observation deck with a view of planes coming and going, and of course, the beautiful sea!

Seeking Serenity at Portland’s Spectacular Japanese Garden

Gorgeous grounds, stunning views and an authentic Japanese experience have been delighting visitors to Portland’s spectacular Japanese Garden since 1963. Now, the beautiful 12-acre oasis, which includes five separate gardens with plenty of peaceful seating areas for reflection, a Japanese Tea House, tranquil ponds, and meandering paths perfect for contemplation, has even more to offer. Last month the new $33.5 million Cultural Crossing opened to visitors.

Follow the footpaths, steps and bridges that lead to each of the separate and distinctive garden spaces within Portland’s Japanese Garden.

The new $33.5 million Cultural Crossings expansion project includes new exhibition space, library, tea house and additional garden areas, all designed to enhance the authentic Japanese experience for visitors.

Designed by respected architect Kengo Kuma, the Cultural Crossing’s new buildings provide the perfect showcase for traditional Japanese arts and culture and serve as a venue for family-friendly activities and interesting demonstrations. An already popular attraction is even more appealing with the new expansion project. No wonder the lines for tickets are long. Purchase tickets online and check-in at the membership desk, exchange your voucher for a ticket there, and avoid the serpentine lines that are sure to continue for some time.

Minutes away from Portland’s busy streets, the Portland Japanese Garden is an oasis of tranquility.

Many visitors take the complimentary shuttle up to the gardens and walk back down to the parking area along the paved pathways.

Visitors can either take a complimentary shuttle bus or walk up the pathway to the open and airy Japanese Arts Learning Center–the heart of the new project with performance space, library and classroom.

Young visitors take a break on the steps inside the new Jordan Schnitzer Japanese Arts Learning Center.

The ground level Tanabe Gallery currently hosts an exhibition of ceramics, calligraphy, and sculpture by former Japanese Prime Minister Hosokawa Morihiro.

A delightful display of ceramics, calligraphy, and sculpture by former Japanese Prime Minister Hosokawa Morihiro are currently on exhibit in the Tanabe Gallery and Pavilion Gallery.

The expansive display, Hosokawa Morihiro: The Art of Life, a Rebirth in Clay, continues in the Pavilion Gallery, which also includes a portable teahouse. Two additional “Art in the Garden” showcases, one featuring Kabuki costumes and the other, Noh masks and costumes, are scheduled for later in the year. The Japanese Garden will host related events and activities associated with both.

A portable tea house with the implements needed to perform a classic Japanese tea ceremony are part of the current exhibition. Noh masks and costumes and Kabuki costumes will be featured in the galleries later this year.

Now, to explore these magnificent gardens! The Strolling Pond Garden was our first stop, after a visit to the Learning Center and Gallery. Visitors can walk across the “iconic Moon Bridge” over the Upper Pond and enjoy the views.

Stroll the “Zig-Zag Bridge” over the Lower Pond which is surrounded by iris. It had not quite bloomed at the time of our visit, but was close. The aptly named Heavenly Falls provide the perfect backdrop to the Lower Pond and were a popular “selfie stop.”

The Heavenly Falls provide the perfect backdrop for contemplation or photo opps.

Follow the rough stepping stones along a lantern- lined path through the beautiful Japanese Tea Garden to the authentic Kashintei Tea House. Typically, the tea garden is a place to appreciate nature’s beauty and “the art of living in harmony” while leaving the cares of the world behind. This is certainly the case at the Portland Japanese Garden—it is so serene it’s easy to forget you are mere minutes from busy city streets.

Visitors are invited to leave their worldly cares behind when they explore the authentic tea garden and Kashintei Tea House.

The Kashintei Tea House, which is where tea demonstrations and related events are held, was brought to Portland from Japan and reassembled here.

Contact the Japanese Garden to learn when tea demonstrations and other events are scheduled for the Kashintei Tea House.

The Portland Japanese Garden has a lovely Sand and Stone Garden, created by Professor Takuma Tono, the Garden’s chief designer in the 1960s. These “dry landscape” gardens are sometimes called “Zen Gardens” because they are often found at Zen monasteries and are meant to invite quiet contemplation. The Sand and Stone Garden here illustrates an important Japanese concept—“the beauty of blank space.”

Enjoy your moments of Zen at the Sand and Stone Garden.

Recent additions to Portland’s Japanese Garden include the Natural Garden, which features local plants not typically associated with Japanese gardens and depicts seasonal change.

The cherry blossoms were in full bloom during our recent visit to Portland’s Japanese Garden.

The small courtyard garden (Tsubo-Niwa) and the Ellie M. Hill Bonsai Terrace are both new and located near the Tateuchi Courtyard in the Cultural Village.

Visitors are treated to an exquisite display of bonsai at the new Ellie M.Hill Bonsai Terrace.

The Flat Garden, which highlights each of the four seasons with specific plantings and trees is popular with visitors. The weeping cherry tree on the left represents spring while a 100- year old maple depicts autumn.

The Flat Garden is meant to be viewed from a single angle either from inside a home, where the door or window serves as a frame, or from a verandah, as these visitors are doing.

The gravel stands in for water, signifying summer in the Flat Garden.

After you’ve finished strolling around the gorgeous gardens and interesting exhibitions, stop in and sample the fare at the new Umami Café. During our visit, just a week after the April 2 reopening, the café was not yet serving food but was offering complimentary samples of four delicious teas from Tokyo-based Jugetsudo Tea Company. (Update– Light snacks and sweets were available on subsequent visits.)

Stop in the new Umami Cafe for a restorative cup of tea and authentic Japanese sweets and snacks.

During our visit, guests were offered four different and delicious teas as part of a complimentary tea tasting.

When His Excellency Nobuo Matsunaga, the former Ambassador of Japan to the United States, visited the Portland Japanese Garden, he proclaimed it “the most beautiful and authentic Japanese garden in the world outside of Japan,” according to the organization.

Tranquil settings such as this one near the Upper Pond, have been drawing visitors since 1963.

They currently report more than 350,000 visitors annually, a number that will surely grow with the addition of the new Cultural Crossroads expansion. Be sure to add this spectacularly beautiful and serene spot to your Portland itinerary. For updated information on tickets, events and hours click here.

Il Grande Museo del’Opera del Duomo: All About Florence’s Famous Duomo

Florence’s Il Grande Museo del’Opera del Duomo has nothing at all to do with opera. Instead, it is all about the work, or opera, involved in building, preserving and maintaining one of the most recognizable Renaissance buildings in the world—Florence’s Duomo, also known as the Cathedral of Santa Maria del Fiore.

A spectacular view of Brunelleschi’s dome from Caffe La Terrazza.

If you’ve ever wanted to see how Brunelleschi’s magnificent dome was constructed, learn what the other options were for the Duomo’s facade, or see the remarkable art treasures once housed in the cathedral, this is the place to come.

Welcome to the recently reopened and reimagined Museo del’Opera del Duomo.

Soaring galleries give visitors a new perspective on the superb sculpture on display at the museum.

Re-opened in October 2015 after years of restoration and reconstruction, the Museo dell’ Opera del Duomo has an exquisite collection of sculpture, paintings and other masterworks displayed on three floors in 6,000 square meters of exhibit space, all designed to showcase the art to its best visual and historical advantage.

A visitor gets an up close look at a statue in the museum.

Most of the works were at one time in, or outside the Duomo.

These sculptures once graced niches in Giotto’s bell tower.

Some of the treasures to be found include the original North Doors created by Lorenzo Ghiberti for the Baptistry of San Giovanni along with the Doors of Paradise by Lorenzo and Vittorio Ghiberti. Replicas now hang on the Baptistry.

Ghiberti’s stunning Doors of Paradise and North Door once graced the Baptistry of San Giovanni but can now be found inside the museum.

Detail of door.

In all, the museum boasts 750 works of art covering 720 years of history.

Arnolfo di Cambio’s stunning Christ with the Soul of Mary

This exquisite silver alter features scenes from the life of John the Baptist and was created by Lorenzo Ghiberti, Betto di Geri, Bernardo Cennini, Antonio di Salvi, Francesco and Leonardo di Giovanni, Antonio del Pollaiolo and Andrea del Verrocchio.

Michelangelo’s poignant pieta, sculpture by Donatello including his magnificent Mary Magdalene as Penitent, and works by Andrea Pisano, Antonio Pollaiolo, Arnolfo di Cambio and other highly regarded Medieval and Renaissance artists are on display.

Michelangelo sculpted this pieta for his own tomb. He later destroyed it. It was reconstructed and acquired by Cosimo de Medici In 1671 and placed in the Duomo in 1722. It was the next to last sculpture Michelangelo ever created.

Donatello’s Mary Magdalene as Penitent draws many visitors.

Sacred items and iconography are part of the museum’s extensive collection.

In the Cappella Musicale, or music gallery, you will hear enchanting sacred music, and find works by Luca della Robbia and others, as well as rare illuminated music books.

Beautiful music fills this gallery where rare illustrated books, sacred objects and art treasures are displayed.

Brunelleschi’s dome, still considered a marvel of engineering, remains one of Florence’s most iconic monuments.

Models of Brunelleschi’s dome show how it was built and why it remains an engineering marvel.

In addition to the art treasures, the museum contains original building materials, equipment and tools, dating back to the Duomo’s 15^th century construction.

Wooden pulleys, ropes and other original construction equipment used to build the Duomo can be seen at the museum.

Original 15th century tools and equipment used to build the Duomo are displayed near a continuously running film that explores the design and construction.

Also featured are drawings and models of the dome and Giotto’s bell tower, which was begun in 1334, after Giotto’s death. An outdoor terrace offers splendid views of the dome.

Brunelleschi’s wooden model of the dome fascinates visitors.

A detailed model of the bell tower designed by Giotto is on display near beautiful stained glass windows created by notables including Ghiberti, Donatello, Paolo Uccelli and Andrea del Castagno.

Visitors to the museum will learn about the history of this spectacular cathedral, designed by Arnolfo di Cambio and dedicated in 1412. The name Santa Maria del Fiore means St. Mary of the Flowers or Virgin of the Flowers. Once the largest church in all of Europe, today it is third in size, after St. Peter’s Basilica in Rome and London’s St. Paul’s Cathedral.

A film called Courage to Dare about Florence during the Renaissance and the creation and construction of the Duomo runs continuously in the museum.

A number of possibilities considered for the Duomo’s facade are on display, including this one.

Combination tickets can be purchased for the Duomo Museum, the Baptistery, the bell tower and the Crypt of Santa Reparta, named for the 7^th century church that once stood on the site of the Duomo. There is no charge to enter the Duomo, but paid tickets are required for visitors who wish to climb the more than 400 steps to the top of the bell tower.

The Baptistry of San Giovanni always draws crowds. Tickets are required to enter.

Appropriate clothing is essential for entry. In other words, no shorts, short skirts or skimpy, shoulder baring tops on women or men. Bulky bags and backpacks must be checked. Visit www.ilgrandemuseodelduomo.it for information on ticket prices, hours and tours.

Admission to the Duomo is free but take care to dress appropriately or you will be denied entry.

On our visit, we also had free access to a photographic exhibition called Opera di Viva by Michele Pecchioli, which paid tribute to the hundreds of men and women who have worked to preserve the artistic integrity and cultural heritage of the building and the art works within for more than 700 years.

Michele Pecchioli’s photographs pay tribute to the men and women who restore and preserve the art and cultural heritage of Florence’s iconic Duomo.

The photos feature the restorers, artists, employees and security guards who play a role in safeguarding these treasurers and ensuring public access to the works for years to come. Note: This was a temporary exhibition and may now longer be available for viewing.

A close up of a security guard charged with safeguarding the priceless treasures at the Duomo and its museum.

When the sun begins to set in Florence, head over to Piazzale Michelangelo for another perspective on the Duomo —and enjoy the gorgeous vista across the Arno over the city.

Some of the most spectacular views of Florence can be had from the Piazzale Michelangelo. Don’t miss a visit to the beautiful San Miniato al Monte across the street. It’s the oldest church in Florence, after the Baptistry.

Florence’s Duomo viewed from Piazzale Michelangelo.

The department store La Rinescente has a terrace restaurant with fine views of the Duomo, as well as drinks and light fare.

If you crave an aperitivo with your sunset and Duomo views, go to La Rinascente, the department store on Piazza Repubblica. Go directly up to La Terrazza on the top floor and you’ll find a little rooftop café/bar with great views of the city and the iconic dome. It gets crowded so get there early or be prepared to wait.

Sensational sunset view over the Piazza della Repubblica from Caffe La Terrazza.

Cin Cin!

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